Hello Malgorzata,
Of course Preisner is one of the key figures in my discussion. I am
particularly interested in his work for Kieslowski's 'Blue', where the music
plays the role of a facilitator of molecularization and becoming that in
essence drives the narrative. Here the narrative, the mise-en-scene and the
music are each responsible to tell us things that the other elements cannot
tell us. But this is not unusual in Kieslowski, who felt that this was
music's role in film!
Cheers,
Gregg
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