Dear colleagues,
we are pleased to announce the publication of volume 2, issue 2 of the online journal Sound Stage Screen (https://riviste.unimi.it/index.php/sss).
Sound Stage Screen, Volume 2, Issue 2, Fall 2022
ARTICLES:
“That’s How You Know He’s Your Love”: The Male Singing Voice and Disney’s (Re)interpretation of the Male Romantic Lead
MARIA BEHRENDT
Opera, Audio Technologies, and Audience Practices in the Late Nineteenth Century: The Case of Jules Verne
NICOLÒ PALAZZETTI
Rehearsing Upload
LEA LUKA SIKAU
FORUM:
Web Opera and Opera on the Web
SOFIJA PEROVIĆ
REVIEW-ESSAY:
Identity, Loss, and Singing Transcendence after the End of the World
Review of the film opera “Upload” and the chamber music theater piece “The Book of Water” by Michel van der Aa
JELENA NOVAK
BOOK REVIEW:
Francesca Vella, “Networking Operatic Italy” (2022)
LUCA BATTIONI
PERFORMANCE REVIEW:
“Children” by Irena Popović (Belgrade, National Theatre, 2022)
SOFIJA PEROVIĆ
Editors-in-Chief
Giorgio Biancorosso, The University of Hong Kong
Emilio Sala, Università degli Studi di Milano
We welcome submissions via the journal’s submission page at
https://riviste.unimi.it/index.php/sss/about/submissions.
Sound Stage Screen (SSS) is a biannual peer-reviewed journal devoted to historical and theoretical research into the relations between music, performance, and media. An open-access journal, SSS addresses a wide range of phenomena, practices, and objects pertaining to sound and music in light of the interconnections between performing traditions and media archaeologies.
SSS promotes the dialogue across disciplines and practices as essential to the redefinition of the academic study of music, as an open field whose boundaries—historical, geographical, and theoretical—are constantly being negotiated. SSS embraces the web format to stimulate and sustain the exploration of ways to restore a sense of the continuum that ties music making and research. To this end, the journal encourages submissions stemming from practice-led research, research-led practice as well as cross-disciplinary collaborations from within and without academia.
########################################################################
To unsubscribe from the MUSICOLOGY-ALL list, click the following link:
https://www.jiscmail.ac.uk/cgi-bin/WA-JISC.exe?SUBED1=MUSICOLOGY-ALL&A=1
This message was issued to members of www.jiscmail.ac.uk/MUSICOLOGY-ALL, a mailing list hosted by www.jiscmail.ac.uk, terms & conditions are available at https://www.jiscmail.ac.uk/policyandsecurity/
|