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February 2024


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CFP: The piano music of Thomas Adès

Federico Favali

Thu, 29 Feb 2024 10:19:16 +0100

74 lines

Secondary Data in Mixed Methods Research - livestream seminar

Michael Zyphur

Thu, 29 Feb 2024 18:08:00 +1100

44 lines

Context: Journal of Music Research – Call for Papers

Ross Chapman

Thu, 29 Feb 2024 00:45:05 +0000

41 lines

Call For Papers: Commercial Electronic Musical Instruments in 21st Century Music Practice

Simon Zagorski-Thomas

Wed, 28 Feb 2024 12:58:30 +0000

122 lines

Reminder: WROCAH Collaborative Doctoral Award: 19th century music performance practices

HORROCKS, SOPHIE A.

Wed, 28 Feb 2024 10:47:04 +0000

84 lines

Doctoral studentship at Hochschule der Künste Bern

Allenbach Daniel

Tue, 27 Feb 2024 18:54:10 +0000

36 lines

Reminder: Art Song: A Global Force, Goldsmiths/RMA online conference, March 1st 2024 Registration link and Programme

Verica Grmusa

Tue, 27 Feb 2024 18:17:59 +0000

132 lines

Opportunity: Royal Musical Association Administrator

Dan Elphick

Tue, 27 Feb 2024 17:02:09 +0000

71 lines

CFP: Around Pau Casals: persons, objects practices – Madrid 6–7 Feb 2025

ANA LLORENS MARTIN

Tue, 27 Feb 2024 11:41:28 +0100

75 lines

Call for Submissions: 2024 ICTMD Prizes (Article, Book, Film)

Brian Diettrich

Mon, 26 Feb 2024 23:31:26 +0000

206 lines

MMus Musicology (ft/pt) at the University of Edinburgh — Scholarship deadline approaching

Morag Grant

Mon, 26 Feb 2024 18:03:22 +0000

57 lines

STAGESTRUCK! 5: NOSTALGIA AND THE HOLLYWOOD MUSICAL: Conference Programme and Registration announced

Dominic Broomfield-McHugh

Mon, 26 Feb 2024 17:41:58 +0000

67 lines

3D Printing and Musical Heritage, International Workshop, London - RCM, 18 March 2024

Gabriele Rossi Rognoni

Mon, 26 Feb 2024 16:54:21 +0000

82 lines

CFP: New Directions in the History of Liturgy (Deadline: 22 March 2024)

Henry Parkes

Mon, 26 Feb 2024 09:17:01 +0000

65 lines

Salford Seminars in Sound and Music

Maria Perevedentseva

Mon, 26 Feb 2024 09:07:19 +0000

72 lines

Julia Perry Week, Royal Northern College of Music, 26 February–1 March 2024

Research

Fri, 23 Feb 2024 19:35:27 +0000

90 lines

Queer Open Score! An interactive lecture-workshop of LGBTQ contemporary music

George Haggett

Fri, 23 Feb 2024 18:04:15 +0000

53 lines

CALL FOR PAPERS: Qualitative Interviewing in Music Research: A Study Day Royal College of Music (in-person & online)

Mark Rowles

Fri, 23 Feb 2024 16:27:57 +0000

78 lines

Zoom colloquium: Forkert, Schreker, 7 March

Oliver Chandler

Fri, 23 Feb 2024 13:31:01 +0000

111 lines

CfA: Special Issue “Popular Brass Music in the 21st Century”, Journal of World Popular Music

Bernhard Steinbrecher

Fri, 23 Feb 2024 12:30:01 +0000

100 lines

Final CFP and publication opportunity for the International Network for Music Theology Conference

Abigail Cawte

Fri, 23 Feb 2024 10:29:44 +0000

84 lines

CFP: Musicological Society of Australia 2024 conference

[log in to unmask]

Thu, 22 Feb 2024 18:06:55 +1100

30 lines

"Argentine Tango: Performance and Creativity Across Geographies", SOAS University of London, Tuesday 5th March 3pm-5pm

Yuiko Asaba

Wed, 21 Feb 2024 17:47:45 +0000

112 lines

Re: CFP: Sensuous consonance: the visual arts in conjunction with music around 1900

Julian Broadhurst

Wed, 21 Feb 2024 13:53:45 +0000

103 lines

CFP Psychology of Music Zagreb October 2024 DEADLINE EXTENSION

Ivan Curkovic

Wed, 21 Feb 2024 06:39:56 +0000

71 lines

CfP Symposium “30 years Pfohl-Woyrsch-Society”

Dr. Simon Kannenberg

Tue, 20 Feb 2024 18:20:57 +0100

62 lines

Final Call for Papers: Women and Leadership in the Creative Industries

Christa van Raalte

Tue, 20 Feb 2024 15:55:13 +0000

64 lines

Research events - Music, University of Southampton

Erin Johnson-Williams

Tue, 20 Feb 2024 15:21:04 +0000

98 lines

Studies in Musical Theatre 17.3 is out now (Special Issue: 'Sondheim from the Side')

Judith Schofield

Tue, 20 Feb 2024 12:09:50 +0000

181 lines

Leuven University Musicology Department, in collaboration with the Orpheus Institute in Ghent: Two part-time, fixed-term professorships

David Burn

Tue, 20 Feb 2024 12:08:11 +0000

35 lines

new issue: Music&MusicalPerformance no.4

Locke, Ralph

Tue, 20 Feb 2024 12:02:06 +0000

154 lines

Innovation in Music 2024 - registration open + keynote announcements

Claus Sohn Andersen

Tue, 20 Feb 2024 07:40:36 +0000

60 lines

Call for Participation

Sinead Jones

Tue, 20 Feb 2024 01:05:09 +0000

57 lines

‘Asia, Music, History’: a roundtable discussion

HSIEH, AMANDA

Mon, 19 Feb 2024 21:31:31 +0000

49 lines

MESS 5 - Alisha Lola Jones on "Ultrasonic Tastemaker: A Critical Gastromusicology" March 4th (online)

Maria Witek

Mon, 19 Feb 2024 18:02:54 +0000

101 lines

CFP: Sensuous consonance: the visual arts in conjunction with music around 1900

Tobias Lund

Mon, 19 Feb 2024 13:48:43 +0000

55 lines

Re: UK Music Seminars (January - May 2024)

Jun Kai Pow

Mon, 19 Feb 2024 11:18:25 +0100

110 lines

REMINDER: IMS Outstanding Dissertation Award 2024

International Musicological Society (IMS)

Mon, 19 Feb 2024 10:57:57 +0100

45 lines

[IMS SG AH] Digital Cartography Workshop (online), 23-24 February 2024

Salih Demirtas

Mon, 19 Feb 2024 09:41:24 +0000

69 lines

Imagining Queer Identities in 19th-c. Music & Literature - online roundtable

Hannah Scott

Mon, 19 Feb 2024 09:00:00 +0000

52 lines

music AI creativity 2024

Ben-Tal, Oded

Mon, 19 Feb 2024 05:15:23 +0000

62 lines

Music and Ethics - Workshop, Atlanta GA, May 17-19, Call for Abstracts

Rachel Elliott

Sat, 17 Feb 2024 21:27:36 +0000

57 lines

Reminder: Musica Scotica Study Day, Friday 23 February 2024, Edinburgh

Morag Grant

Thu, 15 Feb 2024 19:06:54 +0000

44 lines

Deadline extended: CFP Economy, Management, and Staging of performances in the 17th and 18th centuries

Iskrena Yordanova

Thu, 15 Feb 2024 17:21:23 +0000

92 lines

How music changes our bodies, minds and live is an evening with premières of works by Ukrainian composers performed live and some streamed from Ukraine.

Dr J Harry Whalley

Thu, 15 Feb 2024 16:44:03 +0000

43 lines

CfP: Issues in Scholarship in Music of the 17th and 18th Centuries: Sources, Editing, Performance (Royal Birmingham Conservatoire, BCU, 1-2 July 2024)

Carrie Churnside

Thu, 15 Feb 2024 13:49:59 +0000

61 lines

21 February @ 5.00 pm - Simon Zagorski-Thomas. Sonic Cartoons: musical sounds as schematic representations of activity

Cottrell, Stephen

Thu, 15 Feb 2024 13:23:40 +0000

63 lines

CFP REMINDER Bicontinental Symposium. Music, Migration, and the Exchange of Knowledge: Spain - North America - Latin America

Andrea Puentes-Blanco (IMF-CSIC)

Wed, 14 Feb 2024 10:16:46 +0000

136 lines

Jacob Obrecht’s Missa Scaramella completed: please support!

Fabrice Fitch

Wed, 14 Feb 2024 09:52:22 +0000

64 lines

Online Listening Survey for Cross Cultural Music Similarity and Recommendation

Charis Papaioannou

Wed, 14 Feb 2024 10:00:07 +0200

41 lines

CFP "Controlled Languages for Musical Heritage: State of the Art, Tools, Perspectives"

michela berti

Tue, 13 Feb 2024 22:29:35 +0100

729 lines

Call for Papers Musica&Figura

Musica Figura Dbc

Tue, 13 Feb 2024 18:02:31 +0100

89 lines

Symposium 'Music and Migration to/from the Low Countries' (9 March 2024, Utrecht)

Annelies Andries

Tue, 13 Feb 2024 15:29:37 +0000

53 lines

Marta-Walter-Prize 2024: Call for Applications

<>

Tue, 13 Feb 2024 15:08:30 +0000

68 lines

Call for Papers: Music and Cultural Mobility in the 20th Century. Ernst Krenek, Arnold Schoenberg, and their contemporaries

Clemens Zoidl

Tue, 13 Feb 2024 14:50:52 +0000

52 lines

Oxford Seminar in Music Theory and Analysis

Jonathan Cross

Tue, 13 Feb 2024 11:05:23 +0000

40 lines

Deadline extension for SoMoS symposium abstract submission

Pearson, Lara

Tue, 13 Feb 2024 10:07:07 +0000

30 lines

Call for Papers: Women and Leadership in the Creative Industries

Christa van Raalte

Tue, 13 Feb 2024 09:42:41 +0000

65 lines

Call for Applicants: University of Toronto France-Canada Cross Cultural Postdoctoral Fellowship

Ely Lyonblum

Mon, 12 Feb 2024 18:55:01 +0000

112 lines

Musical heritage across borders - Materiality as an indication of distribution channels

Weyer, Christoph

Mon, 12 Feb 2024 16:05:21 +0000

119 lines

Bernd Alois Zimmermann »con tutta forza« in English edition

wolke verlag

Mon, 12 Feb 2024 12:12:56 +0000

44 lines

Art Song: Global Force, March 1st 2024, Goldsmiths/RMA online event Programme and Registration link

Verica Grmusa

Mon, 12 Feb 2024 06:07:25 +0000

25 lines

Call for Papers International Symposium on Musical Topics and Topic Theory

Janice Dickensheets

Mon, 12 Feb 2024 00:15:36 +0000

95 lines

REMINDER: The Musica Britannica Recording Award 2024

Musica Britannica Secretary

Sun, 11 Feb 2024 16:56:00 +0000

37 lines

Edinburgh MAC

Oliver Chandler

Sun, 11 Feb 2024 13:19:04 +0000

37 lines

WROCAH Collaborative Doctoral Award: Can 19th century music performance practices enhance the experience of new audiences?

Emily Worthington

Fri, 9 Feb 2024 17:08:23 +0000

44 lines

NEW issue: Musicology & Musical Performance 4 (Nov. 2023)

Locke, Ralph

Fri, 9 Feb 2024 13:18:33 +0000

197 lines

NEW Journal of Music Criticism Issue 7 (2023)

Roberto Illiano

Fri, 9 Feb 2024 11:48:03 +0100

55 lines

CfP Game Over – Dystopia x Utopia x Video Games

Roland Mair-Gruber

Fri, 9 Feb 2024 10:42:00 +0000

99 lines

Call for Applications: University of Toronto Provost’s Postdoctoral Fellowship Program

Ely Lyonblum

Thu, 8 Feb 2024 14:34:30 +0000

50 lines

NEW BOOK: Figured Bass Accompaniment in Europe

Roberto Illiano

Thu, 8 Feb 2024 10:28:24 +0100

117 lines

External Examiner for MA Music and MA Music Production - University of Plymouth

Nuria Bonet Filella

Wed, 7 Feb 2024 17:04:19 +0000

56 lines

Funded MRes Opportunities at University of Nottingham

Rebecca Thumpston

Wed, 7 Feb 2024 14:33:40 +0000

106 lines

Diskografentag: International Conference on Recorded Music

Inja Stanovic

Wed, 7 Feb 2024 12:08:41 +0000

67 lines

Contemporary Music for All's 5th Participatory New Music Festival

CoMA (Contemporary Music for All)

Tue, 6 Feb 2024 16:54:26 +0000

27 lines

CNCS Online Workshop: Writing an Abstract

Ardi Echevarria

Tue, 6 Feb 2024 12:45:27 +0000

59 lines

CFP Economy, Management, and Staging of performances in the 17th and 18th centuries

Iskrena Yordanova

Tue, 6 Feb 2024 11:29:17 +0000

102 lines

SMA Zoom: Caitlin Martinkus 8 Feb, 6:30pm BST

Oliver Chandler

Tue, 6 Feb 2024 09:26:15 +0000

80 lines

Conf: Exploring Gendered Violence in Music Theatre 6-7 Mar Bern

Sid Wolters-Tiedge

Tue, 6 Feb 2024 09:13:30 +0000

60 lines

Online seminar Feb 14th: the Somniale Danielis & Hearing in Dreams

Hannah Scott

Tue, 6 Feb 2024 08:00:00 +0000

96 lines

JOURNAL CONTENTS: Sound Stage Screen 3, no. 1 (Spring 2023)

Carlo Lanfossi

Mon, 5 Feb 2024 17:53:45 +0000

83 lines

VB: CFP: Ethnographic and Historical Perspectives on Music, Stockholm, 19-20 September 2024

Lars Berglund

Mon, 5 Feb 2024 13:17:33 +0000

120 lines

CfP: “Eco-sound militancies: Ibero-America in the face of the current environmental crisis”.Cuadernos de Música Iberoamericana (dosier)

Cuadernos de Musica Iberoamericana

Mon, 5 Feb 2024 12:18:36 +0000

77 lines

CFP Reminder: International Network for Music Theology Conference

Abigail Cawte

Mon, 5 Feb 2024 12:16:42 +0000

82 lines

Extended deadline - 19/02/2024 - "Journées d'Informatique Musicale 2024"

Micael Antunes

Mon, 5 Feb 2024 08:00:00 -0300

140 lines

"Art of Sound: Creativity in Film Sound and Electroacoustic Music" - New Book Publication

Andrew Knight-Hill

Mon, 5 Feb 2024 09:02:00 +0000

161 lines

ACTOR Timbre and Orchestration Summer School, Vancouver, July 12-15, 2024

Robert Hasegawa, Prof.

Sun, 4 Feb 2024 23:58:09 +0000

176 lines

Online attendance for the conference : 'Vie musicale et identité urbaine dans la France de la Renaissance (c.1500-c.1650)', CESR, Tours, 8-9 February 2024

Alexander Robinson

Sun, 4 Feb 2024 19:11:23 +0100

66 lines

Call for Papers: TISMIR Special Collection on Multi-Modal Music Information Retrieval

Igor Vatolkin

Sun, 4 Feb 2024 09:05:09 +0100

142 lines

Oxford Seminar in the Psychology of Music (OSPoM)

Music events

Fri, 2 Feb 2024 15:12:59 +0000

105 lines

Conference Programme Announcement: BASEES Study Group for Slavonic and Eastern European Music Annual Conference 2024

Katerina Levidou

Fri, 2 Feb 2024 11:03:36 +0000

94 lines

7 February @ 5.00 pm - Tom Perchard: ‘What’s Social Change When it’s at Home? Reading (and Hearing) the Transformation of British Society in Domestic Music Experience, 1950-70’

Cottrell, Stephen

Fri, 2 Feb 2024 10:33:28 +0000

53 lines

Funded PhD Opportunities at the University of Southampton

Erin Johnson-Williams

Fri, 2 Feb 2024 10:23:01 +0000

66 lines

SoMoS 2024 deadline reminder

Pearson, Lara

Fri, 2 Feb 2024 09:18:53 +0000

33 lines

Sonic Rebellions II CfP

Wanda Canton

Thu, 1 Feb 2024 16:56:47 +0000

93 lines

REMINDER: Call for Papers: The 2024 IASPM UK & Ireland Biennial Conference

Richard Elliott

Thu, 1 Feb 2024 16:28:12 +0000

145 lines

Musica Scotica Study Day 2024 — Registration Now Open

Morag Grant

Thu, 1 Feb 2024 16:09:24 +0000

45 lines

New Sound International Jоurnal of Musi - Call for Papers

New Sound

Thu, 1 Feb 2024 16:14:14 +0100

57 lines

Zoom Colloquium: Martinkus, 8 Feb, 6:30pm BST

Oliver Chandler

Thu, 1 Feb 2024 12:41:35 +0000

73 lines

Exploring Traditional Music on Wax Cylinders: Historical Technologies and Performance Styles

Inja Stanovic

Thu, 1 Feb 2024 12:00:31 +0000

76 lines

Online music research at the MPIEA

Ana Clemente

Thu, 1 Feb 2024 12:23:20 +0100

116 lines

CFP deadline extended – Musical Nationbuilding and Cultural Exchange in Interwar France and Australia

Madeline Roycroft

Thu, 1 Feb 2024 05:15:56 +0000

85 lines

Society for Music Production Research Inaugural Conference - September 12-14, 2024 • Leeds Beckett University, Leeds, UK

Stevenson, Alex

Wed, 31 Jan 2024 20:34:57 +0000

177 lines

BOOK: _Return to Riemann_ Harper-Scott & Chandler

Oliver Chandler

Wed, 31 Jan 2024 17:39:26 +0000

40 lines

British Academy International Fellowships at Northumbria University

Francesca Vella

Mon, 29 Jan 2024 19:19:34 +0000

44 lines

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