I’m pleased to highlight recently published paperback edition of SOUNDS GERMAN: Popular Music in Postwar Germany at the Crossroads of the National and Transnational edited by Kirkland A. Fulk. Read freely available introduction https://www.berghahnbooks.com/downloads/intros/FulkSounds_intro.pdf or request a FREE digital exam copy to consider for course use via link https://berghahn-einspections.eb20.com/Requests/EInspection/9781789204735
For decades, Germany has been shaped and reshaped by the sounds of popular music—whether viewed as uniquely German or an ideological invader from abroad. This collected volume brings together leading figures in the field of German Studies, popular music studies, and cultural studies at large to survey the sociopolitical impact of music on conceptions of the German state and national identity, gender and sexuality, and transnational cultural production and consumption, expanding on the ways in which sounds, technologies, media practices, and exchanges of popular music provide a unique glimpse into the cultural dynamics of postwar Germany.
To view TOC and for more information on the book please visit https://www.berghahnbooks.com/title/FulkSounds
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Best wishes,
Berghahn Books
_____________________________________
Alina Zihharev
20 Jay Street, Suite 502 | Brooklyn, NY 11201
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Visit us on the web: www.berghahnbooks.com
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