---------- Forwarded message ----------
From: Zohar Eitan <[log in to unmask]>
Dear list members:
Please find below the program for the forthcoming conference RETHINKING
INTERPRETIVE TRADITIONS IN MUSICOLOGY (Tel Aviv University, 6-10 June
1999). Abstracts of the conference's presentations will be available soon
at http://www.tau.ac.il/arts/musicology/confer99.html
Dr. Zohar Eitan
Department of Musicology, Tel Aviv University
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Tel Aviv University
The Yolanda and David Katz Faculty of the Arts
Department of Musicology
RETHINKING INTERPRETIVE TRADITIONS IN MUSICOLOGY
An International Musicological Conference
Targ Auditorium, Rubin Building, 6-10 JUNE 1999
The last decade has witnessed a thorough re-examination and
reconsideration of the aims, subject matters, and methodologies of the
scholarly investigation of music. To celebrate its 30th anniversary, the
Department of Musicology at Tel Aviv University is planning an
international conference that will attempt to take stock of and to further
contribute to this re-examination. The conference will be held at the
university between Sunday, June 6 and Thursday, June 9 1999. Keynote
addresses will be presented by Rose Rosengard Subotnik (Brown University),
Leo Treitler (City University of New York), and Shai Burstyn (Tel-Aviv
University).
PROGRAM
SUNDAY, JUNE 6
9:00-10:00 REGISTRATION
10:00-10:30 GREETINGS
Prof. Eli Rozik-Rosen, Dean, The Yolanda and David Katz
Faculty of the Arts
Prof. Emeritus Herzl Shmueli, Department of Musicology
Dr. Dorit Tanay, Chair, Department of Musicology
10:30-11:30 KEYNOTE LECTURE 1.
Shai Burstyn, Tel-Aviv University: Inventing Musical
Tradition: The Case of the Hebrew (Folk)song
11:30-12:00 COFFEE BREAK
12:00-13:30 SESSION I: MUSICAL SEMANTICS (Chair: Vera Micznik,
University of British Columbia)
Ethan Haimo, University of Notre Dame: Schoenberg's
Programmatic Compositions and the Ideology of Absolute Music
Jamie Liddle, University of Edinburgh: Dialogical Relations
in the Music of Shostakovich - A Semantic Approach
13:30-15:00 LUNCH BREAK
15:00-16:30 SESSION II: THE CULTURAL MATRIX (Chair: Leo Treitler,
City University of New York)
Judit Frigyesi, Bar-Ilan University: The Cultural Context
of Music
Simha Arom, Centre National de la Recherche Scientifique,
Paris: The Contribution of Ethnomusicology to a Universal
Musicology
17:30 Reception
18:30 Recital: Kim Cook, Pennsylvania State University, cello
and Robert S. Hatten, Indiana University, piano
MONDAY, JUNE 7
9:30-11:00 SESSION III: ANALYTICAL METHODS REVISITED (Chair: Erez
Rappoport, Tel Aviv University)
Eytan Agmon, Bar-Ilan University: Structural Levels and
Harmonic Theory: Toward a Reconciliation
Dalia Cohen, The Hebrew University of Jerusalem:
Incorporating Natural Schemes into Musical Analysis
11:00-11:30 COFFEE BREAK
11:30-14:00 SESSION IV: MUSICAL GESTURE (Chair: Dalia Cohen,
The Hebrew University of Jerusalem)
Zohar Eitan, Tel Aviv University: Thematic Gestures:
Theoretical Preliminaries and an Analysis
Naphtali Wagner and Ruth HaCohen, The Hebrew University of
Jerusalem: The Gestural Power of the Wagnerian Leitmotifs:
Self-Promoting Jingles or Self-Contained Expressions?
Robert S. Hatten, Indiana University: Levels of Gestural
Interpretation - A Lecture-Demonstration on Beethoven's
Sonata in C, Op. 102, No. 1, with the assistance of Kim Cook
(cello), Pennsylvania State University
14:00-15:30 LUNCH BREAK
15:30-17:30 SESSION V: REINTERPRETING MUSIC-THEORETICAL SYSTEMS
(Chair: Eytan Agmon, Bar-Ilan University)
Oren Kolman, King's College, London: Integrating the
Meta-Move: Logical Aspects of Formal Music Theory
Alexander Rehding, Emmanuel College, Cambridge: Listening
for Undertones in the History of Music Theory
Irma Zolotovitsky, Tel Aviv University: Functional concepts
of Musical Form and Analysis in Russian Musicology
TUESDAY, JUNE 8: DAY TRIP TO JERUSALEM
WEDNESDAY, JUNE 9
9:30-11:00 SESSION VI: REASSESSING RENAISSANCE MUSICAL DISCOURSE
(Chair: Don Harran, The Hebrew University of Jerusalem)
Judith Cohen, Tel Aviv University: Reassessing Musical
Style: Voices from 16th-Century Italy
Leah Dovev, Tel Aviv University: Music and 'L'essere del
nulla' in Leonardo Da Vinci's Thought
11:00-12:00 KEYNOTE LECTURE 2.
Leo Treitler, City University of New York: 'As Time Goes
By:' Conjugating Music
12:00-13:30 LUNCH BREAK
13:30-15:30 SESSION VII: CONSTRUING 18TH-CENTURY MUSIC (Chair:
Adina Portowitz, Bar-Ilan University)
Yehoash Hirshberg, The Hebrew University of Jerusalem,
and Simon McVeigh, Goldsmith College, London: In Defense
of Positivism Today - Exploring a Virgin Territory
Ido Abravaya, Tel Aviv University: Bach's Tempo Practices,
the Tempo Theories of His Time - and Ours
Marina Ritzarev, Tel Aviv University and Bar-Ilan
University: Rethinking 18th-Century Russian Music
15:30-16:00 COFFEE BREAK
16:00-18:00 SESSION VIII: REFORMULATING FORM (Chair: Roger
Kamien, The Hebrew University of Jerusalem)
Sarah Mandel-Yehuda, Bar-Ilan University: 'Sonate, que me
veux-tu?': Sonata-Form Problems in Recent Writings
Adriana Ponce, Al-Quds University: Reassessing the Role
of Sonata Form in the Study of Romantic Form
Friedemann Kawohl, Technische Universitaet Berlin:
Postmodern Chamber Music, the Genealogy of the History of
Music, and the Problems of Generic Terms
THURSDAY, JUNE 10
9:30-11:30 SESSION IX: MUSICOLOGY AND THE FRENCH CRITICAL "GAZE"
(Chair: Derek B. Scott, University of Salford)
Michal Grover-Friedlander, Tel Aviv University: The Lost
Voice of Opera in Silent Film
Vera Micznik, The University of British Columbia: Music
With/Without Words: Supplementarity in Berlioz's Musical
Narratives
Eric Zakim, Duke University: Bloom and the Musicologists
or, How Schoenberg Invented the (Lacanian) Symptom in Music
11:30-12:00 COFFEE BREAK
12:00-14:00 SESSION X: HISTORICAL CONSTRUCTIONS AND DECONSTRUCTIONS
(Chair: Eliyahu Schleifer, Hebrew Union College, Jerusalem)
Dorit Tanay, Tel Aviv University: Rethinking Tradition:
Pythagoras and Euridice - The True Mythological Love
Story of the Baroque
Derek B. Scott, University of Salford: Ideology and Musical
Style
Ruth Katz, The Hebrew University of Jerusalem: Authenticity,
Interpretation, and Practice: Probing their Limits
14:00-15:30 LUNCH BREAK
15:30-16:30 RECITAL: Ruben Seroussi, guitar
16:30-17:00 COFFEE BREAK
17:00-18:00 KEYNOTE LECTURE 3.
Rose Rosengard Subotnik, Brown University: Foundationalist
vs. Aesthetic: A Cost-Benefit Analysis of the Changing
Musicological Paradigm
18:00-19:30 CONCLUDING DISCUSSION.
Rethinking Interpretive Traditions in Musicology (Chair:
Rose Rosengard Subotnik, Brown University)
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