The ALPHAVILLE example gets even better, when one considers Constantine as
Lemmy back again in Godard's excellent and little-seen GERMANY NINE ZERO
(1991).
Jacques Demy's films are a special case: characters migrate from one film to
another - for example, Anouk Aimee is Lola in THE MODEL SHOP, but that film
is in no strict sense a sequel to LOLA. There must be other examples like
this in world cinema.
The Antoine Doinel/Truffaut case is surely a conventional set of sequels, a
la INDIANA JONES!!
Adrian
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