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*JAR18** is here* *Journal for Artistic Research (JAR)* [ver más abajo para la versión en español / veja abaixo para a versão em português / siehe unten für die deutsche Fassung] The online, peer-reviewed journal for the publication and discussion of artistic research. *http://jar-online.net* <http://jar-online.net> JAR is open-access, free to read, and to contribute. The Journal for Artistic Research (JAR) is an international, online, Open Access and peer-reviewed journal that disseminates artistic research from all disciplines. JAR invites the ever-increasing number of artistic researchers to develop what for the sciences and humanities are standard academic publication procedures. It serves as a meeting point of diverse practices and methodologies in a field that has become a worldwide movement with many local activities. We are very happy to announce our eighteenth issue with the following contributions: Usoa Fullaondo, What Can a Process Do? a Passage from Ritual to Rituality <https://www.researchcatalogue.net/view/352239/352240> Christine Hansen, 50 Billion Micrograms. In the Search of the Aftermath of an Event <https://www.researchcatalogue.net/view/427822/427823> Katrina Brown, Translucent Surface/Quiet Body, Redistributed <https://www.researchcatalogue.net/view/291635/291636> Alexander Nevill, Passages of Light: Analogue and Digital Moving Image Installation <https://www.researchcatalogue.net/view/458012/458013> Emma Cocker, Nikolaus Gansterer, Mariella Greil-Moebius and Simona Koch, Choreo-graphic Figures: Scoring Aesthetic Encounters <https://www.researchcatalogue.net/view/462390/462391> Keywords include: affect, animal, choreography, expanded cinema, flatbed picture plane, haptic visuality, how-ness, media archeology, media arts, memory, meteorite, moving image, photography, rituality, science fiction, site, wit(h)nessing. JAR’s Editorial team is proud to announce that from now on the journal is also open to submissions in German, Portuguese, and Spanish. In his editorial for JAR 18, Michael Schwab explains the rationale behind this decision: *after having developed and stabilized our processes over the last 17 issues, we strongly believe that it is time to transform JAR in order to problematize, in addition to the media and formats of expression, also the language that they employ**. *This is a crucial step for JAR, which will eventually lead to different versions of the jar-online.net website. As Schwab writes: *it is important to challenge the hierarchies that come with [linguistic] limitations insofar as they inscribe particular preferences, which often claim universal status as either the only possible or the only necessary order of things*. Take a look at JAR18 and read the full editorial <https://jar-online.net/issues/18>. The Network space <https://jar-online.net/network> of JAR’s website offer one new reflection on artistic research and, for the first time, two book reviews. In 'Inventing structure. Speculative notes on artistic and design research in Switzerland' <https://jar-online.net/inventing-structure-speculative-notes-artistic-and-design-research-switzerland>, Gabriel Flückiger and Siri Peyer discuss the specificities of artistic and design research in the Swiss context. In her review of Barbara Lüneburg’s 'TransCoding – From "Highbrow Art" to Participatory Culture' <https://jar-online.net/review-barbara-luneburg-transcoding-highbrow-art-participatory-culture>, Pamela Breda provides a critical analysis of the text, focusing in particular on the parallel between artistic research and ethnographic sociology. Finally, in the review of Johanna Schindler’s ‘Subjectivity and Synchrony in Artistic Research: Ethnographic Insights, Culture and Social Practice' <https://jar-online.net/review-johanna-schindler-subjectivity-and-synchrony-artistic-research-ethnographic-insights-culture>, Manuel Ángel-Macía reflects on Johanna Schindler’s ethnographic analysis of artistic research. JAR <https://jar-online.net/> provides a digital platform where multiple methods, media and articulations can function together to generate insights in artistic research endeavours. In its peer-reviewed section, it seeks to promote ‘expositions’ of practice as research. JAR views artistic research as an evolving field where research and art are positioned as mutually influential. Recognising that the field is ever developing and expanding, JAR remains open to continued re-evaluation of its publishing criteria. If you are considering submitting something to the journal, be sure to look at our guidelines <http://www.jar-online.net/submissions/>. The Network <https://jar-online.net/network> is a non-peer-reviewed space on the JAR website for discussion, reviews and opinion pieces relevant to artistic research and JAR’s community. It carries no restrictions in terms of language, length, topic or theme. You can read all contributions here <https://jar-online.net/network>. JAR works with an international editorial board and a large panel of peer-reviewers. Editor in Chief: Michael Schwab Peer Review Editor: Julian Klein Editorial Board: Annette Arlander, Lucia D’Errico, Barnaby Drabble, Mika Elo, Azadeh Fatehrad, Yara Guasque, Manuel Ángel Macía, Mareli Stolp, Nicole Vennemann, and Mariela Yeregui. JAR is published by the Society for Artistic Research <http://www.societyforartisticresearch.org/society-for-artistic-research/> (SAR), an independent, non-profit association. You can support JAR by becoming an individual or institutional member of SAR <http://www.societyforartisticresearch.org/membership/membership-schemes/>. For updates on our activities, join our mailing list <http://www.societyforartisticresearch.org/membership/subscribe-newsletter/> . If you want to reach us, please use our contact form <http://jar-online.net/#eluid2cda18e9>. *JAR18 ya está aquí* *Journal for Artistic Research (JAR)* La revista online, con revisión por pares, para la publicación y discusión de la investigación artística. *http://jar-online.net* <http://jar-online.net/> JAR es de acceso libre y está abierta a la lectura y a las contribuciones. Journal for Artistic Research (JAR) es una publicación de acceso abierto, con revisión por pares, que difunde la investigación artística a través de todas las disciplinas. JAR invita a un número creciente de investigadores artísticos a desarrollar aquello que para las ciencias y humanidades son procedimientos estándard de publicación. JAR se constituye en un punto de encuentro de diversas prácticas y metodologías dentro de un campo que se ha convertido en un movimiento a nivel mundial, con variadas actividades específicas a nivel local. Estamos felices de anunciar la publicación de nuestro número 18, con las siguientes contribuciones: Usoa Fullaondo, What can a process do? A Passage From Ritual to Rituality <https://www.researchcatalogue.net/view/352239/352240> Christine Hansen, 50 Billion Micrograms. In the Search of the Aftermath of an Event <https://www.researchcatalogue.net/view/427822/427823> Katrina Brown, Translucent Surface/Quiet Body, Redistributed <https://www.researchcatalogue.net/view/291635/291636> Alexander Nevill, Passages of Light: Analogue and Digital Moving Image Installation <https://www.researchcatalogue.net/view/458012/458013> Emma Cocker, Nikolaus Gansterer, Mariella Greil-Moebius y Simona Koch, Choreo-graphic Figures: Scoring Aesthetic Encounters <https://www.researchcatalogue.net/view/462390/462391> Las palabras-clave incluyen: affect, animal, choreography, expanded cinema, flatbed picture plane, haptic visuality, how-ness, media archeology, media arts, memory, meteorite, moving image, photography, rituality, science fiction, site, wit(h)nessing. El Equipo Editorial de JAR está honrado en anunciar que desde ahora la revista estará también abierta a propuestas en alemán, español y portugués. En su editorial de JAR18, Michael Schwab fundamenta esta decisión de la siguiente forma: *luego de haber desarrollado y consolidado nuestros procesos durante las últimas 17 ediciones, creemos férreamente que es tiempo de transformar JAR con el fin de problematizar, no sólo los medios y formatos de expresión, sino también las lenguas que se ponen en juego**. *Éste es un paso crucial para JAR que, eventualmente, generará diferentes versiones del sitio web jar-online.net. Como lo expresa Schwab: *es** importante desafiar las jerarquías asociadas con las limitaciones [lingüísticas] en la medida en que éstas involucran preferencias particulares que, a menudo, legitiman un estatus universal en tanto posible o necesario único orden de las cosas.* Dele un vistazo a JAR18 y lea el editorial completo <https://jar-online.net/issues/18>. El espacio de la Network <https://jar-online.net/network>del sitio web de JAR ofrece una nueva reflexión en torno a la investigación artística y, por primera vez, incluye dos reseñas de libros. En 'Inventing Structure. Speculative Notes on Artistic and Design Research in Switzerland' <https://jar-online.net/inventing-structure-speculative-notes-artistic-and-design-research-switzerland>, Gabriel Flückiger y Siri Peyer discuten las especificidades de la investigación artística y del diseño en el contexto suizo. En su reseña del libro de Barbara Lüneburg 'TransCoding – From "Highbrow Art" to Participatory Culture' <https://jar-online.net/review-barbara-luneburg-transcoding-highbrow-art-participatory-culture>, Pamela Breda proporciona un análisis crítico del texto, centrándose particularmente en el paralelo entre la investigación artística y la sociología etnográfica. Finalmente, en la reseña del texto de Johanna Schindler ‘Subjectivity and Synchrony in Artistic Research: Ethnographic Insights, Culture and Social Practice' <https://jar-online.net/review-johanna-schindler-subjectivity-and-synchrony-artistic-research-ethnographic-insights-culture>, Manuel Ángel Macía reflexiona en torno al análisis etnográfico de la investigación artística que desarrolla la autora. JAR <https://jar-online.net/> brinda una plataforma digital en la que diversos métodos, medios y articulaciones pueden funcionar simultáneamente para generar aportes a los proyectos de investigación artística. En su sección con revisión por pares, busca promover “exposiciones” de prácticas en tanto investigación. JAR considera a la investigación artística como un campo en expansión en el que la investigación y el arte ocupan una posición de influencias mutuas. JAR está abierto a la re-evaluación continua de sus criterios de publicación. Si usted está considerando proponer una contribución a la revista, por favor *revise nuestras pautas editoriales <https://www.jar-online.net/submissions>.* La Red <https://jar-online.net/network> (*Network*) en el sitio web de JAR no es un espacio con revisión de pares sino un entorno de discusión, reseñas y piezas de opinión relevantes para la investigación artística y para la comunidad de JAR. No supone restricciones en términos de lenguaje, extensión, tópicos o temas. Todas las contribuciones pueden leerse *aquí <https://jar-online.net/network>*. JAR trabaja con un consejo editorial internacional y un vasto panel de revisores de pares. Editor en jefe: Michael Schwab Editor de la revisión de pares: Julian Klein Consejo Editorial: Annette Arlander, Lucia D’Errico, Barnaby Drabble, Mika Elo, Azadeh Fatehrad, Yara Guasque, Manuel Ángel Macía, Mareli Stolp, Nicole Vennemann y Mariela Yeregui. JAR es publicada por Society for Artistic Research <http://www.societyforartisticresearch.org/society-for-artistic-research/> (SAR), una asociación independiente sin fines de lucro. Usted puede apoyar a JAR convirtiéndose en *miembro individual o institucional de SAR <http://www.societyforartisticresearch.org/membership/membership-schemes/>.* Para obtener actualizaciones sobre nuestras actividades, *únase a nuestra lista de correos <http://www.societyforartisticresearch.org/membership/subscribe-newsletter/>.* Si quiere contactarse con nosotros, por favor utilice nuestro *formulario de contacto <https://jar-online.net/#eluid2cda18e9>*. *JAR18 chegou!* *Journal for Artistic Research (JAR)* O periódico online avaliado por pareceristas para a publicação e discussão da pesquisa artística. *http://jar-online.net* <http://jar-online.net> JAR é de acesso gratuito, aberto a contribuições. O Journal for Artistic Research (JAR) é um periódico internacional, de acesso aberto e gratuito, avaliado por pareceristas, que dissemina a pesquisa artística de todas as disciplinas. O JAR convida um número crescente de pesquisadores em artes para desenvolver os procedimentos acadêmicos de publicação considerados padrão para as ciências e as humanidades. O periódico serve como um ponto de congregação das diversas práticas e metodologias num campo que se tornou num movimento mundial com muitas atividades locais. Estamos felizes de anunciar nosso décimo oitavo número com as seguintes contribuições: Usoa Fullaondo, What Can a Process Do? A Passage From Ritual to Rituality <https://www.researchcatalogue.net/view/352239/352240> Christine Hansen, 50 Billion Micrograms. In the Search of the Aftermath of an Event <https://www.researchcatalogue.net/view/427822/427823> Katrina Brown, Translucent Surface/Quiet Body, Redistributed <https://www.researchcatalogue.net/view/291635/291636> Alexander Nevill, Passages of Light: Analogue and Digital Moving Image Installation <https://www.researchcatalogue.net/view/458012/458013> Emma Cocker, Nikolaus Gansterer, Mariella Greil-Moebius e Simona Koch, Choreo-graphic Figures: Scoring Aesthetic Encounters <https://www.researchcatalogue.net/view/462390/462391> As palavras-chave incluem: affect, animal, choreography, expanded cinema, flatbed picture plane, haptic visuality, how-ness, media archeology, media arts, memory, meteorite, moving image, photography, rituality, science fiction, site, wit(h)nessing. A equipe editorial está orgulhosa de anunciar que de agora em diante o periódico está também aberto a submissões em alemão, espanhol e português. No texto editorial do JAR18, Michael Schwab explica as motivações que levaram a esta decisão: *depois de termos desenvolvido e estabilizado nosso processo ao longo dos 17 números, acreditamos fortemente ser a hora de transformarmos o JAR para problematizar também o uso da língua empregada para a publicação, ademais quanto a escolha do formato e da mídia. Esta é uma etapa crucial para o JAR, a qual eventualmente conduzirá a diferentes versões no site do jar-online. *Como escreve Schwab: *é importante desafiar as hierarquias impostas pelas limitações linguísticas, mesmo porque elas implicam em preferências particulares, as quais quase sempre reivindicam um status universal como sendo o único possível ou a única ordem necessária das coisas. * Dê uma olhada no JAR18 e leia o texto editorial complete <https://jar-online.net/issues/18>. O espaço do Network <https://jar-online.net/network> do site do JAR oferece uma nova reflexão sobre a pesquisa artística e, pela primeira vez, duas resenhas de livro. Em 'Inventing Structure. Speculative Notes on Artistic and Design Research in Switzerland' <https://jar-online.net/inventing-structure-speculative-notes-artistic-and-design-research-switzerland>, Gabriel Flückiger e Siri Peyer discutem as especificidades da pesquisa artística do Design no contexto suiço. Na resenha do livro de Barbara Lüneburg, 'TransCoding – From "Highbrow Art" to Participatory Culture' <https://jar-online.net/review-barbara-luneburg-transcoding-highbrow-art-participatory-culture>, Pamela Breda faz uma análise crítica do texto focando em particular o paralelo entre a pesquisa artística e a sociologia etnográfica. Finalmente, na resenha do livro de Johanna Schindler, ‘Subjectivity and Synchrony in Artistic Research: Ethnographic Insights, Culture and Social Practice' <https://jar-online.net/review-johanna-schindler-subjectivity-and-synchrony-artistic-research-ethnographic-insights-culture>, Manuel Ángel Macía reflete sobre a abordagem de Johanna Schindler da análise etnográfica da pesquisa artística. O JAR <https://jar-online.net/> propicia uma plataforma digital, na qual múltiplos métodos, mídias e articulações podem funcionar em conjunto para gerar insights nos empreendimentos da pesquisa artística. Em sua seção de trabalhos avaliados por pares, o periódico procura promover ‘exposições’ da prática enquanto pesquisa. JAR vê a pesquisa artística como um campo em desenvolvimento, no qual a pesquisa e a arte se influenciam mutuamente. Reconhecendo que o campo está em contínuo desenvolvimento e expansão, o JAR se mantém aberto à contínua reavaliação de seus critérios de publicação. Se você estiver interessado em submeter um trabalho, procure ver as orientações como fazê-lo <https://www.jar-online.net/submissions>. No site do JAR, o Network <https://jar-online.net/network> é um espaço para discussão, publicação de resenhas e reflexões relevantes à comunidade de pesquisa artística do JAR, sem ser avaliado por pares. Ele não tem restrições em termos de linguagem, extensão, tópico ou tema. Você pode ler todas as contribuições aqui <https://jar-online.net/network>. O JAR trabalha com uma comissão editorial internacional e amplo painel de pareceristas. Editor Resposável: Michael Schwab Editor: de avaliação Julian Klein Comissão Editorial: Annette Arlander, Lucia D’Errico, Barnaby Drabble, Mika Elo, Azadeh Fatehrad, Yara Guasque, Manuel Ángel Macía, Mareli Stolp, Nicole Vennemann, e Mariela Yeregui. O JAR é publicado pela Society for Artistic Research <http://www.societyforartisticresearch.org/society-for-artistic-research/> (SAR), uma associação não lucrativa e independente. Você pode apoiar financeiramente o JAR se tornando um membro individual ou institucional da SAR <http://www.societyforartisticresearch.org/membership/membership-schemes/>. Para acompanhar nossas atividades, se inscreva em nossa mailing list <http://www.societyforartisticresearch.org/membership/subscribe-newsletter/> . Se você quiser nos contatar, por favor use o formulário de contato <https://jar-online.net/#eluid2cda18e9>. *JAR18 ist da!* *Journal for Artistic Research (JAR)* Die Online-Fachzeitschrift mit Peer-Review-Prüfung für die Veröffentlichung und Diskussion künstlerischer Forschung. *http://jar-online.net* <http://jar-online.net/> JAR ist uneingeschränkt für Leser und Beitragende zugänglich. Das Journal for Artistic Research (JAR) ist eine internationale Online-Fachzeitschrift mit Peer-Review-Prüfung, die künstlerische Forschung aus allen Disziplinen veröffentlicht und bekannt macht. JAR lädt hierfür eine immer größer werdende Anzahl künstlerischer Forscher dazu ein, Standardverfahren für die akademischen Veröffentlichungen zu entwickeln. JAR dient als Treffpunkt für verschiedene Praktiken und Methoden in einem Bereich, der zu einer weltweiten Bewegung mit vielen lokalen Aktivitäten geworden ist. Wir freuen uns sehr, unsere achtzehnte Ausgabe mit den folgenden Beiträgen ankündigen zu können: Usoa Fullaondo, What can a process do? A passage from ritual to rituality <https://www.researchcatalogue.net/view/352239/352240> Christine Hansen, 50 Billion Micrograms. In the Search of the Aftermath of an Event <https://www.researchcatalogue.net/view/427822/427823> Katrina Brown, Translucent surface/Quiet body, redistributed <https://www.researchcatalogue.net/view/291635/291636> Alexander Nevill, Passages of Light: Analogue and Digital Moving Image Installation <https://www.researchcatalogue.net/view/458012/458013> Emma Cocker, Nikolaus Gansterer, Mariella Greil-Moebius und Simona Koch, Choreo-graphic Figures: Scoring Aesthetic Encounters <https://www.researchcatalogue.net/view/462390/462391> Keywords sind: affect, animal, choreography, expanded cinema, flatbed picture plane, haptic visuality, how-ness, media archeology, media arts, memory, meteorite, moving image, photography, rituality, science fiction, site, wit(h)nessing. Das Redaktionsteam von JAR ist stolz darauf, bekannt geben zu können, dass nun an auch Einreichungen in Spanisch, Portugiesisch und Deutsch möglich sind. In seinem Editorial für die Ausgabe 18 von JAR 18 erläutert Michael Schwab die Gründe für diese Entscheidung: „Nachdem wir unsere Prozesse in den letzten 17 Ausgaben entwickelt und stabilisiert haben, glauben wir fest daran, dass es an der Zeit ist, JAR zu transformieren, um neben den Medien und Ausdrucksformen auch die Sprache, die sie verwenden, zu verhandeln.“ Dies ist ein entscheidender Schritt für JAR, der schließlich zu verschiedenen Versionen der Website jar-online.net führen wird. Schwab schreibt: „Es ist wichtig, die mit [sprachlichen] Einschränkungen verbundenen Hierarchien in Frage zu stellen, da sie bestimmte Präferenzen beschreiben, die häufig den universellen Status als die einzig mögliche oder die einzig notwendige Ordnung der Dinge beanspruchen.“ Werfen Sie einen Blick auf die 18. Ausgabe von JAR und lesen Sie den vollständigen Leitartikel <https://jar-online.net/issues/18>. Der Netzwerkbereich <https://jar-online.net/network> der JAR-Webseite eröffnet neue Denkweisen zur künstlerischen Forschung und präsentiert erstmals zwei Buchbesprechungen. In Inventing structure. Speculative notes on artistic and design research in Switzerland <https://jar-online.net/inventing-structure-speculative-notes-artistic-and-design-research-switzerland>, diskutieren Gabriel Flückiger und Siri Peyer die Besonderheiten der Kunst- und Designforschung im Schweizer Kontext. In ihrer Rezension von Barbara Lüneburgs TransCoding - From "Highbrow Art" to Participatory Culture <https://jar-online.net/review-barbara-luneburg-transcoding-highbrow-art-participatory-culture> analysiert Pamela Breda den Text kritisch und konzentriert sich insbesondere auf die Parallele zwischen künstlerischer Forschung und ethnographischer Soziologie. Schließlich, in der Besprechung von Johanna Schindlers "Subjectivity and Synchrony in Artistic Research: Ethnographic Insights, Culture and Social Practice" <https://jar-online.net/review-johanna-schindler-subjectivity-and-synchrony-artistic-research-ethnographic-insights-culture>, reflektiert Manuel Ángel Macía Johanna Schindlers ethnographische Analyse der künstlerischen Forschung. JAR <https://jar-online.net/> bietet eine digitale Plattform, auf der mehrere Methoden, Medien und Artikulationen zusammenwirken können, um Einblicke in die künstlerische Forschung zu gewinnen. In ihren von Gutachtern geprüften Abschnitt will sie "Expositionen" der Praxis als Forschung fördern. JAR betrachtet die künstlerische Forschung als ein sich entwickelndes Feld, in dem Forschung und Kunst als gegenseitig beeinflussende Faktoren positioniert sind. In Anbetracht der Tatsache, dass sich das Feld ständig weiterentwickelt und erweitert, bleibt JAR offen für eine kontinuierliche Neubewertung seiner Veröffentlichungskriterien. Wenn Sie überlegen, einen Beitrag für das Journal einzureichen, dann empfehlen wir Ihnen, sich unsere Richtlinien <https://www.jar-online.net/submissions> ansehen. Das Netzwerk <https://jar-online.net/network> ist ein nicht von Experten begutachteter Bereich auf der JAR-Website für Diskussionen, Rezensionen und Meinungsbeiträge, die für die künstlerische Forschung und die JAR-Community relevant sind. Es gibt keine Einschränkungen in Bezug auf Sprache, Länge, Gegenstand oder Thematik. Alle Beiträge können Sie hier <https://jar-online.net/network> nachlesen. JAR arbeitet mit einer international besetzten Redaktion und einer großen Gemeinschaft von Gutachtern zusammen. Chefredakteur: Michael Schwab Herausgeber der Peer Review: Julian Klein Redaktionelle Leitung: Annette Arlander, Lucia D'Errico, Barnaby Drabble, Mika Elo, Azadeh Fatehrad, Yara Guasque, Manuel Ángel Macía, Mareli Stolp, Nicole Vennemann und Mariela Yeregui. JAR wird von der Society for Artistic Research <http://www.societyforartisticresearch.org/society-for-artistic-research/> (SAR), einem unabhängigen, gemeinnützigen Verein, veröffentlicht. Sie können JAR unterstützen, indem Sie ein individuelles oder institutionelles Mitglied von SAR werden <http://www.societyforartisticresearch.org/membership/membership-schemes/>. Wenn Sie über Neuigkeiten zu unseren Aktivitäten informiert werden möchten, tragen Sie sich in unsere Mailingliste <http://www.societyforartisticresearch.org/membership/subscribe-newsletter/> ein. Wenn Sie uns erreichen möchten, nutzen Sie bitte unser Kontaktformular <https://jar-online.net/#eluid2cda18e9>. ######################################################################## To unsubscribe from the NEW-MEDIA-CURATING list, click the following link: https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=NEW-MEDIA-CURATING&A=1