Ah well, Barry, this French I think most of us can get, so it works.
On the other hand I think there’s also a poem in a book too fragile to read…
Doug
> On May 8, 2019, at 7:37 AM, Barry Alpert <[log in to unmask]> wrote:
>
> COEUR FIDELE
>
>
> via Jean Epstein & Alloy Orchestra
>
> Craignant Petit Paul,
> Ou est Marie?
> Elle est partie . . . partie avec Petit Paul . . .
> Un matin
> rend assez malheureusement . . .
>
>
> Barry Alpert / Wash DC >> Rockville MD / 5-4-19 (3:00pm) >> 5-8-19 (8:32am)
>
> Surprised myself by writing in French without a thought of doing so in advance, and will attempt to limit myself to English when I try again while watching this earlier restoration by the Cinematheque francaise before they commissioned the Alloy Orchestra to compose a new score:
>
> https://www.youtube.com/watch?v=B3Ci55vUNIQ&t=3994s
>
> For years I've regarded Jean Epstein as the first cine-poet after looking thru a copy of his "Bonjours cinema" at a rare book fair, but I've yet to locate a copy which wasn't too fragile to read.
>
> https://www.abaa.org/book/734996566
>
>
> Barry
>
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Douglas Barbour
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https://eclecticruckus.wordpress.com/
Recent publications: (With Sheila E Murphy) Continuations & Continuations 2 (UofAPress).
Recording Dates (Rubicon Press).
Listen. If (UofAPress):
Four or five couplets trying to dance
into Persia. Who dances in Persia now?
A magic carpet, a prayer mat, red.
A knocked off head of somebody on her broken knees.
Phyllis Webb
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