You might want to look at Laura Mulvey's writing in 'Time and the Image' and
also in a book called 'Where is the Photograph'. She talks about film's
relationship to photograhy (i.e. the still image).
Hope this helps.
Quoting Brian BergenAurand <[log in to unmask]>:
> I'm writing on the freeze frame and how it affects spectator
> responses
> in the cinema. I've been looking for more sustained critical or
> theoretical studies on the freeze frame but have had little luck.
> I've
> found a few references to particular instances in films, ie, The 400
> Blows, of course, but have had little luck with anyone discussing
> the
> freeze frame as a cinematic device. Does anyone have suggestions?
>
>
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