Dear Dann,
I have been away from the list for a while, so only just saw this
posting. I wrote on Eternal Sunshine from a Deleuzian perspective in:
David Martin-Jones, Deleuze, Cinema and National Identity (Edinburgh
University Press, 2006).
Perhaps its helpful,
David
> Date: Sat, 11 Aug 2007 00:54:57 +0200
> From: Daan Vermeulen <[log in to unmask]>
> Subject: Michel Gondry's style/techniques
>
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> (I might have send this email before (but in a already existing discussion))
>
> Hi All,
>
> Im writing a piece on Gondry's films in relation to (mainly) deleuzian
> spectatorship and have been searching the web for articles or information
> about Gondry's technique (preferably his montage, framing, angle) etc.
> The extras on the 'Eternal Sunshine' dvd give some insight in the way he
> works, but does anyone know some written stuff about the way he gives his
> films the certain 'Gondry' style? (For example, Gael Garcia Bernal's
> character's fantasies in 'The Science of Sleep' (the 'plastic' water, the
> mechanic horse, etc.))
>
> Many thanks,
>
>
> Daan
>
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