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FILM-PHILOSOPHY  December 2007

FILM-PHILOSOPHY December 2007

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Subject:

Re: FILM-PHILOSOPHY Digest - 5 Dec 2007 to 6 Dec 2007 - Special issue (#2007-376)

From:

Don Handelman <[log in to unmask]>

Reply-To:

Film-Philosophy Salon <[log in to unmask]>

Date:

Thu, 6 Dec 2007 09:25:37 +0200

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text/plain (979 lines)

Shifting again to TV, the Borg of Star Trek (if this hasn't been 
mentioned) are the ultimate cyborg, forming their social order 
through a single borgian entity. Don't remember, but perhaps one of 
the Star Trek films featured the Borg.
Don

>There are 8 messages totalling 924 lines in this issue.
>
>Topics in this special issue:
>
>   1. Question on cyborg (7)
>   2. London research seminar: Chris Marker: Ethics, Performativity, 
>Documentary
>
>*
>*
>Film-Philosophy salon
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>
>
>----------------------------------------------------------------------
>
>Date:    Wed, 5 Dec 2007 13:26:09 EST
>From:    matt <[log in to unmask]>
>Subject: Re: Question on cyborg
>
>--part1_c30.1f158bde.34884741_boundary
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>
>Terminator and Alien show andriods , not cyborgs .
>  If we take an Andriod being a fully synthetic machine in the shape of a
>human, and a cyborg being a human with a foreign attachment i would 
>mention a film
>like Hands of Orlock (if thats the title)?, things along the lines of 'alien
>hand syndrome'
>
>.  
>
>*
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>
>
>--part1_c30.1f158bde.34884741_boundary
>Content-Type: text/html; charset="US-ASCII"
>Content-Transfer-Encoding: quoted-printable
>
><HTML><FONT FACE=3Darial,helvetica><HTML><FONT  SIZE=3D2 PTSIZE=3D10 FAMILY=
>=3D"SANSSERIF" FACE=3D"Arial" LANG=3D"0">Terminator and Alien show 
>andriods=20=
>, not cyborgs .<BR>
>  If we take an Andriod being a fully synthetic machine in the shape of a hum=
>an, and a cyborg being a human with a foreign attachment i would mention a f=
>ilm like Hands of Orlock (if thats the title)?, things along the lines of 'a=
>lien hand syndrome' <BR>
><BR>
>.</FONT>   </HTML>
>*
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>
>--part1_c30.1f158bde.34884741_boundary--
>
>------------------------------
>
>Date:    Wed, 5 Dec 2007 13:55:01 -0500
>From:    Patricia Molloy <[log in to unmask]>
>Subject: Re: Question on cyborg
>
>This is a multi-part message in MIME format.
>
>----=_--0ba0b43e.0ba0b2bf.c37ca485
>Content-Type: text/plain; charset=ISO-8859-1
>Content-Transfer-Encoding: 8bit
>
>Film-Philosophy Salon <[log in to unmask]> writes:
>>It's TV, not cinema, but 'Adam' in Season 4 of Buffy the Vampire Slayer.
>
>Ah, Carol beat me to it! What's especially interesting about Adam is that
>he's not just a cyborg but a human/demon/machine hybrid.
>
>cheers
>p.
>
>
>*
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>
>----=_--0ba0b43e.0ba0b2bf.c37ca485
>Content-Type: text/html; charset=ISO-8859-1
>Content-Transfer-Encoding: quoted-printable
>
><?xml version=3D=221.0=22 encoding=3D=22ISO-8859-1=22?>
><=21DOCTYPE HTML PUBLIC =22-//W3C//DTD HTML 4.0 Transitional//EN=22>
><html>
><head>
><meta http-equiv=3D=22Content-Type=22 content=3D=22text/html; charset=3DISO=
>-8859-1=22 />
><title></title>
><style type=3D=22text/css=22>
><=21--
>body=7Bmargin-left:10px;margin-right:10px;margin-top:10px;margin-bottom:10p=
>x;=7D
>-->
></style>
></head>
><body marginleft=3D=2210=22 marginright=3D=2210=22 margintop=3D=2210=22 mar=
>ginbottom=3D=2210=22>
><font face=3D=22Arial=22 size=3D=22+0=22 color=3D=22=23000000=22 style=3D=
>=22font-family:Arial;font-size:10pt;color:=23000000;=22><b>Film-Philosophy =
>Salon &lt;FILM-PHILOSOPHY=40JISCMAIL.AC.UK&gt; writes:<br />
></b></font><span style=3D=22background-color:=23d0d0d0;=22><font face=3D=
>=22Times New Roman=22 size=3D=22+0=22 color=3D=22=23000000=22 style=3D=22fo=
>nt-family:Times New Roman;font-size:12pt;color:=23000000;=22>It's TV, not c=
>inema, but 'Adam' in Season 4 of Buffy the Vampire Slayer. <br />
></font></span><font face=3D=22Arial=22 size=3D=22+0=22 color=3D=22=23000000=
>=22 style=3D=22font-family:Arial;font-size:10pt;color:=23000000;=22><br />
>Ah, Carol beat me to it=21 What's especially interesting about Adam is that=
>  he's not just a cyborg but a human/demon/machine hybrid.<br />
><br />
>cheers<br />
>p.</font>
></body>
></html>
>*
>*
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>----=_--0ba0b43e.0ba0b2bf.c37ca485--
>
>------------------------------
>
>Date:    Thu, 6 Dec 2007 08:25:23 +1300
>From:    Mark McGeady <[log in to unmask]>
>Subject: Re: Question on cyborg
>
>Japanese film 'Tetsuo: The Ironman' - Director: Shinya Tsukamoto.  There =
>is also a very good sequel.
>cheers
>Mark
>
>
>
>
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>------------------------------
>
>Date:    Wed, 5 Dec 2007 11:38:27 -0800
>From:    Hans Heydebreck <[log in to unmask]>
>Subject: Re: Question on cyborg
>
>(a male love r=
>
>The Companion=0Ahttp://german.imdb.com/title/tt0109464/=0A=0A(a male love r=
>obot gets out of control, the character=B4s increasing destructiveness is l=
>inked to its / his developing intelligence)=0A=0A=0A      _________________=
>___________________________________________________________________=0ABe a =
>better friend, newshound, and =0Aknow-it-all with Yahoo! Mobile.  Try it no=
>w.  http://mobile.yahoo.com/;_ylt=3DAhu06i62sR8HDtDypao8Wcj9tAcJ =0A
>
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>------------------------------
>
>Date:    Thu, 6 Dec 2007 09:28:26 +1100
>From:    Paul Stambolis <[log in to unmask]>
>Subject: Re: Question on cyborg
>
>--Apple-Mail-2--456825188
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>Star Trek TV and feature series
>On 05/12/2007, at 10:17 PM, Helen Tragea wrote:
>
>>
>>  hallo
>>
>>  My mind has gone empty so could you please help me with something? 
>>  Can anyone think of a cinematic example where a cyborg is presented 
>>  as a monster and a negative character?
>>  All I could think of by myself is the Darth Vader character from 
>>  Star Wars.
>>  thanks
>>  Helen Tragea
>>
>>  Never miss a thing. Make Yahoo your homepage. * * Film-Philosophy 
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><html><body style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; =
>-webkit-line-break: after-white-space; ">
>Star Trek TV and=A0feature=A0series<br><div><div>On 05/12/2007, at 10:17 =
>PM, Helen Tragea wrote:</div><br =
>class=3D"Apple-interchange-newline"><blockquote =
>type=3D"cite"><div><br>hallo</div>  <div>=A0</div>  <div>My mind has =
>gone empty so could you please help me with something? Can anyone think =
>of a cinematic example where a cyborg is presented as a monster and a =
>negative character?</div>  <div>All I could think of by myself is the =
>Darth Vader character from Star Wars.</div>  <div>thanks </div>  =
><div>Helen Tragea</div><div>        <br =
>class=3D"khtml-block-placeholder"></div><hr size=3D"1">Never miss a =
>thing.  <a =
>href=3D"http://us.rd.yahoo.com/evt=3D51438/*http://www.yahoo.com/r/hs"> =
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>Film-Philosophy Email Discussion Salon.
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>------------------------------
>
>Date:    Wed, 5 Dec 2007 18:10:53 EST
>From:    Jon Baldwin <[log in to unmask]>
>Subject: London research seminar: Chris Marker: Ethics, 
>Performativity, Documentary
>
>-------------------------------1196896253
>Content-Type: text/plain; charset="UTF-8"
>Content-Transfer-Encoding: quoted-printable
>Content-Language: en
>
>It may interest members that Sarah Cooper, King=E2=80=99s College London, co=
>-editor =20
>of Film-Philosophy, will be presenting a research seminar on Chris Marker on=
>  =20
>Weds 12th December at London Metropolitan University (4pm, ILRC seminar room=
>, =20
>Commercial Road (_http://www.londonmet.ac.uk/about/find-us.cfm_=20
>(http://www.londonmet.ac.uk/about/find-us.cfm) ). Nearest  tube Aldgate East=
>.) All welcome.=20
>For further details please contact [log in to unmask]
>(mailto:[log in to unmask])=20
>
>Abstract:
>=20
>Chris Marker: Ethics, Performativity, Documentary
>
>As a speech act  (in J L Austin=E2=80=99s How to do things with words) and a=
>s  a=20
>theory of gender  identity constitution (in Judith Butler=E2=80=99s Gender T=
>rouble), the=20
>performative  is a form of =E2=80=98doing=E2=80=99 that brings 
>something or=20=
>someone into=20
>being. The  notion of performativity thus questions the relation between a=20
>performance  and a pre-existing ontological ground, since the performance is=
>=20
>everything.  Entering into dialogue with contrasting theories of the perform=
>ative=20
>within  the context of documentary studies (most notably by Stella Bruzzi an=
>d Bill =20
>Nichols), =20
>I wish to explore the relation between ontology and  performativity with=20
>reference to Chris Marker=E2=80=99s work, paying particular  attention to hi=
>s tribute to=20
>Andrei Tarkovsky, One Day in the Life of  Andrei Arsenevitch (2000). This=20
>poignant documentary bears familiar  Marker hallmarks, yet it carves out a s=
>pace in=20
>which Tarkovsky  remains unique and inassimilable to Marker=E2=80=99s own fi=
>lmmaking=20
>style.  While performativity may enable us to theorize how this film comes =20
>into being, it is not in a manner akin to Austin's speech act, or  Butler's=20
>gendered bodies. Indeed, the body of Marker=E2=80=99s film is  disarticulate=
>d through the=20
>priority it affords Tarkovsky, and this  prioritizing of the other filmmaker=
>=20
>takes us beyond performativity, beyond  being, and =20
>into ethical terrain.
>
>
>
>   =20
>
>*
>*
>Film-Philosophy salon
>After hitting 'reply' please always delete the text of the message 
>you are replying to.
>To leave, send the message: leave film-philosophy to: [log in to unmask]
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>**
>
>
>
>-------------------------------1196896253
>Content-Type: text/html; charset="UTF-8"
>Content-Transfer-Encoding: quoted-printable
>Content-Language: en
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; charset=3DUTF-8">
><META content=3D"MSHTML 6.00.6000.16544" name=3DGENERATOR></HEAD>
><BODY id=3Drole_body style=3D"FONT-SIZE: 10pt; COLOR: #000000; 
>FONT-FAMILY:=20=
>Arial"=20
>bottomMargin=3D7 leftMargin=3D7 topMargin=3D7 rightMargin=3D7><FONT id=3Drol=
>e_document=20
>face=3DArial color=3D#000000 size=3D2>
><DIV>It may interest members that Sarah Cooper, King=E2=80=99s College Londo=
>n, co-editor=20
>of Film-Philosophy, will be presenting a research seminar on Chris Marker on=
>=20
>Weds 12th December at London Metropolitan University (4pm, ILRC seminar room=
>,=20
>Commercial Road (<A href=3D"http://www.londonmet.ac.uk/about/find-us.cfm"=20
>target=3D_blank><FONT=20
>color=3D#000000>http://www.londonmet.ac.uk/about/find-us.cfm</FONT></A>). Ne=
>arest=20
>tube Aldgate East.) All welcome. For further details please contact <A=20
>href=3D"mailto:[log in to unmask]">[log in to unmask]</A><BR><=
>/DIV>
><DIV>Abstract:</DIV>
><DIV>&nbsp;</DIV>
><DIV>Chris Marker: Ethics, Performativity, Documentary<BR><BR>As a speech ac=
>t=20
>(in J L Austin=E2=80=99s How to do things with words) and as&nbsp; a 
>theory=20=
>of gender=20
>identity constitution (in Judith Butler=E2=80=99s 
>Gender&nbsp;Trouble), the=20=
>performative=20
>is a form of =E2=80=98doing=E2=80=99 that brings something&nbsp;or someone i=
>nto being. The=20
>notion of performativity thus questions&nbsp;the relation between a performa=
>nce=20
>and a pre-existing ontological&nbsp;ground, since the performance is everyth=
>ing.=20
>Entering into dialogue&nbsp;with contrasting theories of the performative wi=
>thin=20
>the context of&nbsp;documentary studies (most notably by Stella Bruzzi and B=
>ill=20
>Nichols),&nbsp; <BR>I wish to explore the relation between ontology and=20
>performativity&nbsp;with reference to Chris Marker=E2=80=99s work, paying pa=
>rticular=20
>attention to&nbsp;his tribute to Andrei Tarkovsky, One Day in the Life of=20
>Andrei&nbsp;Arsenevitch (2000). This poignant documentary bears familiar=20
>Marker&nbsp;hallmarks, yet it carves out a space in which Tarkovsky=20
>remains&nbsp;unique and inassimilable to Marker=E2=80=99s own filmmaking sty=
>le.=20
>While&nbsp;performativity may enable us to theorize how this film comes=20
>into&nbsp;being, it is not in a manner akin to Austin's speech act, or=20
>Butler's&nbsp;gendered bodies. Indeed, the body of Marker=E2=80=99s film is=20
>disarticulated&nbsp;through the priority it affords Tarkovsky, and this=20
>prioritizing of&nbsp;the other filmmaker takes us beyond performativity, bey=
>ond=20
>being, and&nbsp; <BR>into ethical terrain.</DIV></FONT>   </BODY></HTML>
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>-------------------------------1196896253--
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>------------------------------
>
>Date:    Thu, 6 Dec 2007 09:29:01 +0900
>From:    Leon MARVELL <[log in to unmask]>
>Subject: Re: Question on cyborg
>
>Perhaps the first cyborg in cinema: the "evil Maria" in Lang's Metropolis.
>
>
>>
>>  Date:    Wed, 5 Dec 2007 03:17:27 -0800
>>  From:    Helen Tragea <[log in to unmask]>
>>  Subject: Question on cyborg
>>
>>  --0-552744471-1196853447=:41430
>>  Content-Type: text/plain; charset=iso-8859-1
>>  Content-Transfer-Encoding: 8bit
>>
>>
>>  hallo
>>   
>>    My mind has gone empty so could you please help me with something? Can
>>  anyone think of a cinematic example where a cyborg is presented as a monster
>>  and a negative character?
>>    All I could think of by myself is the Darth Vader character from 
>>Star Wars.
>>    thanks
>>    Helen Tragea
>
>
>
>This e-mail is confidential. If you are not the intended recipient 
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>
>------------------------------
>
>Date:    Wed, 5 Dec 2007 20:09:49 -0500
>From:    bill harris <[log in to unmask]>
>Subject: Re: Question on cyborg
>
>This is a multi-part message in MIME format.
>
>------=_NextPart_000_0085_01C8377A.CA5BF0E0
>Content-Type: text/plain;
>	charset="iso-8859-1"
>Content-Transfer-Encoding: quoted-printable
>
>The true idiocy of Star Wars is that we really don't know whether or not =
>Darth is evil or not. The planet he destroyed might have been an =
>aggressor (cv Independence Day) intent on razing other civilizations. =
>Hence, Darth as the protector.
>
>And what do we know of "the Good Guys" apart from their own assertions =
>of good-ness and that they wear white? Is this just a cover for their =
>intent to exploit, and to steal the natural resources of others?=20
>
>And after their victory over the "Evil Empire" welfare state did they =
>smash the unions, reduce wages, and declare war on those who provided =
>energy? My bet is that they're neo-cons and the young boy grows up to be =
>Carl Rove, the elder is Cheney, and Princess, the Mrs.
>
>Perhaps there's even a drang nach osten into the next galaxy? So is =
>Lucas a pro cripto nazi, or just another LA jerk out to make a buck?
>
>
>   ----- Original Message -----=20
>   From: Paul Stambolis<mailto:[log in to unmask]>=20
>   To: =
>[log in to unmask]<mailto:[log in to unmask]>=20
>   Sent: Wednesday, December 05, 2007 5:28 PM
>   Subject: Re: Question on cyborg
>
>
>   Star Trek TV and feature series
>
>   On 05/12/2007, at 10:17 PM, Helen Tragea wrote:
>
>
>
>     hallo
>
>     My mind has gone empty so could you please help me with something? =
>Can anyone think of a cinematic example where a cyborg is presented as a =
>monster and a negative character?
>     All I could think of by myself is the Darth Vader character from =
>Star Wars.
>     thanks=20
>     Helen Tragea
>
>
>
>-------------------------------------------------------------------------=
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>
>   Paul Stambolis - IT Manager
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>------=_NextPart_000_0085_01C8377A.CA5BF0E0
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>name=3D"Compose message area"><!--[gte IE 5]><?xml:namespace =
>prefix=3D"v" /><?xml:namespace prefix=3D"o" /><![endif]-->
><DIV>
><DIV>The true idiocy of Star Wars is that we really don't know whether =
>or not=20
>Darth is evil or not. The planet he destroyed might have been an =
>aggressor (cv=20
>Independence Day) intent on razing other civilizations. Hence, Darth as =
>the=20
>protector.</DIV>
><DIV>&nbsp;</DIV>
><DIV>And what do we know of "the Good Guys" apart from their own =
>assertions of=20
>good-ness and that they wear white? Is this just a cover for their =
>intent to=20
>exploit, and to steal the natural resources of others? </DIV>
><DIV>&nbsp;</DIV>
><DIV>And after their victory over the "Evil Empire"&nbsp;welfare state =
>did they=20
>smash the unions, reduce wages, and declare war on those who provided =
>energy? My=20
>bet is that they're neo-cons and the young boy grows up to be Carl Rove, =
>the=20
>elder is Cheney, and Princess, the Mrs.</DIV>
><DIV>&nbsp;</DIV>
><DIV>Perhaps there's even a drang nach osten into the next galaxy? So is =
>Lucas a=20
>pro cripto nazi, or just another LA jerk out to make a buck?</DIV>
><DIV>&nbsp;</DIV>
><DIV>&nbsp;</DIV>
><BLOCKQUOTE=20
>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
>   <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
>   <DIV style=3D"FONT: 10pt arial"><B>From:</B> <A=20
>   title=3Dmailto:[log in to unmask]
>   href=3D"mailto:[log in to unmask]">Paul Stambolis</A> =
></DIV>
>   <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
>   title=3Dmailto:[log in to unmask]
>   =
>href=3D"mailto:[log in to unmask]">[log in to unmask]
>C.UK</A>=20
>   </DIV>
>   <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, December 05, =
>2007 5:28=20
>   PM</DIV>
>   <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Question on =
>cyborg</DIV>
>   <DIV><BR></DIV>Star Trek TV and&nbsp;feature&nbsp;series<BR>
>   <DIV>
>   <DIV>On 05/12/2007, at 10:17 PM, Helen Tragea wrote:</DIV><BR=20
>   class=3DApple-interchange-newline>
>   <BLOCKQUOTE type=3D"cite">
>     <DIV><BR>hallo</DIV>
>     <DIV>&nbsp;</DIV>
>     <DIV>My mind has gone empty so could you please help me with =
>something? Can=20
>     anyone think of a cinematic example where a cyborg is presented as a =
>monster=20
>     and a negative character?</DIV>
>     <DIV>All I could think of by myself is the Darth Vader character =
>from Star=20
>     Wars.</DIV>
>     <DIV>thanks </DIV>
>     <DIV>Helen Tragea</DIV>
>     <DIV><BR class=3Dkhtml-block-placeholder></DIV>
>     <HR SIZE=3D1>
>     Never miss a thing. <A=20
>     =
>title=3Dhttp://us.rd.yahoo.com/evt=3D51438/*http://www.yahoo.com/r/hs=20
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>href=3D"http://us.rd.yahoo.com/evt=3D51438/*http://www.yahoo.com/r/hs">Ma=
>ke=20
>     Yahoo your homepage.</A> * * Film-Philosophy Email Discussion Salon. =
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>------------------------------
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>End of FILM-PHILOSOPHY Digest - 5 Dec 2007 to 6 Dec 2007 - Special 
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>************************************************************************************

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