medieval-religion: Scholarly discussions of medieval religion and culture



As was foretold: links to period-pertinent images of the Magi (plus a very few to some earlier instances) and starting -- out of chronological order -- with a personal favorite:



α) as depicted (preliminary to the Adoration of the Magi) in the bas-de-page of a later thirteenth-century breviary, perh. from Cambrai (ca. 1275-1300; Den Haag, KB, ms. 76 J 18, fol. 25r):

http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76j18%3A025r_marge_lo

mis-en-page, with a Nativity scene at the very top:

http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76j18%3A025r

Yes, those are shepherds at lower right (the mouse-like figures would seem to be sheep):

http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76j18%3A025r_marge_onder



a) as portrayed in high relief (Adoration of the Magi) on a panel from a fourth-century Roman sarcophagus in the Museo Pio Cristiano (Inv. 31459, ex. 124) of the Musei Vaticani:

http://tinyurl.com/39l3m9



b) as portrayed in high relief (Adoration of the Magi) on the earlier fifth-century marble Casket of Sts. Quiricus and Julitta (ca. 426-450) in the Museo Arcivescovile in Ravenna:

http://tinyurl.com/998h9s



c) as portrayed in high relief (Adoration of the Magi) on an earlier sixth-century ivory panel in the British Museum, London:

http://tinyurl.com/sueln



d) as depicted (bottom register at center; Adoration of the Magi) in the mid-sixth-century apse mosaic (ca. 545) in Ravenna's basilica di San Vitale:

http://tinyurl.com/2wv5sy

http://tinyurl.com/3828a4



e) as depicted (Adoration of the Magi) in a heavily restored later sixth-century mosaic (ca. 561) in the nave of Ravenna's basilica di Sant'Apollinare Nuovo:

http://tinyurl.com/3x7y9f



f) as depicted (Adoration of the Magi) in one of the late sixth- or seventh-century full-page miniatures bound into a late tenth-century gospels in Armenian (ca. 989; Yerevan, Matenadaran, ms. 2374 [the Etchmiadzin Gospel]):

http://tinyurl.com/hkyk65x



g) as portrayed in relief (Adoration of the Magi) on the earlier eighth-century Altar of Duke Ratchis (betw. 737 and 744) in the Museo Cristiano del Duomo, Cividale:

http://tinyurl.com/7sxdp2d



h) as portrayed in high relief (second strip at far right; the Adoration of the Magi) on an ivory panel from the ninth(?)-century Werden Casket in the Victoria and Albert Museum, London (photograph courtesy of Genevra Kornbluth):

http://www.kornbluthphoto.com/images/WerdenCasket.jpg 



i) as depicted (Adoration of the Magi) in a probably ninth-century fresco in the apse of the chiesa di Santa Maria foris Portas in Castelseprio (VA), Lombardy:

http://tinyurl.com/yh8v55n



j) as portrayed in relief (scenes) on a later ninth-century ivory casket from Metz (ca. 866-900) in the Musée du Louvre, Paris:

1) the Magi before Herod (lower register); Adoration of the Magi (cover):

http://tinyurl.com/hwr7svn

Detail view (Adoration of the Magi):

http://tinyurl.com/jp2xlx2

2) the Dream of the Magi:

http://tinyurl.com/zse3jyz



k) as portrayed in high relief (Adoration of the Magi) on a ninth-century ivory plaque re-used for the upper cover of a late tenth-century gospels from Metz (Paris, BnF, ms. Latin 9393):

http://tinyurl.com/yze8w7a



l) as depicted (Adoration of the Magi) in the later tenth-century Poussay Gospel Lectionary from Reichenau (Paris, BnF, ms. Latin 10514, fol. 18v):

http://tinyurl.com/y8c9fwd



m) as depicted in the late tenth- or very early eleventh-century so-called Menologion of Basil II (Città del Vaticano, BAV, cod. Vat. gr. 1613, p. 271; colors poorly reproduced):

http://tinyurl.com/jaj2qm3



n) as portrayed in high relief (Adoration of the Magi) on a panel of the early eleventh-century bronze doors (the Bernwardstür; installed, 1015; restored, 1986) of the Dom St. Mariae, Hildesheim:

http://tinyurl.com/8amrcy



o) as depicted (scenes) in an earlier eleventh-century sacramentary of English origin (ca. 1020; Rouen, Bibliothèque municipale, ms. 274, fol. 37r):

http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht6/IRHT_100545-p.jpg

Detail view (Adoration of the Magi):

http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht6/IRHT_100550-p.jpg



p) as portrayed in relief (uppermost register, first three scenes from left: the Magi before Herod; Adoration of the Magi; Dream of the Magi) on the later eleventh-century wooden doors (ca. 1060) in Köln's Basilika St. Maria im Kapitol:

http://tinyurl.com/2xw8cd



q) as depicted (Adoration of the Magi) in the late eleventh-century mosaics in the katholikon of the Daphni monastery at Chaidari (Attika regional authority):

http://tinyurl.com/j8l75jm



r) as portrayed in relief (Adoration of the Magi) on a late eleventh- or early twelfth-century carved whalebone panel from northeastern Spain in the Victoria and Albert Museum, London:

http://www.wga.hu/art/m/master/zunk_sp/zunk_sp3/06magi.jpg



s) as portrayed in high relief (Adoration of the Magi) by Master Gofridus on a twelfth-century capital in the église collégiale Saint-Pierre at Chauvigny (Vienne):

http://tinyurl.com/82lv7b



t) as depicted (Adoration of the Magi) in a twelfth-century copy of Origen's _Homiliae in Testamentum vetus_ (Charleville-Mézières, Médiathèque Voyelles, ms. 245, t. I,  fol. 198v):

http://tinyurl.com/2mrspr



u) as depicted (at left; Adoration of the Magi) in a twelfth-century fresco -- the so-called Epiphany of Navasa -- from the iglesia de la Asunción at the locality of Navasa in Jaca (Huesca), now in the Museo de Arte Sacro Diocesano de Jaca:

http://www.romanicoaragones.com/0-Jacetania/10-Museo-04-Refectorio%20G058.jpg



v) as depicted (uppermost register, flanking the BVM and Christ Child; Adoration of the Magi) in a modern copy in the església de Santa Maria de Taüll, at Taüll (Lérida), of a twelfth-century fresco whose original is in the Museo Nacional de Arte de Cataluña in Barcelona:

http://tinyurl.com/gwsfvte



w) as depicted (scenes) in full-page illuminations in the earlier twelfth-century St Albans Psalter (betw. 1120 and 1145; Hildesheim, Dombibliothek, MS St. Godehard 1, pp. 23-27):

1) the Magi before Herod:

https://www.abdn.ac.uk/stalbanspsalter/english/translation/trans023.shtml

2) Journey of the Magi:

https://www.abdn.ac.uk/stalbanspsalter/english/translation/trans024.shtml

3) Adoration of the Magi:

https://www.abdn.ac.uk/stalbanspsalter/english/translation/trans025.shtml

4) Dream of the Magi:

https://www.abdn.ac.uk/stalbanspsalter/english/translation/trans026.shtml

5) Departure of the Magi:

https://www.abdn.ac.uk/stalbanspsalter/english/translation/trans027.shtml



x) as portrayed in high relief in earlier twelfth-century sculptures in or from the cathédrale Saint-Lazare at Autun:

1) on a capital in the cathedral (Adoration of the Magi):

http://tinyurl.com/7rlfjzj

2) on a capital displayed in the chapter house (Dream of the Magi):

http://tinyurl.com/7xrgpgt

http://tinyurl.com/7d2nfj9

http://tinyurl.com/6ur4sts

3) on a stone plaque displayed in the chapter house (Adoration of the Magi):

http://tinyurl.com/7oacuya



y) as portrayed (Dream of the Magi) on an earlier twelfth-century capital (betw. 1130 and 1135) from the cloister of the former abbaye Notre-Dame at Coulombs (Eure-et-Loir) now in the Musée du Louvre, Paris:

http://tinyurl.com/7fb4vtn

http://peregrinations.kenyon.edu/photobank/37.jpg



z) as portrayed in relief (Adoration of the Magi) on the earlier twelfth-century Transfiguration tympanum (ca. 1130-1135) of the église Notre-Dame-et-Sainte-Croix at La Charité-sur-Loire (Nièvre):

http://www.art-roman.net/charite/charite12x.jpg

http://www.art-roman.net/charite/charite17x.jpg

http://www.art-roman.net/charite/charite18.jpg



aa) as portrayed in high relief (Adoration of the Magi) in the probably mid-twelfth-century sculptures of the west portal of the basilica abbaziale di San Silvestro at Nonantola (MO) in Emilia-Romagna:

http://tinyurl.com/86z79cs



bb) as depicted (scenes) in the mid-twelfth-century Infancy of Christ window (1145-1155 and later restorations) in the basilique cathédrale Notre-Dame in Chartres:

1) the Magi before Herod:

http://tinyurl.com/yahscuo

2) Adoration of the Magi:

http://tinyurl.com/y9uqdjo

3) Departure of the Magi:

http://tinyurl.com/y99u2zl

4) Dream of the Magi:

http://tinyurl.com/yjdbqos

Gordon's comment on the third of these four panels, at <http://tinyurl.com/y8qrac6>:

"Centre and right-hand heads and crowns are C13 restoration, the other one more recent; some of the drapery C12, but far more C15 and more recent. Red background possibly largely ancient, but the compiler of the restoration diagram I am using could not be certain. Half of the bordering half roundels edging the panel are original on the bottom and all but one on the left-hand side are as well. Most of the rest are from various later restorations, some of them ancient but undatable. What is interesting here is that the restorers made a serious attempt to copy the earlier style in their restorations."



cc) as portrayed in high relief (Journey of the Magi; Herod; Adoration of the Magi) by Gruamonte and his brother Adeodato on the later twelfth-century lintel (prob. 1160s) above the main portal of the pieve di Sant'Andrea in Pistoia:

http://tinyurl.com/qjm3kfw

Detail views (left to right):

http://tinyurl.com/poxu52j

http://tinyurl.com/pvzn5bo



dd) as portrayed on a later twelfth-century silver pilgrim badge (after 1164) in the Kunsthistorisches Museum, Magdeburg:

http://tinyurl.com/6vtt89



ee) as depicted (Adoration of the Magi) in a later twelfth-century sacramentary for the Use of the abbey of Saint-Martin at Tours (ca. 1170-1180; Tours, Bibliothèque municipale, ms. 193, fols. 1-142, fol. 21v):

http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht9/IRHT_150397-p.jpg



ff) as depicted (Adoration of the Magi) in a later twelfth-century Coptic-language gospels (1178-1180; Paris, BnF, ms. Copte 13, fol. 6r):

http://tinyurl.com/y8deanl



gg) as depicted in the probably later twelfth-century wall paintings (ca. 1170-1200 [but perh. ca. 1125-1150]) in Fjenneslev kirke, Fjenneslev Kommune (Region Sjælland):

https://www.flickr.com/photos/birgittesp/2885869526

Detail view:

http://tinyurl.com/hpzrhwt



hh)  as portrayed (Journey of the Magi; Adoration of the Magi) on a late twelfth-century reliquary châsse of Limousin origin in the National Palace Museum, Taipei:

http://tinyurl.com/2a25d3



ii) as portrayed in relief (upper register; Journey of the Magi) by Bonanno Pisano in a panel of his late twelfth-century bronze door (?later 1180s; the porta San Ranieri) for Pisa's cattedrale metropolitana primaziale di Santa Maria Assunta, now kept in the Museo dell'Opera del Duomo there:

https://c1.staticflickr.com/3/2912/14384088774_5a88811cc9_b.jpg

http://tinyurl.com/z6y8oko



jj) as depicted (the Magi before Herod; Adoration of the Magi) in a full-page illumination in the late twelfth-century Leiden Saint Louis Psalter (ca. 1190-1200; Leiden, University Library, MS. BPL 76A, fol. 17r):

http://tinyurl.com/3olaoho



kk) as depicted (Adoration of the Magi) in two of four panels of a full-page illumination in the late twelfth-century so-called Bible of Saint Bertin (ca. 1190-1200; Den Haag, KB, ms. 76 F 5, fol. 11v, sc. 1AB):

http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76f5%3A011v_min_ab1 



ll) as depicted (Adoration of the Magi) in the late twelfth- or early thirteenth-century frescoes of the Karanlik Kilise ("Dark Church") at Göreme (Nevşehir province) in Turkey:

http://tinyurl.com/j4npgzs



mm) as portrayed (Journey of the Magi; Adoration of the Magi) on a late twelfth- or early thirteenth-century reliquary châsse of Limousin origin in the Musée national du Moyen Âge (Musée de Cluny), Paris:

http://depts.washington.edu/silkroad/museums/mma/mma35.jpg



nn) as depicted (Adoration of the Magi) in the late eleventh- or early twelfth-century St. Peter Gospels (ca. 1200; Karlsruhe, Badische Landesbibliothek, Cod. St. Peter perg. 7, fol. 2v):

http://www.blb-karlsruhe.de/blb/images/2006/blb-19.jpg



oo) as portrayed in relief (Adoration of the Magi) by Master Sigraf on the late twelfth- or early thirteenth-century baptismal font (ca. 1200) in Grötlingbo kyrka, Grötlingbo (Gotlands län):

http://tinyurl.com/8rblkp



pp)  as portrayed in two late twelfth- or early thirteenth-century reliefs on the west front of Fidenza's cattedrale di San Donnino:

1) Journey of the Magi:

http://tinyurl.com/yhzmlnk

2) Adoration of the Magi (uppermost register):

http://tinyurl.com/znpmeo7



qq) as portrayed in high relief (Adoration of the Magi; Dream of the Magi) on the tympanum of the left portal (Incarnation portal) of the late twelfth- to early thirteenth-century north porch of Chartres' basilique cathédrale Notre-Dame:

http://tinyurl.com/2nhawf



rr) as portrayed in high relief (at left in the central lunette; Adoration of the Magi) by Benedetto Antelami and workshop on the tympanum of the late twelfth- to early thirteenth-century north portal (betw. 1196 and 1216) of the baptistery of Parma (for higher resolution, click on the image):

http://tinyurl.com/ppvexrn



ss) as portrayed in high relief (Adoration of the Magi) by Nicholas of Verdun on the front of the late twelfth- or earlier thirteenth-century shrine of the Three Magi (Dreikönigenschrein; ca. 1192-ca. 1220) in Köln's Hohe Domkirche St. Peter und Maria:

http://www.koelner-dom.de/uploads/pics/v050008.jpg



tt) as portrayed in high relief (at left; Adoration of the Magi) in the early thirteenth-century tympanum of the église Notre-Dame-de-la-Nativité in Pontaubert (Yonne):

http://tinyurl.com/j4lott7

http://photos-eglises.fr/Bourgogne/89/pontaubert/pontaubert_fichiers/image044.jpg



uu) as depicted (Dream of the Magi; the Magi return by sea) in a full-page illumination in an earlier thirteenth-century gospels from Speyer (ca. 1220; Karlsruhe, Badische Landesbibliothek, Codex Bruchsal 1, fol. 11r):

http://tinyurl.com/h83ul2k



vv) as portrayed in high relief (lower register; Adoration of the Magi) by Guido da Como / Guido Bigarelli -- or by a follower -- on one of four earlier or mid-thirteenth-century panels (from a pulpit) mounted on a wall in Pistoia's chiesa di San Bartolomeo in Pantano:

http://tinyurl.com/pdz6nkw 

Detail view:

http://images.alinari.it/img/480/AAA/AAA-F-000607-0000.jpg



ww) as portrayed in high relief (Adoration of the Magi) by Nicola Pisano on his mid thirteenth-century pulpit (ca. 1255-1260) in Pisa's battistero di San Giovanni:

http://tinyurl.com/juwm63l

http://tinyurl.com/23rdly

Detail views (for much higher resolution click on the images):

http://www.thais.it/scultura/sch00554.htm

http://www.thais.it/scultura/sch00555.htm 



xx) as depicted (Adoration of the Magi) in the later thirteenth-century frescoes of the nave (betw. 1263 and 1270) in the church of the Holy Trinity at the Sopoćani monastery at Sopoćani (Raška dist.) in Serbia:

http://tinyurl.com/gmhkmx4



yy) as depicted (Adoration of the Magi) in a late thirteenth-century book of hours for the Use of Thérouanne (ca. 1280-1290; Marseille, Bibliothèque municipale, ms. 111, fol. 22r):

http://tinyurl.com/yohycc



zz) as depicted (the Adoration of the Magi) in a late thirteenth-century copy of French origin of the _Legenda aurea_ (San Marino, CA, Huntington Library, ms. HM 3027, fol. 17v):

http://digitalassets.lib.berkeley.edu/ds/huntington/images//000973A.jpg



aaa) as depicted (Adoration of the Magi) in the late thirteenth-century Livre d'images de Madame Marie (ca. 1285-1290; Paris, BnF, ms. Nouvelle acquisition française 16251, fol. 25v):

http://tinyurl.com/yct5m6f



bbb)  Links to views of several late thirteenth- to fifteenth-century depictions of the Magi in English churches are given here:

http://www.paintedchurch.org/infintro.htm



ccc) as portrayed in relief (lower register at far left; Adoration of the Magi) on a wing of a fourteenth-century ivory tabernacle of the BVM in the Metropolitan Museum of Art, New York:

http://www.metmuseum.org/collection/the-collection-online/search/464158



ddd) as depicted (Adoration of the Magi) by Giotto di Bondone in his early fourteenth-century frescoes (1303-05) in the Cappella dei Scrovegni (a.k.a. Arena Chapel) in Padua:

http://www.christusrex.org/www1/giotto/SSC-magi-vl.jpg



eee) as depicted by Duccio di Buoninsegna (Adoration of the Magi) on a front predella panel of his early fourteenth-century Maestà (betw. 1308 and 1311) in the Museo dell'Opera del Duomo in Siena:

http://www.wga.hu/art/d/duccio/maesta/predel_f/pre_f_3.jpg



fff) as depicted (Journey of the Magi; the Magi before Herod) in the earlier fourteenth-century mosaics (betw. 1315 and 1321) in the exonarthex of the Chora church (Kariye Camii) in Istanbul:

https://wordscene.files.wordpress.com/2012/10/dsc0510.jpg



ggg) as portrayed in high relief (at right; Adoration of the Magi) in the central tympanum of the earlier fourteenth-century Bethlehem portal  (betw. 1311 and perh. 1345) of the collégiale Notre-Dame in Huy (prov. de Liège):

http://www.cathobel.be/wp-content/uploads/2015/01/IMG_5125.jpg

Detail views:

http://www.cathobel.be/wp-content/uploads/2015/01/IMG_5132.jpg

http://www.flickr.com/photos/lilabel/3072111884

http://www.flickr.com/photos/16834908@N07/3072111900

The portal as a whole:

http://tinyurl.com/jyvcw3



hhh) as depicted (at far left; Adoration of the Magi) in the earlier fourteenth-century frescoes (betw. 1335 and 1350) in the central dome of the church of the Holy Ascension at the Visoki Dečani monastery near Peć in, depending on one's view of the matter, either the Republic of Kosovo or Serbia's province of Kosovo and Metohija:

http://tinyurl.com/z48tphx

Detail view:

http://tinyurl.com/hknfls9



iii) as depicted (scenes illustrating the eighth, ninth, and tenth strophes of the Akathist Hymn to the Theotokos) in the earlier fourteenth-century frescoes (betw. 1335 and 1350) in the south choir of the church of the Holy Ascension at the Visoki Dečani monastery near Peć in, depending on one's view of the matter, either the Republic of Kosovo or Serbia's province of Kosovo and Metohija:

1) Journey of the Magi; Adoration of the Magi:

http://tinyurl.com/j45koq3

Detail views:

http://tinyurl.com/zh54llf

http://tinyurl.com/gta8fh6

http://tinyurl.com/jlzqaqd

http://tinyurl.com/grzptb7

2) The Magi return to Babylon:

http://tinyurl.com/jj3zj7g

Detail view:

http://tinyurl.com/hodtxms



jjj) as portrayed in high relief (from right to left: the Magi before Herod; Adoration of the Magi; Dream of the Magi; Departure of the Magi) on the mid-fourteenth-century Altare dei Magi (1349) in the cappella dei Re Magi in Milan's basilica di Sant'Eustorgio:

http://tinyurl.com/2j4h2n



kkk) as depicted (Journey of the Magi; Adoration of the Magi) in the later fourteenth-century frescoes (1360s and 1370s; restored in 1968-1970) in the church of St. Demetrius in Marko's Monastery at Markova Sušica (near Skopje) in the former Yugoslav Republic of Macedonia:

http://tinyurl.com/jbuvlwl

Detail views:

http://tinyurl.com/hrk52ak

http://users.stlcc.edu/mfuller/monmarkovi/Magi.jpg



lll)  as depicted (perh. by Abraham Cresques) in the later fourteenth-century Catalan Atlas (betw. 1375 and 1380; Paris, BnF, ms. Espagnol 30, fol. 4r[?]):

http://tinyurl.com/yjenscp

http://gallica.bnf.fr/ark:/12148/btv1b55002481n/f11.item.zoom

Context for this image:

http://tinyurl.com/ygkky3t



mmm) as portrayed in high relief (at lower left; Adoration of the Magi) on a wing of a late fourteenth-century ivory tabernacle of the BVM in the Musée du Louvre, Paris (accession no. OA 2587):

http://tinyurl.com/8gbwb2



nnn) as portrayed in high relief (at left; Adoration of the Magi) on a late fourteenth-century ivory diptych of south German origin in the musée de Picardie, Amiens:

http://img.over-blog-kiwi.com/0/93/22/55/20140528/ob_a450d1_img-9044.JPG



ooo) as depicted (Adoration of the Magi) in a very late fourteenth-century copy of Herman de Valenciennes' _Roman de Dieu et de sa mère_ (Besançon, Bibliothèques municipales, ms. 550, fol. 67r):

http://tinyurl.com/2vw7ha



ppp) as depicted (the Magi before Herod) in an early fifteenth-century stained glass roundel (restored in 1999) in the Musée national du Moyen Âge (Musée de Cluny), Paris:

http://tinyurl.com/hze5p7f



qqq) as depicted (Adoration of the Magi) in the early fifteenth-century Hvroje's Missal (ca. 1404; written in Glagolitic script for a church in Croatia), Topkapi Sarai Museum, Istanbul:

http://www.croatianhistory.net/gif/gl/hrvojev_m2.jpg



rrr) as depicted (scenes) by Giovanni da Modena (attrib.) in his early fifteenth-century frescoes (ca. 1410) in the cappella Bolognini of Bologna's basilica di San Petronio:

1) the Magi see the star and depart [click on the image to expand it]:

http://tinyurl.com/87zhx42

2)  Adoration of the Magi:

http://tinyurl.com/7g87f4v

3)  the Magi return by sea [click on the image to expand it]:

http://tinyurl.com/7n3cmnu



sss) as depicted (Adoration of the Magi) by Conrad of Soest on a wing of an earlier fifteenth-century Marienaltar (ca. 1420) in the Marienkirche, Dortmund:

http://tinyurl.com/2l2j4j



ttt) as depicted (Adoration of the Magi) by Gentile da Fabriano in an earlier fifteenth-century panel painting (1423) in the Galleria degli Uffizi, Florence:

http://tinyurl.com/hofxd6q



uuu) as depicted (Adoration of the Magi) by Beato Angelico in a mid-fifteenth-century fresco (ca. 1440-1441) in cell 39 of the convento (now Museo nazionale) di San Marco, Florence:

http://www.wga.hu/art/a/angelico/09/cells/39_ador.jpg



vvv) as depicted (Adoration of the Magi) by Beato Angelico and Filippo Lippi in a mid-fifteenth-century panel painting (1440s or 1450s) in the National Gallery of Art, Washington, DC:

http://www.nga.gov/content/ngaweb/Collection/highlights/highlight41581.html

http://tinyurl.com/jzbqjdr



www) as depicted (Adoration of the Magi) in a mid-fifteenth-century Armenian-language Gospels (1456; Paris, BnF, ms. Arménien 18, fol. 8r):

http://tinyurl.com/yb7oa32



xxx) as depicted (Adoration of the Magi) by Andrea Mantegna; 1461) in a panel painting on a later fifteenth-century retable (1461; from the chapel of the ducal palace at Mantua) in the Galleria degli Uffizi, Florence:

http://tinyurl.com/2naqt9



yyy) as depicted (Adoration of the Magi) by the Elmelunde workshop in a later fifteenth-century vault fresco (ca. 1480) in Tingsted kirke, Tingsted, Guldborgsund Kommune (Region Sjælland):

http://www.tingstedkirke.dk/bl/kskib23.jpg



zzz) as portrayed in high relief (Adoration of the Magi) on a later fifteenth-century alabaster panel, presumably from an altarpiece, in the Victoria and Albert Museum, London:

http://tinyurl.com/yd36py9



aaaa) as depicted (Adoration of the Magi) by Jaume Huguet in a later fifteenth-century panel painting in the Museu d'Historia de la Ciutat, Barcelona:

http://tinyurl.com/8gerc3



bbbb) as depicted (Adoration of the Magi) in a late fifteenth-century Syriac-language Gospels (Paris, BnF, ms. Syriaque 344, fol. 2r):

http://tinyurl.com/yact96n



cccc) as depicted (Adoration of the Magi) (ca. 1480-1490) in a late fifteenth-century copy of the _Legenda aurea_ in its French-language version by Jean de Vignay (ca. 1480-1490; Paris, Bnf, ms. Français 244, fol. 39v):

http://tinyurl.com/yzjxlwv



dddd) as portrayed in high relief (Adoration of the Magi) by Pieter Dancart on his late fifteenth-century high altar (ca. 1488) in Seville's catedral de Santa María de la Sede:

http://www.galeon.com/juliodominguez/2006/cepi.html



eeee) as portrayed in high relief (Adoration of the Magi) by Johann von Ach on the late fifteenth- or early sixteenth-century portail Saint-Laurent of Strasbourg's cathédrale Notre-Dame:

http://tinyurl.com/23mklv

For closer views, click on "statues" in the menu at right here:

http://tinyurl.com/2b2wpr



ffff) as depicted by the Elmelunde Master in a late fifteenth- or early sixteenth-century vault painting (ca. 1500) in Elmelunde kirke, Elmelunde (Vordingborg Kommune), Sjælland:

http://images2.cdn.k.dk/sites/default/files/2014/12/20030328-102351-6-1000x666we.jpg



gggg) as portrayed in high relief (Adoration of the Magi) by Tilman Riemenschneider in high relief in an early sixteenth-century limewood relief panel (betw. ca. 1505 and ca. 1510) in the British Museum, London:

http://tinyurl.com/7xuos6p



hhhh) as portrayed in high relief (Adoration of the Magi) by Jehan Soulas in the initial panels (1519-1521) of the earlier sixteenth-century choir screen in Chartres cathedral:

http://tinyurl.com/hrgqsc7



iiii) as portrayed in high relief (Adoration of the Magi) by Miguel Perrin on the tympanum of the earlier sixteenth-century Puerta del los Palos (ca. 1520) of Seville's catedral de Santa María de la Sede:

http://tinyurl.com/z9c282z



Best,

John Dillon



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