The New Wave: Truffaut, Godard, Chabrol, Rohmer, Rivette
By James Monaco
Published 1976
Oxford University Press
"For beauty is the beginning of terror we are still able to bear, and why we love it so is because it so serenely disdains to destroy us" Rilke's First Duino Elegy
Daniel Shaw
Professor of Philosophy and Film
Lock Haven University
Managing Editor, Film and Philosophy
website: www.lhup.edu/dshaw
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From: Film-Philosophy Salon on behalf of Giuliano Vivaldi
Sent: Wed 10/10/2007 9:27 AM
To: [log in to unmask]
Subject: Comparative studies on New waves
I wanted to know if anyone could give me an indication of good comparative and scholarly works on New Waves of th late 50s and 60s. My intention is to write on two specific 'New Waves' (which are not generally known as such - the Soviet cinema of the thaw and after & the Spanish cinema that come out from the Conversations of Salamanca). Since I wanted to compare these with other 'new waves' I would like to know what the best studies are on this subject (articles or books). If anyone also has some interesting observations to make on Spanish and Soviet 'New Waves' would also be happy.
Giuliano Vivaldi
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