I think that Werner Schroeter's Malina might fit in, although it depends on the boundary you set between philosophy and poetry. I thought of it because of the scene in the film at the end of a lecture when the audience breaks out into a burst of applause. I've always thought it as the most dream-like evocation of the response a lecturer hopes for, but at the same time it is a nightmare because the lecturer is going through an existential crisis in which she is finding it difficult to express herself. Ingeborg Bachmann is the source for the film and Elfriede Jellinek wrote the screenplay. It might add a feminist element to your list as well as aspects of the philosophy of language.
Helen
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