this very instance at some point in The Promised Land by Andrzej
Wajda when the characters surprisingly look at the camera just for once
implies a contrast between the dramatic flow(motion) and the reality
(poise). helpful?
cemal
On Sep 29, 2007, at 9:30 PM, R.L. Armstrong wrote:
> On May 15 2007, FILM-PHILOSOPHY automatic digest system wrote:
>
>> (Message body was not text: suppressed)
>
> Can anyone think of a moment in a film when the frame freezes and
> then the film restarts, capturing the contrast between motion and
> motionlessness?
>
> Thank-you for any suggestions...
>
> Richard
>
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