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Has someone mentioned the phone that rouses Sam Lowry near the beginning of Terry Gilliam's Brazil? It's a good example of the kind of technology (that doesn't quite work as efficiently as hoped) omnipresent in the film, also in terms of how it looks. Andrew * * * * *** Film-Philosophy Email Discussion Salon. After hitting 'reply' please always delete the text of the message you are replying to. To leave, send the message: leave film-philosopy to: [log in to unmask] For help email: [log in to unmask], not the salon. ***