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The ALPHAVILLE example gets even better, when one considers Constantine as Lemmy back again in Godard's excellent and little-seen GERMANY NINE ZERO (1991). Jacques Demy's films are a special case: characters migrate from one film to another - for example, Anouk Aimee is Lola in THE MODEL SHOP, but that film is in no strict sense a sequel to LOLA. There must be other examples like this in world cinema. The Antoine Doinel/Truffaut case is surely a conventional set of sequels, a la INDIANA JONES!! Adrian * * * * *** Film-Philosophy Email Discussion Salon. After hitting 'reply' please always delete the text of the message you are replying to. To leave, send the message: leave film-philosopy to: [log in to unmask] For help email: [log in to unmask], not the salon. ***