Dear all,
The AHRC-funded network "Redefining Early Recordings as Sources for Performance Practice and History" is pleased to announce its third symposium, "Mechanical technologies and their transfers. Theoretical considerations on performance analysis and its practical realisation".
This will take place at the Technische Universität Berlin, 7th April (adress: Straße des 17. Juni 135, 10623 Berlin
Hauptgebäude (Main building) H, Room 3005), and attendance is free.
The conference can be also followed remotely at https://sichere-videokonferenz.de/F6vFh5BSedQU6 . Please note that the timings given below are German timings.
Please see details of the programme below:
10:00 to 10:15: Welcome: Karin Martensen, Eva Moreda Rodríguez, Inja Stanović
10:15 to 11:00: Karin Martensen, Technische Universität Berlin:
In the Workshop of Edison and Berliner: Technical Influences in Sound Recording and their Repercussions on Singing.
Chair: Inja Stanović
11:00 to 11:45: Kilian Sprau, Universität der Künste Berlin:
Listening to Caruso. An analytical approach with regard to performance style
Chair: Karin Martensen
11:45 to 13:30:
Lunch break
13:30 to 14:15: Frithjof Vollmer, Staatl. Hochschule für Musik und Darstellende Kunst Stuttgart; Boris Bolles, Erich-Thienhaus-Institut
Detmold:
In search for the „phonograph effect“: performed violin gestures and their sound modification by early acoustic recording and reproduction
devices (1901–1933)
Chair: Karin Martensen
14:15 to 15:00: Johannes Gebauer, Hochschule der Künste Bern:
Reenactment of historical Recordings - Science or Artistic Performance?
Chair: Karin Martensen
15:00 to 15:30
Coffee break
15:30 to 16:15 João Romão, Humboldt Universität Berlin:
Stockhausen’s Microphone: Reclaiming Sound Effects
Chair: Karin Martensen
16:15 to 16:30
Finish
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