Dear colleagues,
As its guest editor, I would like to draw your attention to the contents of the monograph on performance analysis that has just been published as part of no. 76 the journal Quodlibet. The monograph counts with five contributions by six authors, as follows:
- Daniel Barolsky: "Composing performances: Ernst Levy, Brahms, and the Haendel Variations"
- Adam Behan: "Glenn Gouild in six scenes: Performance as self-care"
- Marco Fatichenti: "Escaping aesthetic control: From a historic Quejas to a new Amor"
- Jonathan Dunsby and Yannis Rammos: "Onset asynchrony in Western art music: Fingers, hammers, and music theory's ears"
- Ana Llorens: "Understanding expressive intonation: Casals' Bach beyond conscience"
You can find them at the issue's website: https://erevistas.publicaciones.uah.es/ojs/index.php/quodlibet/issue/view/98 <https://erevistas.publicaciones.uah.es/ojs/index.php/quodlibet/issue/view/98>
Quodlibet is a Spanish journal based at the Universidad de Alcalá de Henares (UAH). It was born in 1995 in the environment of the Courses of Musical Specialisation promoted by the Music Hall of the UAH. Quodlibet has been, since 2020, an online biannual journal that publishes articles of the areas of different musical disciplines, encompassing history, pedagogy, analysis, sources, performance, organology, aesthetics, iconography, and other topics of interest for the musical profession. In addition, monographs are published and reviews of books, musical editions or congresses are accepted. It accepts contributions in both English and Spanish.
Ana Llorens
"Juan de la Cierva" postdoctoral researcher
Instituto Complutense de Ciencias Musicales
Universidad Complutense de Madrid
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