Monday, December 26, 2011, 9:00:02 AM, one wrote:
> for my forthcoming class on invisibility and off-screen space, I'm
> still looking for poignant and paradigmatic film examples. Any suggestions?
I don't think anyone's yet mentioned Ginsberg's _Coming Apart_, where
the fixed camera not only pushes the experience of things moving on- and
off-screen front and center, but (because it's entirely shot through a
mirror) raises the question of whether what is *on* screen is also in
some way off-screen.
Another reference: Michel Chion on the "acousmatic" in _Audio-Vision_.
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Best regards,
Jim Flannery
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