Has someone mentioned the phone that rouses Sam Lowry near the beginning of
Terry Gilliam's Brazil? It's a good example of the kind of technology (that
doesn't quite work as efficiently as hoped) omnipresent in the film, also in
terms of how it looks.
Andrew
*
*
*
*
***
Film-Philosophy Email Discussion Salon.
After hitting 'reply' please always delete the text of the message you are replying to.
To leave, send the message: leave film-philosopy to: [log in to unmask]
For help email: [log in to unmask], not the salon.
***
|