Dear Colleagues,
I am delighted to share the programme of an upcoming international conference “Mapping Artistic Networks of Italian Theatre and Opera across Europe, 1600-1800” to be held at the Freie Universität Berlin on 11-12 April 2019.
Mapping Artistic Networks of Italian Theatre and Opera across Europe, 1600-1800
Seminarzentrum L 115
Habelschwerdter Allee 45
14195 Berlin-Dahlem
CONFERENCE PROGRAMME
THURSDAY, 11 APRIL 2019
9.30-10.00 Registration
10.00-10.15 Introduction and Welcome
Tatiana Korneeva (Freie Universität Berlin)
10.15-11.15 Keynote Address
Piermario Vescovo (Ca’ Foscari University of Venice)
Dall’improvviso al premeditato: andata e ritorno. Il repertorio goldoniano a Dresda: la terra vista dalla luna
11.15-11.45 Coffee break
Panel 1: Networks and Mobility
Chair: Joachim Küpper (Freie Universität Berlin)
11.45-12.15 Nicola Usula (University of Vienna)
Leopoldo I e le riprese operistiche a Vienna: il caso del Carceriere di sé medesimo di Lodovico Adimari (1702)
12.15-12.45 Kordula Knaus & Andrea Zedler (University of Bayreuth)
Mapping Opera Buffa Performances outside of Italy (1745–1765)
12.45-13.15 Tatiana Korneeva (Freie Universität Berlin)
Il bagaglio dell’impresario. Un caso di circolazione dei repertori operistici tra Venezia e Mosca
13.15-14.45 Lunch break
Panel 2: European Paths and Trajectories
Chair: Daniele Vecchiato (King’s College London)
14.45-15.15 Gesa zur Nieden (Greifswald University)
Oh bel Pasticcio: Intermedial Aspects of Early Modern Operatic Transfers between Venice and Hamburg
15.15-15.45 Melania Bucciarelli (NTNU, Trondheim)
Lo sistema antico ch’ei sempre propone per mostrare che quanto si fa è il medesimo ch’era prima’.
Negotiating Practices on the London Stage during the Early Years of the Royal Academy of Music
15.45-16.15 Andrea Fabiano (Sorbonne University, Paris)
La circolazione di cantanti, musicisti e spettatori e il dibattito estetico sull’opera nella Francia d’Ancien régime
16.15-16.45 Coffee break
Panel 3: Grand Tour to Eastern Europe
Chair: Christine Jeanneret (Museum of National History, Frederiksborg – Château de Versailles)
16.45-17.15 Marc Niubo (Charles University, Prague)
Opera between Prague, Dresden, and Brunswick
17.15-17.45 Anna Parkitna (Stony Brook University)
Pursuing Enlightenment Delights: Processes and Paths of Italian Operatic Migrations to Warsaw, 1765–1793
17.45-18.15 Anna Korndorf (State Institute for Art Studies, Moscow)
The Cycle of Epic Music Dramas by Catherine the Great. National History and Opera Seria Tradition
Friday, 12 April 2019
Panel 4: Theatre Costumes and Debates
Chair: Tatiana Korneeva (Freie Universität Berlin)
10.00-10.30 Petra Dotlačilová (Stockholm University)
Towards the “Reformed” Costume for Opera and Ballet in the Late Eighteenth Century: Franco-Italian Connections
10.30-11.00 Christine Jeanneret (Museum of National History, Frederiksborg – Château de Versailles)
Costumes and Cosmopolitanism: Italian Opera Productions in the North
11.00-11.30 Coffee break
Panel 5: Sources and resources on theatre
Chair: Gaia Gubbini (Freie Universität Berlin)
11.30-12.00 Bruno Capaci (University of Bologna)
La mia commedia è finita: Teatro nella vita e nella corrispondenza privata di Giacomo Casanova
12.00-12.30 Massimo Ciavolella (UCLA)
The Theater of Giacomo Casanova
12.30-14.30 Lunch break
Panel 6: In print and Behind the Stage
Chair: Nicola Usula (University of Vienna)
14.30-15.00 Elisa Bastianello, Iuav University of Venice
Festivals and Theatrical Performances in Vicenza in the Seventeenth and the Eighteenth Centuries:
the Echos of the Suburbs between Local News and the European Periodical Press
15.00-15.30 Nadezhda Chamina, National Research University HSE, Moscow
Le fantasie scenografiche di Giacomo Quarenghi: tra classico e romantico
15.30-16.00 Coffee break
Panel 7: Cultural Encounters and Adaptations
Chair: Irina Freixeiro Ayo (University of Santiago de Compostela)
16.00-16.30 Javier Gutierrez Carou (University of Santiago de Compostela)
Metastasio in Spagna sotto il regno di Ferdinando VI: per una storia evolutiva e interpretativa della Semiramide (1747)
16.30-17.00 Álvaro Torrente (Complutense University of Madrid)
Didone trasmutata: Aria Settings and the Expression of Emotions in Metastasian Opera
17.00-17.30 Break
17.30-18.30 Roundtable discussion and Q&A
chaired by Joachim Küpper (Freie Universität Berlin)
The event is free to attend.
For further information: https://www.geisteswissenschaften.fu-berlin.de/we03/institut/mitarbeiter/Drittmittel/korneeva-tatiana/index.html <https://www.geisteswissenschaften.fu-berlin.de/we03/institut/mitarbeiter/Drittmittel/korneeva-tatiana/index.html>
With best wishes,
Tatiana Korneeva
_ _ _ _ _ _ _ _ _ _ _
Dr. Tatiana Korneeva
Freie Universität Berlin
Peter Szondi-Institut für Allgemeine und Vergleichende Literaturwissenschaft
OPERA BUFFA (Projektleiterin)
Forschungsprojekt, gefördert durch die Fritz Thyssen Stiftung
Habelschwerdter Allee 45, JK28/104
14195 Berlin
Latest publication:
Le voci arcane. Palcoscenici del potere nel teatro e nell’opera, Roma, Carocci, 2018. <http://www.carocci.it/index.php?option=com_carocci&task=schedalibro&Itemid=72&isbn=9788843090525>
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