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*JAR18** is here*
*Journal for Artistic Research (JAR)*
[ver más abajo para la versión en español / veja abaixo para a versão em
português / siehe unten für die deutsche Fassung]
The online, peer-reviewed journal for the publication and discussion of
artistic research.
*http://jar-online.net* <http://jar-online.net>
JAR is open-access, free to read, and to contribute.
The Journal for Artistic Research (JAR) is an international, online, Open
Access and peer-reviewed journal that disseminates artistic research from
all disciplines. JAR invites the ever-increasing number of artistic
researchers to develop what for the sciences and humanities are standard
academic publication procedures. It serves as a meeting point of diverse
practices and methodologies in a field that has become a worldwide movement
with many local activities.
We are very happy to announce our eighteenth issue with the following
contributions:
Usoa Fullaondo, What Can a Process Do? a Passage from Ritual to Rituality
<https://www.researchcatalogue.net/view/352239/352240>
Christine Hansen, 50 Billion Micrograms. In the Search of the Aftermath of
an Event <https://www.researchcatalogue.net/view/427822/427823>
Katrina Brown, Translucent Surface/Quiet Body, Redistributed
<https://www.researchcatalogue.net/view/291635/291636>
Alexander Nevill, Passages of Light: Analogue and Digital Moving Image
Installation <https://www.researchcatalogue.net/view/458012/458013>
Emma Cocker, Nikolaus Gansterer, Mariella Greil-Moebius and Simona
Koch, Choreo-graphic
Figures: Scoring Aesthetic Encounters
<https://www.researchcatalogue.net/view/462390/462391>
Keywords include: affect, animal, choreography, expanded cinema, flatbed
picture plane, haptic visuality, how-ness, media archeology, media arts,
memory, meteorite, moving image, photography, rituality, science fiction,
site, wit(h)nessing.
JAR’s Editorial team is proud to announce that from now on the journal is
also open to submissions in German, Portuguese, and Spanish. In his
editorial for JAR 18, Michael Schwab explains the rationale behind this
decision: *after having developed and stabilized our processes over the
last 17 issues, we strongly believe that it is time to transform JAR in
order to problematize, in addition to the media and formats of expression,
also the language that they employ**. *This is a crucial step for JAR,
which will eventually lead to different versions of the jar-online.net
website. As Schwab writes: *it is important to challenge the hierarchies
that come with [linguistic] limitations insofar as they inscribe particular
preferences, which often claim universal status as either the only possible
or the only necessary order of things*.
Take a look at JAR18 and read the full editorial
<https://jar-online.net/issues/18>.
The Network space <https://jar-online.net/network> of JAR’s website offer
one new reflection on artistic research and, for the first time, two book
reviews. In 'Inventing structure. Speculative notes on artistic and design
research in Switzerland'
<https://jar-online.net/inventing-structure-speculative-notes-artistic-and-design-research-switzerland>,
Gabriel Flückiger and Siri Peyer discuss the specificities of artistic and
design research in the Swiss context. In her review of Barbara
Lüneburg’s 'TransCoding
– From "Highbrow Art" to Participatory Culture'
<https://jar-online.net/review-barbara-luneburg-transcoding-highbrow-art-participatory-culture>,
Pamela Breda provides a critical analysis of the text, focusing in
particular on the parallel between artistic research and ethnographic
sociology. Finally, in the review of Johanna Schindler’s ‘Subjectivity and
Synchrony in Artistic Research: Ethnographic Insights, Culture and Social
Practice'
<https://jar-online.net/review-johanna-schindler-subjectivity-and-synchrony-artistic-research-ethnographic-insights-culture>,
Manuel Ángel-Macía reflects on Johanna Schindler’s ethnographic analysis of
artistic research.
JAR <https://jar-online.net/> provides a digital platform where multiple
methods, media and articulations can function together to generate insights
in artistic research endeavours. In its peer-reviewed section, it seeks to
promote ‘expositions’ of practice as research. JAR views artistic research
as an evolving field where research and art are positioned as mutually
influential. Recognising that the field is ever developing and expanding,
JAR remains open to continued re-evaluation of its publishing criteria. If
you are considering submitting something to the journal, be sure to look at
our guidelines <http://www.jar-online.net/submissions/>.
The Network <https://jar-online.net/network> is a non-peer-reviewed space
on the JAR website for discussion, reviews and opinion pieces relevant to
artistic research and JAR’s community. It carries no restrictions in terms
of language, length, topic or theme. You can read all contributions here
<https://jar-online.net/network>.
JAR works with an international editorial board and a large panel of
peer-reviewers.
Editor in Chief: Michael Schwab
Peer Review Editor: Julian Klein
Editorial Board: Annette Arlander, Lucia D’Errico, Barnaby Drabble, Mika
Elo, Azadeh Fatehrad, Yara Guasque, Manuel Ángel Macía, Mareli Stolp, Nicole
Vennemann, and Mariela Yeregui.
JAR is published by the Society for Artistic Research
<http://www.societyforartisticresearch.org/society-for-artistic-research/>
(SAR), an independent, non-profit association. You can support JAR by
becoming an individual or institutional member of SAR
<http://www.societyforartisticresearch.org/membership/membership-schemes/>.
For updates on our activities, join our mailing list
<http://www.societyforartisticresearch.org/membership/subscribe-newsletter/>
.
If you want to reach us, please use our contact form
<http://jar-online.net/#eluid2cda18e9>.
*JAR18 ya está aquí*
*Journal for Artistic Research (JAR)*
La revista online, con revisión por pares, para la publicación y discusión
de la investigación artística.
*http://jar-online.net* <http://jar-online.net/>
JAR es de acceso libre y está abierta a la lectura y a las contribuciones.
Journal for Artistic Research (JAR) es una publicación de acceso abierto,
con revisión por pares, que difunde la investigación artística a través de
todas las disciplinas. JAR invita a un número creciente de investigadores
artísticos a desarrollar aquello que para las ciencias y humanidades son
procedimientos estándard de publicación. JAR se constituye en un punto de
encuentro de diversas prácticas y metodologías dentro de un campo que se ha
convertido en un movimiento a nivel mundial, con variadas actividades
específicas a nivel local.
Estamos felices de anunciar la publicación de nuestro número 18, con las
siguientes contribuciones:
Usoa Fullaondo, What can a process do? A Passage From Ritual to Rituality
<https://www.researchcatalogue.net/view/352239/352240>
Christine Hansen, 50 Billion Micrograms. In the Search of the Aftermath of
an Event <https://www.researchcatalogue.net/view/427822/427823>
Katrina Brown, Translucent Surface/Quiet Body, Redistributed
<https://www.researchcatalogue.net/view/291635/291636>
Alexander Nevill, Passages of Light: Analogue and Digital Moving Image
Installation <https://www.researchcatalogue.net/view/458012/458013>
Emma Cocker, Nikolaus Gansterer, Mariella Greil-Moebius y Simona Koch,
Choreo-graphic
Figures: Scoring Aesthetic Encounters
<https://www.researchcatalogue.net/view/462390/462391>
Las palabras-clave incluyen: affect, animal, choreography, expanded cinema,
flatbed picture plane, haptic visuality, how-ness, media archeology, media
arts, memory, meteorite, moving image, photography, rituality, science
fiction, site, wit(h)nessing.
El Equipo Editorial de JAR está honrado en anunciar que desde ahora la
revista estará también abierta a propuestas en alemán, español y portugués.
En su editorial de JAR18, Michael Schwab fundamenta esta decisión de la
siguiente forma: *luego de haber desarrollado y consolidado nuestros
procesos durante las últimas 17 ediciones, creemos férreamente que es
tiempo de transformar JAR con el fin de problematizar, no sólo los medios y
formatos de expresión, sino también las lenguas que se ponen en juego**. *Éste
es un paso crucial para JAR que, eventualmente, generará diferentes
versiones del sitio web jar-online.net. Como lo expresa Schwab: *es**
importante desafiar las jerarquías asociadas con las limitaciones
[lingüísticas] en la medida en que éstas involucran preferencias
particulares que, a menudo, legitiman un estatus universal en tanto
posible o necesario único orden de las cosas.*
Dele un vistazo a JAR18 y lea el editorial completo
<https://jar-online.net/issues/18>.
El espacio de la Network <https://jar-online.net/network>del sitio web de
JAR ofrece una nueva reflexión en torno a la investigación artística y, por
primera vez, incluye dos reseñas de libros. En 'Inventing Structure.
Speculative Notes on Artistic and Design Research in Switzerland'
<https://jar-online.net/inventing-structure-speculative-notes-artistic-and-design-research-switzerland>,
Gabriel Flückiger y Siri Peyer discuten las especificidades de la
investigación artística y del diseño en el contexto suizo. En su reseña del
libro de Barbara Lüneburg 'TransCoding – From "Highbrow Art" to
Participatory Culture'
<https://jar-online.net/review-barbara-luneburg-transcoding-highbrow-art-participatory-culture>,
Pamela Breda proporciona un análisis crítico del texto, centrándose
particularmente en el paralelo entre la investigación artística y la
sociología etnográfica. Finalmente, en la reseña del texto de Johanna
Schindler ‘Subjectivity and Synchrony in Artistic Research: Ethnographic
Insights, Culture and Social Practice'
<https://jar-online.net/review-johanna-schindler-subjectivity-and-synchrony-artistic-research-ethnographic-insights-culture>,
Manuel Ángel Macía reflexiona en torno al análisis etnográfico de la
investigación artística que desarrolla la autora.
JAR <https://jar-online.net/> brinda una plataforma digital en la que
diversos métodos, medios y articulaciones pueden funcionar simultáneamente
para generar aportes a los proyectos de investigación artística. En su
sección con revisión por pares, busca promover “exposiciones” de prácticas
en tanto investigación. JAR considera a la investigación artística como un
campo en expansión en el que la investigación y el arte ocupan una posición
de influencias mutuas. JAR está abierto a la re-evaluación continua de sus
criterios de publicación. Si usted está considerando proponer una
contribución a la revista, por favor *revise nuestras pautas editoriales
<https://www.jar-online.net/submissions>.*
La Red <https://jar-online.net/network> (*Network*) en el sitio web de JAR
no es un espacio con revisión de pares sino un entorno de discusión,
reseñas y piezas de opinión relevantes para la investigación artística y
para la comunidad de JAR. No supone restricciones en términos de lenguaje,
extensión, tópicos o temas. Todas las contribuciones pueden leerse *aquí
<https://jar-online.net/network>*.
JAR trabaja con un consejo editorial internacional y un vasto panel de
revisores de pares.
Editor en jefe: Michael Schwab
Editor de la revisión de pares: Julian Klein
Consejo Editorial: Annette Arlander, Lucia D’Errico, Barnaby Drabble, Mika
Elo, Azadeh Fatehrad, Yara Guasque, Manuel Ángel Macía, Mareli Stolp,
Nicole Vennemann y Mariela Yeregui.
JAR es publicada por Society for Artistic Research
<http://www.societyforartisticresearch.org/society-for-artistic-research/>
(SAR), una asociación independiente sin fines de lucro. Usted puede apoyar
a JAR convirtiéndose en *miembro individual o institucional de SAR
<http://www.societyforartisticresearch.org/membership/membership-schemes/>.*
Para obtener actualizaciones sobre nuestras actividades, *únase a nuestra
lista de correos
<http://www.societyforartisticresearch.org/membership/subscribe-newsletter/>.*
Si quiere contactarse con nosotros, por favor utilice nuestro *formulario
de contacto <https://jar-online.net/#eluid2cda18e9>*.
*JAR18 chegou!*
*Journal for Artistic Research (JAR)*
O periódico online avaliado por pareceristas para a publicação e discussão
da pesquisa artística.
*http://jar-online.net* <http://jar-online.net>
JAR é de acesso gratuito, aberto a contribuições.
O Journal for Artistic Research (JAR) é um periódico internacional, de
acesso aberto e gratuito, avaliado por pareceristas, que dissemina a
pesquisa artística de todas as disciplinas. O JAR convida um número
crescente de pesquisadores em artes para desenvolver os procedimentos
acadêmicos de publicação considerados padrão para as ciências e as
humanidades. O periódico serve como um ponto de congregação das diversas
práticas e metodologias num campo que se tornou num movimento mundial com
muitas atividades locais.
Estamos felizes de anunciar nosso décimo oitavo número com as seguintes
contribuições:
Usoa Fullaondo, What Can a Process Do? A Passage From Ritual to Rituality
<https://www.researchcatalogue.net/view/352239/352240>
Christine Hansen, 50 Billion Micrograms. In the Search of the Aftermath of
an Event <https://www.researchcatalogue.net/view/427822/427823>
Katrina Brown, Translucent Surface/Quiet Body, Redistributed
<https://www.researchcatalogue.net/view/291635/291636>
Alexander Nevill, Passages of Light: Analogue and Digital Moving Image
Installation <https://www.researchcatalogue.net/view/458012/458013>
Emma Cocker, Nikolaus Gansterer, Mariella Greil-Moebius e Simona Koch,
Choreo-graphic
Figures: Scoring Aesthetic Encounters
<https://www.researchcatalogue.net/view/462390/462391>
As palavras-chave incluem: affect, animal, choreography, expanded cinema,
flatbed picture plane, haptic visuality, how-ness, media archeology, media
arts, memory, meteorite, moving image, photography, rituality, science
fiction, site, wit(h)nessing.
A equipe editorial está orgulhosa de anunciar que de agora em diante o
periódico está também aberto a submissões em alemão, espanhol e português.
No texto editorial do JAR18, Michael Schwab explica as motivações que
levaram a esta decisão: *depois de termos desenvolvido e estabilizado nosso
processo ao longo dos 17 números, acreditamos fortemente ser a hora de
transformarmos o JAR para problematizar também o uso da língua empregada
para a publicação, ademais quanto a escolha do formato e da mídia. Esta é
uma etapa crucial para o JAR, a qual eventualmente conduzirá a diferentes
versões no site do jar-online. *Como escreve Schwab: *é importante desafiar
as hierarquias impostas pelas limitações linguísticas, mesmo porque elas
implicam em preferências particulares, as quais quase sempre reivindicam um
status universal como sendo o único possível ou a única ordem necessária
das coisas. *
Dê uma olhada no JAR18 e leia o texto editorial complete
<https://jar-online.net/issues/18>.
O espaço do Network <https://jar-online.net/network> do site do JAR oferece
uma nova reflexão sobre a pesquisa artística e, pela primeira vez, duas
resenhas de livro. Em 'Inventing Structure. Speculative Notes on Artistic
and Design Research in Switzerland'
<https://jar-online.net/inventing-structure-speculative-notes-artistic-and-design-research-switzerland>,
Gabriel Flückiger e Siri Peyer discutem as especificidades da pesquisa
artística do Design no contexto suiço. Na resenha do livro de Barbara
Lüneburg, 'TransCoding – From "Highbrow Art" to Participatory Culture'
<https://jar-online.net/review-barbara-luneburg-transcoding-highbrow-art-participatory-culture>,
Pamela Breda faz uma análise crítica do texto focando em particular o
paralelo entre a pesquisa artística e a sociologia etnográfica. Finalmente,
na resenha do livro de Johanna Schindler, ‘Subjectivity and Synchrony in
Artistic Research: Ethnographic Insights, Culture and Social Practice'
<https://jar-online.net/review-johanna-schindler-subjectivity-and-synchrony-artistic-research-ethnographic-insights-culture>,
Manuel Ángel Macía reflete sobre a abordagem de Johanna Schindler da
análise etnográfica da pesquisa artística.
O JAR <https://jar-online.net/> propicia uma plataforma digital, na qual
múltiplos métodos, mídias e articulações podem funcionar em conjunto para
gerar insights nos empreendimentos da pesquisa artística. Em sua seção de
trabalhos avaliados por pares, o periódico procura promover ‘exposições’ da
prática enquanto pesquisa. JAR vê a pesquisa artística como um campo em
desenvolvimento, no qual a pesquisa e a arte se influenciam mutuamente.
Reconhecendo que o campo está em contínuo desenvolvimento e expansão, o JAR
se mantém aberto à contínua reavaliação de seus critérios de publicação. Se
você estiver interessado em submeter um trabalho, procure ver as
orientações como fazê-lo <https://www.jar-online.net/submissions>.
No site do JAR, o Network <https://jar-online.net/network> é um espaço para
discussão, publicação de resenhas e reflexões relevantes à comunidade de
pesquisa artística do JAR, sem ser avaliado por pares. Ele não tem
restrições em termos de linguagem, extensão, tópico ou tema. Você pode ler
todas as contribuições aqui <https://jar-online.net/network>.
O JAR trabalha com uma comissão editorial internacional e amplo painel de
pareceristas.
Editor Resposável: Michael Schwab
Editor: de avaliação Julian Klein
Comissão Editorial: Annette Arlander, Lucia D’Errico, Barnaby Drabble, Mika
Elo, Azadeh Fatehrad, Yara Guasque, Manuel Ángel Macía, Mareli Stolp,
Nicole Vennemann, e Mariela Yeregui.
O JAR é publicado pela Society for Artistic Research
<http://www.societyforartisticresearch.org/society-for-artistic-research/>
(SAR), uma associação não lucrativa e independente. Você pode apoiar
financeiramente o JAR se tornando um membro individual ou institucional da
SAR
<http://www.societyforartisticresearch.org/membership/membership-schemes/>.
Para acompanhar nossas atividades, se inscreva em nossa mailing list
<http://www.societyforartisticresearch.org/membership/subscribe-newsletter/>
.
Se você quiser nos contatar, por favor use o formulário de contato
<https://jar-online.net/#eluid2cda18e9>.
*JAR18 ist da!*
*Journal for Artistic Research (JAR)*
Die Online-Fachzeitschrift mit Peer-Review-Prüfung für die Veröffentlichung
und Diskussion künstlerischer Forschung.
*http://jar-online.net* <http://jar-online.net/>
JAR ist uneingeschränkt für Leser und Beitragende zugänglich.
Das Journal for Artistic Research (JAR) ist eine internationale
Online-Fachzeitschrift mit Peer-Review-Prüfung, die künstlerische Forschung
aus allen Disziplinen veröffentlicht und bekannt macht. JAR lädt hierfür
eine immer größer werdende Anzahl künstlerischer Forscher dazu ein,
Standardverfahren für die akademischen Veröffentlichungen zu entwickeln.
JAR dient als Treffpunkt für verschiedene Praktiken und Methoden in einem
Bereich, der zu einer weltweiten Bewegung mit vielen lokalen Aktivitäten
geworden ist.
Wir freuen uns sehr, unsere achtzehnte Ausgabe mit den folgenden Beiträgen
ankündigen zu können:
Usoa Fullaondo, What can a process do? A passage from ritual to rituality
<https://www.researchcatalogue.net/view/352239/352240>
Christine Hansen, 50 Billion Micrograms. In the Search of the Aftermath of
an Event <https://www.researchcatalogue.net/view/427822/427823>
Katrina Brown, Translucent surface/Quiet body, redistributed
<https://www.researchcatalogue.net/view/291635/291636>
Alexander Nevill, Passages of Light: Analogue and Digital Moving Image
Installation <https://www.researchcatalogue.net/view/458012/458013>
Emma Cocker, Nikolaus Gansterer, Mariella Greil-Moebius und Simona
Koch, Choreo-graphic
Figures: Scoring Aesthetic Encounters
<https://www.researchcatalogue.net/view/462390/462391>
Keywords sind: affect, animal, choreography, expanded cinema, flatbed
picture plane, haptic visuality, how-ness, media archeology, media arts,
memory, meteorite, moving image, photography, rituality, science fiction,
site, wit(h)nessing.
Das Redaktionsteam von JAR ist stolz darauf, bekannt geben zu können, dass
nun an auch Einreichungen in Spanisch, Portugiesisch und Deutsch möglich
sind. In seinem Editorial für die Ausgabe 18 von JAR 18 erläutert Michael
Schwab die Gründe für diese Entscheidung: „Nachdem wir unsere Prozesse in
den letzten 17 Ausgaben entwickelt und stabilisiert haben, glauben wir fest
daran, dass es an der Zeit ist, JAR zu transformieren, um neben den Medien
und Ausdrucksformen auch die Sprache, die sie verwenden, zu verhandeln.“
Dies ist ein entscheidender Schritt für JAR, der schließlich zu
verschiedenen Versionen der Website jar-online.net führen wird. Schwab
schreibt: „Es ist wichtig, die mit [sprachlichen] Einschränkungen
verbundenen Hierarchien in Frage zu stellen, da sie bestimmte Präferenzen
beschreiben, die häufig den universellen Status als die einzig mögliche
oder die einzig notwendige Ordnung der Dinge beanspruchen.“
Werfen Sie einen Blick auf die 18. Ausgabe von JAR und lesen Sie den
vollständigen Leitartikel <https://jar-online.net/issues/18>.
Der Netzwerkbereich <https://jar-online.net/network> der JAR-Webseite
eröffnet neue Denkweisen zur künstlerischen Forschung und präsentiert
erstmals zwei Buchbesprechungen. In Inventing structure. Speculative notes
on artistic and design research in Switzerland
<https://jar-online.net/inventing-structure-speculative-notes-artistic-and-design-research-switzerland>,
diskutieren Gabriel Flückiger und Siri Peyer die Besonderheiten der Kunst-
und Designforschung im Schweizer Kontext. In ihrer Rezension von Barbara
Lüneburgs TransCoding - From "Highbrow Art" to Participatory Culture
<https://jar-online.net/review-barbara-luneburg-transcoding-highbrow-art-participatory-culture>
analysiert Pamela Breda den Text kritisch und konzentriert sich
insbesondere auf die Parallele zwischen künstlerischer Forschung und
ethnographischer Soziologie. Schließlich, in der Besprechung von Johanna
Schindlers "Subjectivity and Synchrony in Artistic Research: Ethnographic
Insights, Culture and Social Practice"
<https://jar-online.net/review-johanna-schindler-subjectivity-and-synchrony-artistic-research-ethnographic-insights-culture>,
reflektiert Manuel Ángel Macía Johanna Schindlers ethnographische Analyse
der künstlerischen Forschung.
JAR <https://jar-online.net/> bietet eine digitale Plattform, auf der
mehrere Methoden, Medien und Artikulationen zusammenwirken können, um
Einblicke in die künstlerische Forschung zu gewinnen. In ihren von
Gutachtern geprüften Abschnitt will sie "Expositionen" der Praxis als
Forschung fördern. JAR betrachtet die künstlerische Forschung als ein sich
entwickelndes Feld, in dem Forschung und Kunst als gegenseitig
beeinflussende Faktoren positioniert sind. In Anbetracht der Tatsache, dass
sich das Feld ständig weiterentwickelt und erweitert, bleibt JAR offen für
eine kontinuierliche Neubewertung seiner Veröffentlichungskriterien. Wenn
Sie überlegen, einen Beitrag für das Journal einzureichen, dann empfehlen
wir Ihnen, sich unsere Richtlinien <https://www.jar-online.net/submissions>
ansehen.
Das Netzwerk <https://jar-online.net/network> ist ein nicht von Experten
begutachteter Bereich auf der JAR-Website für Diskussionen, Rezensionen und
Meinungsbeiträge, die für die künstlerische Forschung und die JAR-Community
relevant sind. Es gibt keine Einschränkungen in Bezug auf Sprache, Länge,
Gegenstand oder Thematik. Alle Beiträge können Sie hier
<https://jar-online.net/network> nachlesen.
JAR arbeitet mit einer international besetzten Redaktion und einer großen
Gemeinschaft von Gutachtern zusammen.
Chefredakteur: Michael Schwab
Herausgeber der Peer Review: Julian Klein
Redaktionelle Leitung: Annette Arlander, Lucia D'Errico, Barnaby Drabble,
Mika Elo, Azadeh Fatehrad, Yara Guasque, Manuel Ángel Macía, Mareli Stolp,
Nicole Vennemann und Mariela Yeregui.
JAR wird von der Society for Artistic Research
<http://www.societyforartisticresearch.org/society-for-artistic-research/>
(SAR), einem unabhängigen, gemeinnützigen Verein, veröffentlicht. Sie
können JAR unterstützen, indem Sie ein individuelles oder institutionelles
Mitglied von SAR werden
<http://www.societyforartisticresearch.org/membership/membership-schemes/>.
Wenn Sie über Neuigkeiten zu unseren Aktivitäten informiert werden möchten,
tragen Sie sich in unsere Mailingliste
<http://www.societyforartisticresearch.org/membership/subscribe-newsletter/>
ein.
Wenn Sie uns erreichen möchten, nutzen Sie bitte unser Kontaktformular
<https://jar-online.net/#eluid2cda18e9>.
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