Dear subscribers to the MUSICOLOGY-ALL mailing list,
in my previous email about the 3rd Call for Papers for ISMIR 2022 I sent
a broken link to the webpage of the call, this is the correct one:
https://ismir2022.ismir.net/calls/cfp
Apologies for the inconvenience.
Best regards,
Rafael Caro Repetto, Ph.D.
Senior Scientist
Institut für Ethnomusikologie
Kunstuniversität Graz
http://ethnomusikologie.kug.ac.at
El 20/04/2022 a las 9:34, Rafael Caro Repetto escribió:
> [Apologies for cross-posting]
>
> Dear subscribers to the MUSICOLOGY-ALL mailing list,
>
> On behalf of the ISMIR 2022 <https://ismir2022.ismir.net/>Scientific
> Program Committee, I am excited to share the third call for papers
> <https://ismir2022.ismir.net/calls/cfp/>.
>
> The 23rd International Society for Music Information Retrieval
> Conference will take place in a hybrid format from Dec 4-8, 2022 and
> will be hosted in Bengaluru, India.
>
> ==================================================
>
> CALL FOR PAPERS
>
>
> Important Dates:
>
> *
>
> Submission site opening:April 22, 2022
>
> *
>
> Abstract submission deadline: May 13, 2022
>
> *
>
> Full paper submission deadline: May 20, 2022
>
> *
>
> Notification of acceptance:July 14, 2022
>
> *
>
> Camera ready deadline:August 9, 2022
>
> Note: All deadlines are Anywhere on Earth (AoE) UTC -12. There will be
> no further extension to the submission deadlines. However, authors of
> registered papers on or before May 13th will be allowed to upload new
> versions of their papers until May 20th.
>
>
> Overview
>
> The 23rd International Society for Music Information Retrieval
> Conference (ISMIR 2022) will be held in Bangalore, India, from
> December 4th to 8th, 2022.
>
> The annual conference of the International Society for Music
> Information Retrieval (ISMIR) is the world's leading research forum on
> processing, analyzing, searching, organizing and accessing
> music-related data. The 23rd ISMIR conference welcomes contributions
> related to any aspect of music information research, including
> foundations and theories for music processing, analysis, algorithms,
> evaluation, and applications.
>
> ISMIR is a truly interdisciplinary research community, involving
> researchers, developers, educators, librarians, students, and
> professionals from various disciplines such as computer science,
> electrical engineering, musicology, cognitive science, and library and
> information sciences. The ISMIR conference provides a venue for the
> exchange of ideas, issues, results, and perspectives among different
> profiles of people working with music and computing in a broad sense.
>
> In addition to established research topics and tasks, ISMIR always
> welcomesbravenew ideas and challenges. Submissions of novel
> music-related topics, tasks, and applications are highly encouraged to
> broaden the scope of ISMIR. ISMIR also has a tradition of publishing
> open datasets and open-source projects to enhance the scientific
> reproducibility, thoughISMIR acceptssubmissions using proprietary
> datasets and implementations that are not sharable. ISMIR thus
> respects the diversity of academic disciplines, backgrounds, and
> approaches.
>
> The accepted papers will be presented at the conference in a format to
> be decided.
>
>
> Special Call for Papers: Cultural and Social Diversity in MIR
>
> The research carried out in MIR nowadays does not reflect the rich
> variety of the world's music traditions. MIR studies are mostly
> focused on international mainstream popular music, Western art music
> and other styles mainly based on tonal principles and global
> consumption practices. From ISMIR we want to promote the study of
> still under-represented music traditions in MIR. These traditions
> might not only present music characteristics that would require novel
> approaches even for standard MIR tasks, but can represent
> under-studied musical functions and communities. In this regard, we
> also encourage the study of new groups of music makers and users, as
> well as the development of tools that benefit beyond mainstream music
> communities. Equally, we encourage studies from a cross-cultural
> perspective that cater to this musical and cultural diversity. To
> submit to this track, authors should indicate this in the main
> submission form. These submissions will follow the same submission
> process and requirements described below, but dedicated meta-reviewers
> will be selected to oversee their review. An award will be given to
> the best paper accepted within this special call.
>
>
> Selection Process
>
> Full paper review: Each paper will be reviewed by at least three
> reviewers and a program committee member (meta-reviewer) who will
> overview the process and write a meta-review with a recommendation.
> The Scientific Program Chairs will make the final decision based on
> that recommendation.
>
>
> Double blind review: ISMIR follows a double-blind review process.
> Authors should not know the names of the reviewers of their
> papers, and reviewers should not know the name(s) of the author(s).
>
>
> Evaluation criteria: Evaluation criteria include the novelty of
> the paper, scholarly/scientific quality, reusable insights,
> pioneering proposals, appropriateness of topic, potential impact,
> readability and paper organization. Papers which propose brave new
> ideas are valued. It is helpful to read the reviewer guidelines
> at https://ismir.net/reviewer-guidelines/
> <https://ismir.net/reviewer-guidelines/>before the paper submission.
>
>
> Submission Process
>
> Submission site:[TBA]
>
> Abstract submission:The paper title, author names, contact details,
> and abstract must be submitted by the abstract submission deadline.
> The title and abstract, together with the selected subject area, are
> the primary sources for assigning papers to reviewers. So make sure
> that they form a concise and complete summary of your paper with
> sufficient information to let someone who has not read the full paper
> know what it is about.
>
> Full paper submission: The full paper must be submitted by the full
> paper submission deadline.
>
> Supplementary material:For the anonymous review process, in addition
> to the PDF file of the manuscript, authors may upload supplementary
> files for their submission, such as audio samples, demonstration
> videos, code, etc. These supplementary materials should comply with
> the requirements for the double-blind review process.
>
> Subject area:When submitting the abstracts, authors will be required
> to choose from the subject areas given. The list of subject areas is
> the one listed below and it will be available on the submission site.
>
> Presenting authors: At least one author of each accepted paper must
> register to the conference, before the deadline given for author
> registration [TBD]. Failure to register before the deadline will
> result in automatic withdrawal of the paper from the conference
> proceedings and program.
>
> Publication:Accepted papers will be published on the conference
> website and on an open access repository [TBD] using a Creative
> Commons Attribution 4.0 International License (CC BY 4.0).
>
>
> Submission Requirements
>
> Paper format:Papers must be formatted using the ISMIR 2022 templates
> (LaTeX or Word). Authors are required to submit their papers in PDF
> format. Submissions that manipulate the template (e.g., by decreasing
> margins or font sizes) may be rejected without review. All fonts need
> to be embedded within the PDF.
>
> Paper length: Papers must contain at most 6 pages of scientific
> content (including figures and tables), with additional optional pages
> that contain only references and acknowledgments. Overlength papers
> will be rejected without review.
>
> Anonymity of authors: Do not put your names under the title. Avoid
> using phrases such as “our previous work” when referring to earlier
> publications by the authors. Remove information that may identify the
> authors in the acknowledgments (e.g., co-workers and grant IDs). Check
> supplementary material for information that may reveal the authors’
> identity. Avoid providing links to websites that identify the authors.
> Anonymized materials may be uploaded as “Supplementary material”.
>
> Preprints: To maintain the legitimacy for our double-blind review
> process, we strongly discourage authors from posting near duplicate
> manuscripts on public archives (technical reports, arXiv, etc.). In
> the same spirit, to protect our double-blind review process, authors
> need to make sure they do not promote their work in any way during the
> review process (social media, blog, mailing-list, etc.), since this
> may prevent preserving anonymity.
>
> External Materials:If the paper promises to make the code, dataset, or
> other materials available after the acceptance, our research community
> relies on the research ethics of the authors to fulfill their promise.
>
> Topics of Interest
>
> Relevant topics for ISMIR 2022 include, but are not limited to:
>
> *
>
> MIR fundamentals and methodology: music signal processing; symbolic
> music processing; metadata, tags, linked data, and semantic web;
> lyrics and other textual data; web mining, and natural language
> processing; multimodality.
>
> *
>
> Domain knowledge: representations of music; music acoustics;
> computational music theory and musicology; cognitive MIR; machine
> learning/artificial intelligence for music; computational
> ethnomusicology.
>
> *
>
> Musical features and properties: melody and motives; harmony, chords
> and tonality; rhythm, beat, tempo; structure, segmentation, and
> form; representations of music; timbre, instrumentation, and singing
> voice; musical style and genre; musical affect, emotion and mood;
> expression and performative aspects of music.
>
> *
>
> MIR tasks: sound source separation; music transcription and
> annotation; music generation; optical music recognition; alignment,
> synchronization, and score following; music summarization; music
> synthesis and transformation; fingerprinting; automatic
> classification; indexing and querying; pattern matching and
> detection; similarity metrics.
>
> *
>
> Evaluation, datasets, and reproducibility: evaluation methodology;
> evaluation metrics; novel datasets and use cases; annotation
> protocols; reproducibility; MIR tasks.
>
> *
>
> Philosophical and ethical discussions: philosophical and
> methodological foundations; legal and societal aspects of MIR;
> ethical issues related to designing and implementing MIR tools and
> technologies.
>
> *
>
> Human-centered MIR: user behavior analysis and mining, user
> modeling; human-computer interaction; music interfaces and services;
> personalization; user-centered evaluation.
>
> *
>
> Applications: digital libraries and archives; music retrieval
> systems; music recommendation and playlist generation; music and
> health, well-being and therapy; music training and education; music
> composition, performance, and production; music videos, multimodal
> music systems; gaming, augmented/virtual reality; music heritage and
> sustainability; business and marketing.
>
> For additional information, you can reach the program chairs via email
> ([log in to unmask])
>
> Best regards,
>
> Scientific Program Chairs (Masataka Goto, Rachel Bittner, Rafael Caro
> Repetto, Xavier Serra)
>
> ########################################################################
>
> To unsubscribe from the MUSICOLOGY-ALL list, click the following link:
> https://www.jiscmail.ac.uk/cgi-bin/WA-JISC.exe?SUBED1=MUSICOLOGY-ALL&A=1
>
> This message was issued to members of
> www.jiscmail.ac.uk/MUSICOLOGY-ALL, a mailing list hosted by
> www.jiscmail.ac.uk, terms & conditions are available at
> https://www.jiscmail.ac.uk/policyandsecurity/
########################################################################
To unsubscribe from the MUSICOLOGY-ALL list, click the following link:
https://www.jiscmail.ac.uk/cgi-bin/WA-JISC.exe?SUBED1=MUSICOLOGY-ALL&A=1
This message was issued to members of www.jiscmail.ac.uk/MUSICOLOGY-ALL, a mailing list hosted by www.jiscmail.ac.uk, terms & conditions are available at https://www.jiscmail.ac.uk/policyandsecurity/
|
