Dear all,
 
I am pleased to send you the call for participation and papers for the ADRec2024 conference.
The conference will be held on 24, 25 and 26 January 2024 in Paris.
 
Please find attached the detailed call for papers and the presentation document, also available here (FR and EN):
https://drive.google.com/drive/folders/10RcGfrQ615wFvNqPB0TUV7Emap3km43n?usp=share_link <https://drive.google.com/drive/folders/10RcGfrQ615wFvNqPB0TUV7Emap3km43n?usp=share_link> 
 
CALL FOR PAPERS, SCIENTIFIC PAPER, WORKSHOP, PODCAST, NEW FORMS OF WRITING, PERFORMANCES, EXHIBITION
Procedures: double-blinded peer-review process
✒️  Presentation, scientific paper, workshop, and podcast proposals and any other relevant forms should be sent in French or English on https://limit-nolimit.sciencesconf.org <https://limit-nolimit.sciencesconf.org/>   
⭕ NEW DEAD-LINE : 19 octobre 2023 ⭕
 
For  papers :
-        7,000 to 8,000 words, excluding references and figure and table legends, accompanied by a 150-word abstract.
-        4,000 words excluding references and figure and table legends). Applications from doctoral students are particularly welcome.

For other formats :
-         Abstract of approximately 500 words
 
Proposals must be accompanied by a brief biographical note specifying the track envisaged.
Applicants will be informed by December 15.
 
Event dates: from January 24 to 26, 2024.
Location: Paris, France.
 
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The limit/no limit conference, as part of the Art Design Research Conference, invites artists, designers, researchers, and anyone interested to reflect on the notion of limit in the context of research in art and design in France. In a world marked by the exhaustion of Western political systems and the impact on the environment of our models of production, how can we rethink current societal and environmental issues by proposing critical and creative approaches?
The limit/no limit conference proposes to explore different historical and geographical scales of the notion of limit, by addressing the following questions:
● How did artists and designers of the 20th century participate in the experience of a world without limits?
● How has the notion of limit evolved in the worlds of art and design in the face of the finitude of our planet and the deterioration of nature caused by our own excesses?
● How can research in art and design contribute to contemporary debates through questioning its own multiple temporalities and formats of documentation?
● How can the creation of common tools and the establishment of interdisciplinary transversalities help to rethink conventional models of research and creation?
The limit/no limit conference offers various activities such as presentations, publications, exhibitions, workshops, and podcasts, to explore methodological limits and ways of overcoming them in the context of research in art and design. We encourage presentation proposals that reflect a critical and reflective approach, as well as contributions that present concrete examples of interdisciplinary and durable collaborations.
Alongside the conferences, 3 round tables will be devoted to the challenges of international research, research training and publicising research.
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If you have any questions, please feel free to reach out!
Best regards,
 
Nathalie Guimbretière
 
 
 
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The international conference limit/no limit addresses the notion of limit across different historical and geographical scales in the context of research in art and design. Contributions are welcomed in various forms, including scientific articles, exhibitions, podcasts, and workshops.The conference aims to explore the limits and potentials of art and design in the face of the contemporary challenges posed by the modernization of societies and the rise of the globalized capitalist model of production, by proposing critical and creative approaches for a deeper understanding of current societal issues. Contributions should focus on questioning conventional models of research and creation, as well as on creating new, practice-based paradigms to guide interdisciplinary reflections. Submissions should contribute to contemporary debates by questioning their own multiple temporalities and documentation formats, while creating new communities and contributing to thinking about the future. The conference offers a workspace to explore the limits and means of surpassing them in the context of knowledge production in art and design.
 
Three tracks are proposed:
1. RESOURCES / Art and design research for new links between human communities and natural resources.
2. SYSTEMS / How do art and design contribute to building new models of society?
3. EPISTEMOLOGY / How do art and design contribute to the creation of new modes of knowledge?
 
 
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Artistic and Scientific Committee
• James AUGER
École normale supérieure Paris-Saclay (ENS Paris-Saclay) Centre de Recherche en Design, ENSCI-LesAteliers/ENSPS
• Denise FEREIRA DA SILVA
University of British Columbia (UBC),
Institute for Gender, Race, Sexuality and Social Justice (GRSJ) Université Monash, Melbourne,
Université Paris 8
• Sophie KRIER
University College Roosevelt Nieuwe Instituut Rotterdam
• Chus MARTINEZ
Basel Academy of Art and Design FHNW, Institute Art Gender Nature (IAGN)
• Nicolas NOVA
Haute école d’art et de design de Genève
• Bernhard RÜDIGER
École nationale supérieure des Beaux-Arts de Lyon (ENSBA Lyon)
• Bachir SOUSSI CHIADMI ESADHaR Le Havre
• Katrin STRÖBEL
Villa Arson, École nationale supérieure d’art Nice, ABK State Academy of Art and Design, Stuttgart
• Petra VAN BRABANDT
Sint LUCAS Anvers, P.A.R.T.S. Bruxelles
 
Contact
Nathalie GUIMBRETIÈRE
Art and design researcher, Research Project Manager AD•rec
Centre de recherche en design (ENSCI-Les Ateliers ENS Paris-Saclay)
Mob : +33 6 73 71 15 37
Mail : [log in to unmask]
 
Organising Committee
• Armand BEHAR
Co-head of Centre de recherche en design (ENSCI-Les Ateliers ENS Paris-Saclay)
• Solène BELLANGER
Head of research, Direction générale de la création artistique (DGCA), Ministère de la Culture
• Nathalie GUIMBRETIÈRE
Head of research AD•rec
• Estelle PAGÈS
Director of École Nationale Supérieure des Beaux-Arts de Lyon - ENSBA Lyon
• Frédérique PAIN
Director of Ecole Nationale Supérieure de Création Industrielle - ENSCI-Les Ateliers
• Corinne SENTOU
In charge of forward planning and the artist’s career, Délégation aux arts visuels, Direction générale de la création artistique (DGCA), Ministère de la Culture
 

Steering Committee
• Mathieu Kleyeber ABONNENC / Artist, researcher, film curator and programmer, director of the Culture collection at éditions B42
• Céline AHOND / Artist
• Carole COLLET / Professor in Design for Sustainable Futures, Director of Maison, the Central Saint Martins LVMH Creative Platform For Regenerative Luxury / Co-director Living Systems Lab
• Morgan LABAR / Critic and art historian,, head of the École Supérieure d’Art d’Avignon - ESAA
• Emmanuel MAHÉ / Head of Research, ENSAD
• Caroline NOWACKI / Project Lead, Scenarios prospectifs, initiative IRIS
• Fabrice PINCIN / Designer, teacher, researcher, chairman of Marseille Design Méditerranée, teacher at Kedge Design School
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