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FILM-PHILOSOPHY  September 2009

FILM-PHILOSOPHY September 2009

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Subject:

ROUND TABLE - WHAT IS FILM-PHILOSOPHY? UNIVERSITY OF ST ANDREWS, SCOTLAND.

From:

David Martin-Jones <[log in to unmask]>

Reply-To:

Film-Philosophy Salon <[log in to unmask]>

Date:

Mon, 14 Sep 2009 18:03:47 +0100

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*What is Film-Philosophy? Round Table. University of St Andrews, Scotland. *

Monday 12th October, 5.30 - 7.00 pm.
Arts Seminar Rm 7, Arts Building, The Scores, St Andrews.

*Participants: *

Dr Robert Sinnerbrink (Philosophy, Macquarie University, Sydney, Australia)
Dr John Mullarkey (Philosophy, University of Dundee)
Professor Berys Gaut (Philosophy, University of St Andrews)
Dr David Martin-Jones (Film Studies, University of St Andrews)
Dr William Brown (Film Studies, University of St Andrews)

Over the course of at least the last hundred years the intellectual 
study of cinema has experienced a number of shifts towards and away from 
theoretical or philosophical attempts to understand the moving image. 
The twenty-first century sees film-philosophy resurgent, in part due to 
the interest in cinema that has flourished recently in disciplines like 
philosophy, and in part due to the interdisciplinary nature of Film 
Studies. At a time when it is increasingly in vogue to return to 
theoretical questions previously pushed off the agenda by the dominance 
of historical approaches to cinema, such as the perennial “What is 
Cinema?”, we are taking this opportunity to ask, “What is 
Film-Philosophy?” In a context that is witnessing the rise of digital 
cinema, the global dominance of multi-national media conglomerates, and 
the worldwide spread of “world cinemas”, what role does theory or 
philosophy play in helping us understand cinema, and indeed, what role 
can cinema play in transforming philosophy?

We are extremely pleased to welcome both Robert Sinnerbrink and John 
Mullarkey as guests to the Centre for Film Studies, St Andrews.

Bio: Robert Sinnerbrink – Robert Sinnerbrink is a Lecturer in Philosophy 
at Macquarie University, Sydney. He is the author of Understanding 
Hegelianism (Acumen, 2007), co-editor of /Critique Today /(Brill, 2006) 
and co-editor of /Work, Recognition, Politics: New Directions in French 
Critical Theory/ (Brill, 2007). He has published numerous articles in 
contemporary European philosophy, critical theory, and philosophy of 
film, including essays on the films of Peter Greenaway, David Lynch, 
Terrence Malick, and Lars von Trier. In 2008 he was a keynote speaker at 
the inaugural Film and Philosophy conference at UWE, Bristol.

Bio: John Mullarkey – Educated at Dublin, London, and Warwick, John 
Mullarkey has taught philosophy for the last 15 years (at the University 
of Dundee since 2004), working in the area of European philosophy and 
film theory. He has published /Bergson and Philosophy/ (Edinburgh UP, 
1999), /Post-Continental Philosophy: An Outline/ (Continuum, 2006) and, 
most recently, /Refractions of Reality: Philosophy and the Moving Image 
/(Palgrave-Macmillan, 2009).

-- 

Dr David Martin-Jones
Senior Lecturer in Film Studies
Convener of Postgraduate Programmes (MLitt & PhD)
Dept of Film Studies
University of St Andrews
St Andrews, KY16 9AD
Scotland, UK.

Website: http://www.st-andrews.ac.uk/filmstudies/staff.php?staffid=1

Latest Books:
/Deleuze, Cinema and National Identity/ (2006) 
http://www.eupjournals.com/book/9780748635856
/Deleuze Reframed/ (2008) 
http://www.palgrave-usa.com/catalog/product.aspx?isbn=1845115473
/Scotland//: Global Cinema/ (2009) 
http://www.eupjournals.com/book/9780748633913

The University of St Andrews is a charity registered in Scotland, No: 
SC013532.

*
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