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        f i l m - p h i l o s o p h y
                salon news

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Rutgers Art Review
Angelaki
Oekomedia
Culture And Virtuality
Umbr(a)
Journal of Film and Video
Violent Visions
Velvet Light Trap
Spectator
The Resistance Of A Poem
International Mizoguchi Symposium
Wild At Heart And Weird On Top
Vide0party
Prague Indies Film Festival
Cinefantom
Videomedeja
Anticipation

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CALL FOR PAPERS:
Rutgers Art Review, Volume 19

Rutgers Art Review, the premier journal of graduate research in art
history, hereby invites all current graduate students, as well as those who
have completed their doctoral degrees within the past year, to submit
papers for its 19th edition. Professors are kindly requested to encourage
their students to submit.

Papers may address the full range of topics and historical periods within
the history of art and architecture, material culture, art theory and
criticism, aesthetics, film and photography. Interdisciplinary studies
concerning art and architecture written by students in other fields in the
humanities are welcome, even encouraged. To be considered for publication,
submissions must represent original contributions to existing scholarship.

Please observe the following requirements: Papers must conform to style
guidelines established by a standard resource such as the Chicago Manual of
Style. Papers must include full citations and bibliography, as well as
necessary or appropriate illustrations (one set of photocopied
illustrations is sufficient).
Papers should be approximately 10-20 typed, double-spaced pages in length,
and must not be more than 30 pages, without exception. Chapters of
dissertations are acceptable only if sufficiently edited-- i.e., every
submission must stand as an independent paper.

All submissions must be postmarked no later than FEBRUARY 1, 1999.

Please send two copies of your manuscript and a stamped, self-addressed
reply postcard to:

Brian Clancy, Editor
Rutgers Art Review
Department of Art History, Voorhees Hall Rutgers, The State University of
New Jersey New Brunswick, NJ 08903

Questions may be sent to this address or e-mailed to [log in to unmask]
Please visit our website at http://arthistory.rutgers.edu/rar/rar.htm

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>>A N G E L A K I <<

>journal of the theoretical humanities <

Selected 'Best New Journal'
Council of Editors of Learned Journals (CELJ) Awards December 1996

>'... the conversations [_Angelaki_] enables have been
energetic, unpredictable and genuinely productive ...' Stephen Mulhall

>'... an indispensable part of my library ... '
Lawrence Grossberg

>'... consistently provides innovative and stimulating insights
on an exciting array of current critical issues ...' Charles J. Stivale

>'... the most innovative and exciting new journal in the
field of literary and cultural theory to have emerged from Britain in
recent years ... '
Nicholas Royle

>'... buzzing with critical energy ...'
CELJ judges

_Angelaki: journal of the theoretical humanities_ was established in
September of 1993 to provide an international forum for vanguard work in
the theoretical humanities. The journal publishes across the disciplinary
fields of literary criticism and theory, philosophy, and cultural studies.

_Angelaki_ publishes two theme issues and one general/open issue per
volume. The journal invites submissions for its volume 4, number 3
general/open issue, for publication winter 1999.

Deadline for submission of 4.3 material for peer review: March 1999.

For full details on _Angelaki_, submission information and contents
listings of volumes 2 and 3, please visit the journal's website at:

http://www.carfax.co.uk/ang-ad.htm

Authors considering a submission to the journal are welcome to contact the
editors to discuss their work beforehand. Authors are advised to consider
carefully the suitability of their work before submitting it. Contents of
the 1998 general issue (3.3) are listed at the end of this post.

Submissions are subject to peer review.

Editorial e-mail: [log in to unmask] Editorial fax: +44 (0)1865
791372

Material address (editorial)
Angelaki
44 Abbey Road
Oxford OX2 0AE
United Kingdom

_Angelaki: journal of the theoretical humanities_. Print. Current volume: 3
(1998). 3 issues per volume. ISSN: 0969-725X. Published by Carfax
Publishing Ltd.

>New Issue Just Out: The Love of Music (3.2). 13 essays
including work from Gilles Deleuze, Nicholas Royle and Samuel Weber. Please
see the website for contents list.

>Register with Carfax Publishing's SARA service to receive
e-mailed contents lists of _Angelaki_ issues on publication. Please see
website.

>ANGELAKI 3.3 <
1998 general/open issue

Publication: winter 1998
Edited by Pelagia Goulimari, Oxford, UK

>Contents

robert smith
MEMENTO MORI

joanna hodge
Contribution to a Research Project: Time and the Body A SMALL HISTORY OF
THE BODY

lawrence grossberg
THE VICTORY OF CULTURE, Part 1: Against the Logic of Mediation

christopher kelen
VIRAL TROPE

peter hallward
GENERIC SOVEREIGNTY: The Philosophy of Alain Badiou

peter hallward & alain badiou
POLITICS AND PHILOSOPHY: An Interview with Alain Badiou

scott brewster
DEATH AND THE DINNER PARTY: Hospitality and Hungry History in Joyce and Bowen

* ANGELAKI Dossier: Together *

charles j. stivale
ACKER/RIMBAUD: 'I'-DENTITY GAMES

andrew bennett & nicholas royle
TORN-OFF SENSES

julia borossa & caroline rooney
THE POET AND THE PSYCHOANALYST: Mediums of Transmission

forbes morlock & pascal griener
ABSENT FRIENDS: Around _The Ambassadors_

diane morgan
AMICAL TREACHERY: Kant, Hamann, Derrida and the Politics of Friendship

richard johnson
COMPLEX AUTHORSHIPS: Intellectual Coproduction as a Strategy for the Times

vit hopley & eve lomax
STILL
Text and Pictures

Gerard Greenway

managing editor	general editor
A N G E L A K I	A N G E L A K I HUMANITIES
journal of the theoretical humanities book series Carfax Publishing Limited
	Manchester University Press
http://www.carfax.co.uk/ang-ad.htm

44 Abbey Road	E [log in to unmask]
Oxford OX2 0AE	F +44 (0)1865 791372
United Kingdom	T +44 (0)1865 793891

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please note the programm of the OEKOMEDIA 98 - Intern. Ecological
Filmfestival in Freiburg (Germany) from 11 to 15 of November 1998

www.oeko-netzwerk.de/oekomedia98

Thanks
Werner Kobe
Director Filmfestial

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The Art History Association and the University of South Florida present
The 7th Annual Interdisciplinary
Graduate Symposium

'Culture And Virtuality'

We invite scholars to consider the idea of virtuality within the entire
continuum of artistic and intellectual history and theory.

Graduate or recent post-graduate scholars in Art History, Studio Art,
Graphic Design, Literature, Humanities, Mass Communications, History and
related fields may participate.

Conference to be Held Friday, March 19, 1999 from 9:30am to 4pm in
conjunction with the 23nd University of South Florida Contemporary Art
Museum's Annual Juried Student Exhibition. Sponsored by
Graphicstudio/Institute for Research in Art and the USF Art Department.
Faculty Advisor: Dr. Bradley Nickels, Professor of Art History Art History
Juror: Jennifer Hardin, Curator, Museum of Fine Arts, St Petersburg

Two cash prizes--$200.00 each-- will be awarded for Best Paper Overall
and for Best Paper Based on Original Research in a USF archive
(Graphicstudio, Contemporary Art Museum, USF Library).

ONE PAGE ABSTRACTS DUE FRIDAY, FEBRUARY 5, 1999

ALL MATERIALS SHOULD BE SENT TO;

CULTURE AND VIRTUALITY
C/O NOEL SMITH
GRAPHICSTUDIO/USF
3702 SPECTRUM BLVD., SUITE 100
TAMPA, FL 33612

PARTICIPANTS WILL BE NOTIFIED BY FRIDAY, FEBRUARY 19, 1998

FOR MORE INFORMATION PLEASE CALL OR E-MAIL Noel Smith (813) 974-3503,
[log in to unmask] Marta Penabad (813) 988-0424,
[log in to unmask] or Michelle McQuillan (813) 839-4714,
[log in to unmask]

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Reply to: 'C. N. Blakemore, Jr.' <[log in to unmask]>

UMBR (a)
a journal of the unconscious
1999
Aesthetics/Sublimation

In Civilization and its Discontents, Freud submits:

happiness in life is predominantly sought in the enjoyment of beauty...
This aesthetic attitude to the goal of life offers little protection
against the threat of suffering, but it can compensate for a great deal.
The enjoyment of beauty has a peculiar, mildly intoxicating quality of
feeling. Beauty has no obvious use; nor is there any clear cultural
necessity for it- Yet civilization could not do without it. The science of
aesthetics investigates the condition under which things are felt as
beautiful, but it has been unable to give any explanation or the nature and
origin of beauty; and, as usually happens, lack of success is concealed
beneath a flood of resounding and empty words. Psychoanalysis,
unfortunately. has scarcely anything to say about beauty either. All that
seems certain is its derivation from the field of sexual feeling. The love
of beauty seems a perfect example of an impulse inhibited in its aim.

Has philosophy only offered a 'flood of resounding and empty words' with
regard to aesthetics? And, if so, has psychoanalysis nothing to say on this
point still? The aesthetic question is once again getting fresh attention
from philosophy, and psychoanalysis must take up the questions Freud posed
nearly seventy years ago and consider the positions philosophy and, in some
cases, psychoanalysis itself has held and continues to maintain concerning
aesthetics. If psychoanalysis - not to mention philosophy - has failed to
treat the question of aesthetics in any systematic manner, perhaps this
failure exists because the concept of sublimation has never been developed
fully either. In The Language of Psychoanalysis, Laplanche and Pontalis
say, in their discussion of the term, that '[n]o comprehensive theory of
sublimation will be put forward here; none is implicit in the somewhat
undeveloped discussion of the topic found in Freud's writings' (432).
Sublimation has indeed received a great deal of attention in psychoanalytic
theory since Freud - so much so, in fact, that it has reached the status of
a 'received idea.' Nevertheless, the concept of sublimation remains
ambiguous and misunderstood. Much of the work on sublimation since Freud,
for instance, has attempted to link sublimation only with the philosophical
concept of the sublime - indeed, Freud's work seems to encourage such an
approach - hut this manner of proceeding is fundamentally misguided. The
psychoanalytic concept of sublimation is radically new and offers, perhaps,
the most conceptually precise way towards developing a psychoanalytic
theory of aesthetics. UMBR(a) invites articles dealing with the question of
aesthetics and its relationship, as Freud's argument necessitates, to
sublimation.

Submissions should be 1,500-6,000 words in length, must be submitted on a
3.5 diskette (MSWord preferably) and in hard copy, and must be received no
later than February 1, 1999. Please send all submissions to:

UMBR(a)
c/o Kevin Costa
The Center for the Study of Psychoanalysis and Culture 409 Clemens Hall
SUNY-Buffalo, North Campus
Buffalo, NY 14260-4610
[log in to unmask]

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Submissions are invited for a special issue of The Journal of Film and
Video entitled THE X-PHILE (guest edited by David Olsen and John Ramirez).
This issue will present a survey of critical approaches to the analysis of
The X Files. One of the issue's projects will be to collate critical
analyses of The X Files which collectively present a cross-section of
approaches such as ideological, semiotic, cultural studies, gender studies,
poststructuralism, audience reception, TV network/industry studies, genre,
and narrative theory. Essays may analyze: single episodes; textual,
narrative and/or stylistic threads across episodes; or production/textual
dimensions of the series as a whole. Topics for possible essays could
include (but are not limited to): multi/cross-cultural codings of
'Otherness'; (re)writing U.S. political history; genre hybridizations --
e.g., science fiction, horror, political thriller, film noir, melodrama;
The X Files movie; intertextual articulations (e.g., The Simpsons,
Millennium, Alien Autopsy, Frankenstein); Chris Carter and the relevance of
auteurism for television; the apparatus and The X-Files supertext -- FOX,
FX and season/syndication program scheduling and cross-promotion flows.
There will be a two step review process. If you are interested in writing
for this special issue please submit an abstract of no more than 500 words
and a vita by January 8, 1999. Based upon a review of the abstracts,
contributors will be notified to submit a completed paper for
consideration. The deadline for the final article is March 31, 1999. Send
two copies of abstracts and vitae to: David Olsen/John Ramirez; Department
of Communication Studies; California State University, Los Angeles, 5151
State University Drive; Los Angeles, CA 90032-8111. Fax: 323-343-6467.
Email: [log in to unmask]

Submissions are invited for a special issue of The Journal of Film and
Video entitled SEXUALITIES IN THIRD CINEMA(guest edited by Hema Chari and
John Ramirez). This issue will examine theoretical and textual issues
raised by formal and narrative representations of gender and sexuality in
Third Cinema -- i.e., films produced in developing nations and by their
diaspora communities in the West. Possible theoretical frameworks include:
postcolonial theory, queer theory, feminism, psychoanalysis, marxism,
ethnic studies, cultural studies, and semiotics. Articles are sought which
intersect these theories with critical methodologies of film analysis.
Topics for possible essays could include (but are not limited to):
intersections of queer theory, film and postcoloniality; comparative
analysis of 'coming out' narratives in Western and Third cinemas;
representational intersections of gender, race/ethnicity, and nationality;
textual properties and narrative functions of crossdressing; strategies of
heteromasculine representation; genre, auteur, or national cinema-based
analytical surveys that examine Third Cinema gender and sexual politics.
EXTENDED DEADLINE: There will be a two step review process. If you are
interested in writing for this special issue please submit an abstract of
no more than 500 words and a vita by January 8, 1999. Based upon a review
of the abstracts, contributors will be notified to submit a completed paper
for consideration. The deadline for the final article is March 31, 1999.
Send two copies of abstracts and vitae to: Hema Chari/John Ramirez;
Department of Communication Studies; California State University, Los
Angeles, 5151 State University Drive; Los Angeles, CA 90032-8111. Fax:
323-343-6467. Email: [log in to unmask]

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34th Annual UCLA Art History Graduate Student Symposium

Violent Visions
Call For Abstracts

Deadline: Jan. 1, 1999 (postmark)

For the 1999 UCLA Art History Graduate Student Symposium, we solicit papers
dealing with the theme of violence in visual culture. Graduate students
from all fields, within and outside of, art history are encouraged to
engage in considerations of how violence has been represented, how violent
events have influenced art's production, and/or how art itself may be a
sort of violence. Informed by, but not limited to, a model of physical
brutality, we conceive of violence as a powerful social discourse which,
when enacted, is a display of power, and when invisible, is yet a
psychically palpable expression of dominance. Considering violence in art
historical scholarship may thus bring up disparate images: from Classic
Mayan depictions of human sacrifice, to Robert Smithson's _Spiral Jetty_
with its affront to the natural landscape, to Robert Mappelthorpe's
sado-masochistic images both depicting and committing assault
simultaneously.

Both art and violence seem to arise from beyond the reason of logic, but
yet squarely within 'human nature.' As the two meet, we expect a culturally
volatile display of power dominance, terror, and the ways in which these
are made and unmade, exposed and concealed.

Abstracts should not exceed one typed page in length, be accompanied by a
preliminary biography, and be postmarked no later than January 1, 1999.
Semi-finalists will be notified no later than January 15. Final panelists,
selected on the basis of full-length papers, will receive formal invitation
on or around February 1 to visit the UCLA campus for the two-day event,
April 16-17. Some funding will be available for travel.

Proposals or inquiries should be directed to:

VIOLENT VISIONS
University of California, Los Angeles
Department of Art History
Box 951417
Los Angeles, CA 90095-1417
Tel (310) 206-6905
Fax (310) 206-1903

(Sponsored by the UCLA Art History Graduate Student Association)

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The new issue of _Velvet Light Trap_ has been released by UT press on
audiences and reception. The articles approach the topic from different
angles and utilize innovative source material to analyze media audiences in
a variety of contexts. Unfortunately, the journal accidentally omitted
three paragraphs from the article 'Movie Mad: Audiences and Censorship in a
California Town, 1916-1926.' The paragraphs outline the town's population
breakdown and explain the nature of the audience survey used in the
analysis. If you want copies of the omission, please drop me an e-mail.

George Potamianos

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Spectator: The University of Southern California Journal of Film and
Television Criticism. Call for papers.

'Sex Scenes: Legacies of the Sexual Revolution in Contemporary Media'
Submissions for Spring 1999 issue are due: December 1, 1998

The nostalgic reworking of the sexual revolution in numerous recent films
(from Stonewall to Boogie Nights) may be seen as a powerful commentary on
constructions of the experience of sexuality today. This issue of Spectator
will examine notions of sexual democracy and the representations of sexual
liberationism depicted in contemporary film, video, television and other
media. This may include an expansion of the generally perceived time-line
of the 'sexual revolution' to address the intersection of post-war sexology
discourses with cinema and television. This issue of Spectator will
emphasize the legacies and re-evaluations of sex and sexual representations
at this historical juncture--the end of the millenium. Where have changes
and debates precipitated by such things as civil rights, feminist, gay and
lesbian liberation movements taken us? How different are the current
configurations of queer politics and theory? How have abortion battles, the
feminist 'sex wars,' the AIDS pandemic, elevating statistics of teen
pregnancy and ongoing battles over the status of sex education in the
schools affected the way in which we have come to experience ourselves and
our sexualities?

Possible essay topics may include:
*Recirculation of older sex educational material in recent media
*Representations of subcultural groups and their relationship to mainstream
conceptions of sexuality *Sex and gender impersonations on the internet
*Sociohistoric and/or theoretical examination of the intersections between
sexual liberationist ideology and current theorizations of queerness
*Interrogation /examination of the alleged 'progress' of sexual freedom
over the past century, particularly with regards to issues of censorship,
federal arts funding, television ratings, etc.

Please submit a 12-25 page, double spaced manuscript (5000 word maximum) in
MLA end note style to the address below. Articles accepted for this issue
of Spectator will be required to include images suitable for publication.

Christie Milliken
School of Cinema-Television
Division of Critical Studies
University of Southern California
Los Angeles, CA 90089-2211

For more information contact Christie Milliken <[log in to unmask]>

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The Resistance Of A Poem
Philosophy Poetry

A one day conference Saturday 28 November 1998

Middlesex University, Tottenham Campus, White Hart Lane, London N17 8HR

Programme of the day

10.00 - 10.30	Registration and coffee
10.30 - 10.45	Welcome, Alexander D=FCttmann
10.45 - 11.45	Christoph Menke, New School of Social Research, New
York
The Opposition of Literature

12.00 - 1.00	Corinna Oppler, Kings College, London:
Title: tba

1.00 - 2.15	Lunch Break

2.15 - 3.15	Mark Doty, Provincetown and University of
Texas, Houston:
The Resistance of a Poem

3. 15 - 4.15	Paul Davies, University of Sussex:
The Context of a Poem

4.15 - 4.45	Tea Break

4.45 - 5.45	Giorgio Agamben, University of Verona:
The End of a Poem

5.45 - 7.00	Reception: room K102

'---------------------------------------------------------------------
-------------------------------------------------- REGISTRATION FORM
(please print)
Name: ................................................................
.....................................................................

Address:..............................................................
....................................................................

......................................................................
...................................................................... .....

I wish to attend the Resistance of a Poem conference and enclose a sterling
cheque payable to Middlesex University for the sum of: (please indicate)
=A330 (waged) =A8 =A310 (unwaged) =A8 (includes tea/cof= fee)

Signature.............................................................
..............Date..............................................

Applications should arrive no later than Monday 23 November 1998 and sent
to: Anna Pavlakos, School of Humanities and Cultural Studies, Middlesex
University, White Hart Lane, London N17 8HR.

----------------------------------
Lilian Alweiss
Middlesex University
Tel.: UK - 0181 362 5551

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International Mizoguchi Symposium

To commemorate the 100th anniversary of the birth of Mizoguchi Kenji, one
of Japan's most famous international film directors and the creator of such
masterpieces as _Ugetsu Monagatari_ and _Osaka Elegy_, Meiji Gakuin
University will be holding a two day symposium on November 28-29, 1998, in
Tokyo, Japan. The symposium is free and all are welcome to attend, although
participants are advised to come early given the limited number of seats.
It will be held in Room 3201 at the Shirokane Campus of Meiji Gakuin
University (near Meguro Station).

November 28 (Saturday), 1:00 to 6:30 pm
The first day will feature a keynote lecture by Professor Dudley Andrew
(University of Iowa) and papers by Chiba Nobuo, Komatsu Hiroshi (Saitama
University), and Monma Takashi. At 4:50 there will be a screening of _The
Downfall of Osen_ featuring a benshi performance by Sawato Midori.

November 29 (Sunday), 1:00 to 6:00 pm
The second day will feature a special lecture by the director Shindo Kaneto
and papers by Yomota Inuhiko (Meiji Gakuin University), Kato Mikiro (Kyoto
University), Aaron Gerow (Yokohama National University), and the director
Naito Makoto. At 4:20, there will be a roundtable discussion featuring all
the participants.

All the papers and discussions will be in Japanese except for Prof.
Andrew's keynote lecture, which will be given in English with Japanese
translation. All the papers are scheduled to be published next year in
Japanese by Shinyosha.

Questions and inquires can be directed to the Department of the Arts, Meiji
Gakuin University (81-3-5421-5502) or to Aaron Gerow ([log in to unmask]).

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Conference: Wild At Heart And Weird On Top: the films of David Lynch
Saturday, 13 February 1999
Sheffield University
Sheffield, UK

The Departments of Music and English Literature, Sheffield University,
invite paper proposals for a one day conference devoted to the study of
David Lynch's films, which will be held on Saturday, 13 February 1999.
Submissions are particularly encouraged, but not limited to, the following
areas:
Soundtrack
Spectatorship
Race
Gender
Stars
Cinematography, and
Psycholanalytic interpretations

Papers should last no more than 20 minutes. One session at the conference
is devoted to papers which emphasise the soundtracks of Lynch's films.
Other session themes will be determined by the proposals.

Abstracts should be 200-250 words (max.). Individuals may make one proposal
only. Proposals may be sent by email or mail, and should be submitted by
Friday 11th December. Please make sure that you include the following
details: Name, Department, Institution, Phone, Fax, and Email Address.

Proposals in print should be sent to:
Lynch Conference
Department of English Literature
University of Sheffield
Sheffield S10 2TN

Proposals by email should be sent to:
[log in to unmask], or
[log in to unmask]

The conference's web page is located at
http://www.shef.ac.uk/uni/D-H/el/conferences/wild.html

***************
Annette Davison
Music Dept.,
University of Sheffield,
38 Taptonville Road,
SHEFFIELD S10 5BR

Web pages: http://www.shef.ac.uk.academic/I-M/mus/researchstuds/davison/
adhomepage.html

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* 'Vide0party' <[log in to unmask]> write:

Videøparty new address:
Immagine Leggera (international videoart + media + film) Festival
http://www.imprese.com/video

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* Marta Smolikova <[log in to unmask]>:

detailed information about Prague Indies Film Festival you can find at:
http://www.indies.cz/

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* Olia Lialina <[log in to unmask]> writes:

I'd like to inform u that from now on
CINE FANTOM is at
http://www.cinefantom.org
i'm now updating information on films, videos, club and other events in
russian and english.

||||||\

* VIDEOMEDEJA write:

http://videomedeja.opennet.org is now available.

VIDEOMEDEJA
Jevrejska 4/1
21000 Novi Sad
Yugoslavia
tel/fax: +381 21 621-308
email: [log in to unmask]

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Anticipation Version 4
11 Nov 98 - 20 Dec 98

INSTALLATIONS
Thomas Bayrle (D), Mariko Mori (J), Rachel Baker (GB), Sulpiz Boisseree (D)
& Joel Mutzenberg (CH), Matt Mullican (USA), Heath Bunting (GB), Serge
Comte (F), Holger Friese (D), Renee Green (USA), Elena Montesinos (CH),
Pierre Joseph (F), Jeffrey Shaw (AUS), Teresa Hubbard (GB) & Alexander
Birchler (CH), Peter Kogler (A), Heimo Zobernig (A), George Legrady (H),
Jerome Leuba (CH)

FILMS & CONFERENCES
Blade Runner, Brazil, Terminator 2, L'armee des 12 singes, Michael Klier,
Playtime, Johnny Mnemonic, Planet of The Apes, Samira Gloor-Fadel, Stalker,
La Jetee, Le couple temoin, Ghost in the Shell, Le 3e Cri, Gattaca, Wim
Wenders, Stalker, Megacities, Tron
Alex Iordachescu, Georges Aboujaoude, Michael Jakob, Benjamin Weil, Nikola
Jankovic

VIDEO LOUNGE
Bill Viola, Doug Aitken, Dara Birnbaum, Orlan, Max Almy, William Forsythe,
Kristin Lukas, Muntadas, Dan Graham, Absalon, Les Levine, + cd-roms

WEB
New design of www sgg.ch by Holger Friese (Berlin) Heath Bunting & Nathalie
Jeremijenko : Biotech Hobbyist Magazine Rachel Baker : Cramley Election 17
Nov.1998. cdX-rom, backup version of documenta X.website and projects

ON-LINE VIDEO COLLECTION
www.newmedia-arts.org (start: Nov 19)
artist video database from 3 major european collections: Centre Georges
Pompidou, Paris, Centre pour l'image contemporaine, Genève, Museum Ludwig,
Köln

EDITION
Version Box Upgrade 4.0, Editions by Thomas Bayrle, Heath Bunting, Ben
Kinmont, Peter Kogler, Miltos Manetas, Matt Mullican, Philippe Parreno
(coproduction CIC-JRP)

Curator: Simon Lamunière

---------------------------------
Centre pour l'Image Contemporaine
(saint-gervais, genève)
5 rue du Temple
CH-1201 GENEVE

T: 0041 22 908 20 63
F: 0041 22 908 20 01




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