Just wondering.... the discussion of suture in the 70s (Oudart, Dayan,
Heath) - later to be 'trashed' by Carroll in Mystifying Movies -
doesn't seem to have paid much attention to the role of nondiegetic
music, although it would often seem to be crucial to the working of
this mechanism.
Maybe an old hat?
Henry
> Hello Malgorzata,
>
> Of course Preisner is one of the key figures in my discussion. I am
> particularly interested in his work for Kieslowski's 'Blue', where
> the music
> plays the role of a facilitator of molecularization and becoming
> that in
> essence drives the narrative. Here the narrative, the mise-en-scene
> and the
> music are each responsible to tell us things that the other elements
> cannot
> tell us. But this is not unusual in Kieslowski, who felt that this was
> music's role in film!
>
> Cheers,
> Gregg
>
> *
> *
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