Liverpool University Press is delighted to announce a call for contributions for the second issue of The Journal of Beatles Studies<https://www.liverpooluniversitypress.co.uk/journal/jbs>. The aims of the journal are to provide a voice to new and emerging research locating the Beatles in new contexts, groups and communities from within and beyond academic institutions; to inaugurate, innovate, interrogate and challenge narrative, cultural historical and musicological tropes about the Beatles as both subject and object of study; to publish original and critical research from Beatles scholars around the globe and across disciplines.
The Journal of Beatles Studies establishes a scholarly focal point for critique, dialogue and exchange on the nature, scope and value of the Beatles as an object of academic enquiry and seeks to examine and assess the continued economic value and cultural values generated by and around the Beatles, for policy makers, creative industries and consumers. The journal also seeks to approach the Beatles as a prism for accessing insight into wider historical, social and cultural issues.
"An international, inclusive, interdisciplinary focal point for ideas, exchange and quality research".
Holly Tessler and Paul Long, Co-Editors of The Journal of Beatles Studies
A fully Open Access Journal
The Journal of Beatles Studies is a fully Open Access journal, published in association with the University of Liverpool<https://www.liverpool.ac.uk/arts/> and MA The Beatles, Music Industry and Heritage<https://www.liverpool.ac.uk/study/postgraduate-taught/taught/beatles-ma/overview/>. With the addition of the new Yoko Ono Lennon Centre<https://www.liverpool.ac.uk/yoko/>, the University of Liverpool is an exciting hub for Beatles Scholarship.
There is no Article Publishing Charge for authors and all articles are published under a CC-BY license<https://creativecommons.org/licenses/by/4.0/>. More information on publishing Open Access with Liverpool University Press can be found on our Publishing Open Access Journal Articles page, which includes the Open Access Journal Article Contributor Agreement.
Submit your research
The editors invite original contributions of 6-8,000 words that set out empirically and critically informed ideas for a future-facing agenda for the study of the Beatles, identifying existing paradigms and suggesting new directions, agendas and methodologies for research. The journal elicits peer-reviewed, interdisciplinary articles encompassing scholarship about, but not limited to:
* The Beatles as academic object
* The historical moment of The Beatles
* The music of the Beatles, including issues of composition, recording, performance, reception and interpretation
* Beatles fandom and communities
* Social identities and The Beatles
* Beatles geographies
* The legacy of The Beatles
* Cultural value and The Beatles
* The Beatles as heritage object
* The global Beatles
* Beatles historiography
* Mediation of The Beatles
* Beatles pedagogies
* Economics of The Beatles
* Archiving and collecting The Beatles
* Sustaining The Beatles
How to submit
Abstracts of 500 words inclusive of an indicative bibliography and short biography should be submitted to the editors by 01 December 2022 to [log in to unmask]<mailto:[log in to unmask]>.
Please note the editors cannot accept article proposals for this issue after this deadline. Unfortunately, we cannot accept unsolicited articles at any time.
Notification of invitation to authors to submit to the inaugural edition will be sent by 01 February 2023
Deadline for submission of papers: 30 April 2023
Notification of revisions: 31 May 2023
Deadline for completion of revisions: June 2023
Publication: SEPTEMBER 2023
Publishers who would like to submit Beatles-related books and media for review consideration can contact the editors at the above email address.
Creating a network of Beatles Scholarship
The journal is also seeking to build an editorial board reflecting global perspectives on The Beatles, helping to define, shape and critique the purpose of this site of scholarship. We will be seeking contributions to future editions and aim to organise events on and offline to aid exchange and networking. Senior academics and/or industry practitioners with relevant interest should submit expressions of interests to journal editors via the above contact information.
Read the first issue online ><https://www.liverpooluniversitypress.co.uk/toc/jbs/2022/Autumn>
Best wishes,
On behalf of Liverpool University Press
Natasha Bikkul (she/her/hers)
Journals Marketing Executive
L I V E R P O O L U N I V E R S I T Y P R E S S | F O U N D E D 1 8 9 9
4 Cambridge Street, Liverpool, L69 7ZU
Sign up to our mailing list<https://www.liverpooluniversitypress.co.uk/pages/mailing_list/> | Browse our SS22 catalogue<https://cdn.shopify.com/s/files/1/0046/0600/1267/files/SS22_Catalogue_compressed.pdf?v=1646910038>
This message is confidential to the intended recipient. If you have received it by mistake, please notify the sender. Any attachment has been virus-checked, but no responsibility is accepted for any virus unintentionally transmitted. The contents of this email are not legally binding. Liverpool University Press 2004 Limited, Company Number 05113671, is a wholly-owned subsidiary of the University of Liverpool.
########################################################################
To unsubscribe from the MUSICOLOGY-ALL list, click the following link:
https://www.jiscmail.ac.uk/cgi-bin/WA-JISC.exe?SUBED1=MUSICOLOGY-ALL&A=1
This message was issued to members of www.jiscmail.ac.uk/MUSICOLOGY-ALL, a mailing list hosted by www.jiscmail.ac.uk, terms & conditions are available at https://www.jiscmail.ac.uk/policyandsecurity/
|