London Conference in Critical Thought 2023
Friday 30th June & Saturday 1st July
London Metropolitan University
Hosted in 2023 by the School of Social Sciences and Professions, London Metropolitan University, the LCCT is an annual interdisciplinary conference that provides a forum for emergent critical scholarship, broadly construed. The event is always FREE for all to attend and follows a non-hierarchical model that seeks to foster opportunities for intellectual critical exchanges where all are treated equally regardless of affiliation or seniority. There are no keynotes and the conference is envisaged as a space for those who share intellectual approaches and interests but may find themselves on the margins of their academic department or discipline.
2023 LCCT Streams:
* Affects & Collective Practices of the Undercommons
* Critical Spatial Action for an Earth in Crisis: Shuffling the Narrations
* Empirical Philosophies: Mediating Theory & Practice in Critical Thought
* Epistemic Challenges to Democratic Institutions
* Gentle Gestures
* Horrors of Philosophy
* Madness and Capitalism
* Music and the Politics of Temporality: Creativity and Critique
* Planetarity and Apocalyptic Spaces: Literature, Art and Architecture
* Previsualisations: what’s it going to be like?
* Radical Repetition: Repetition as Creative Subversion and Liberation
* Reimagining Data Visualisations: Critical Questions, Expanded Practices
* Representing the Non-normative: Othered groups in the (human) rights Imaginary
* Rethinking Work and Career: Resisting the Neoliberal Order
* Thinking-Feeling Desire in the Now: Post-Capitalist Desire and Creative Practices of the Body
Further details, including the full programme with further location information, etc, can be found at: http://londoncritical.org/
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Dr Samuel Wilson
Tutor in Music Philosophy and Aesthetics | FHEA
Guildhall School of Music and Drama, Silk St, London EC2Y 8DT
Recent publications include: (book) New Music and the Crises of Materiality: Sounding Bodies and Objects in Late Modernity<https://www.taylorfrancis.com/books/mono/10.4324/9781003038535/new-music-crises-materiality-samuel-wilson?context=ubx&refId=c487d90c-485e-4f92-9830-2aa332a06e9c> (2021); (chapters) ‘Cage, Reich, and Morris: Process and Sonic Fetishism<https://www.peterlang.com/document/1281404>,’ in The Sound of Žižek (ed. M.F. Bertola, 2023); ‘Musical Time in a Fast World<https://academic.oup.com/edited-volume/41628/chapter/353471563>,’ in The Oxford Handbook of Time in Music (ed. M. Doffman, E. Payne, and T. Young, 2022) | Further details of my research and publications can be found here<https://www.samueljwilson.com/>.
<http://www.tandfonline.com/eprint/4crd5cUFMaTXx6pZhUzR/full>
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