_Deleuze on Cinema_
-- by Ronald Bogue
Publisher: Routledge
Pub Date: 02/2003
Pages: 240 pages
Size: 6 x 9
ISBN: 0415966035
Edition: First
Cloth
$90.00 (USA) Paper
$22.95 (USA)
$135.00 (CAN) $34.95 (CAN)
Gilles Deleuze has produced some of the most important--and most
formidable--theory on cinema to appear in the last half-century.
Deleuze on Cinema provides a thorough and reliable guide to Deleuze's
thought on the art of film, elucidating in clear language the shape
and thrust of Deleuze's arguments found in his influential books on
cinema.
Table of Contents
List of Abbreviations
Introduction
1. Bergson and Cinema
Deleuze's Bergson
Three Bergsonian Theses on Movement
Image, Movement, Matter, Light
The Three Movement-Images
2. Frame, Shot and Montage
Frame and Shot
Montage:Organic and Dialectic
Montage:Quantitative and Intensive
3. Eighteen Signs (More or Less)
Pierce and Signs
The Perception-Image
The Affection-Image
The Impulse-Image
The Action-Image
The Reflection-Image
The Relation-Image
4. Hyalosigns: Crystals of Time
Opsigns
Mnemosigns and Onirosigns
Hyalosigns
Crystalline States
5. Chronosigns:The Order of Time and Time as Series
Sheets of the Past, Peaks of the Present
Robbe-Grillet, Welles and Resnais
Powers of the False
Rouch's Ethnofictions
Bodies and Categories
6. Noosigns and Lectosigns:Images and Thought, Sight and Sound
The Classic Image of Thought
The Thought of the Outside
The Spiritual Automaton
Silent and Audible Lectosigns
The Modern Lectosign
A Note on Cinema, Theater and Television
Conclusion
Works Cited
Reviews
After these books are published, there will be no need for anyone
else to write a how-to-understand-Deleuze book. The clarity of the
prose, the careful explanation of each difficult and important
concept, and the lack of any jargon whatsoever make this the
definitive commentary on Deleuze.
Dorothea Olkowski, University of Colorado
An extremely lucid and nearly seamless analysis of both of Deleuze's
cinema books.
Charles Stivale, Wayne State University
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