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MUSICOLOGY-ALL  March 2019

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Subject:

Call for papers: Music, Sound, Space and Place: Ethnomusicology and Sound Studies; Musique, Son, Espace et Lieu: L’ethnomusicologie et les études du son

From:

"Cottrell, Stephen" <[log in to unmask]>

Reply-To:

Cottrell, Stephen

Date:

Tue, 26 Mar 2019 21:19:17 +0000

Content-Type:

text/plain

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text/plain (1 lines)

Call for Papers (Version française ci-dessous)

British Forum for Ethnomusicology and Société française d’ethnomusicologie

Joint Autumn Conference 2019



Music, Sound, Space and Place:

Ethnomusicology and Sound Studies



31 October-2 November

Department of Music, City, University of London



The British Forum for Ethnomusicology<https://bfe.org.uk/> <https://bfe.org.uk/> (https://bfe.org.uk) and the Société française d’ethnomusicologie<http://www.ethnomusicologie.fr/> (http://www.ethnomusicologie.fr/) invite proposals on the general theme of ethnomusicology and sound studies for their joint 2019 autumn conference, which will be held at City, University of London.



It might be argued, perhaps a little simplistically, that ethnomusicology has always been involved with sound studies, since its practitioners have often engaged with sounds that challenge conventional views of what constitutes ‘music’ through their examinations of sung poetry, chants, percussive ritual accompaniments, etc. The field was thus well placed to build on the early work of R. Murray Shafer in the 1960s and ‘70s in what is now termed acoustic ecology, and scholars such as Steven Feld asserted in the 1980s new auditory horizons for ethnomusicologists. In the following decades many others have engaged in research which is fluidly situated between anthropology, musicology, acoustics, environmental studies and musical creativity. In such work, listening and the auditory experience are seen as essential components of human musicking and of the relationship between human lives and the spaces and places in which they are lived. These approaches have provided new insights into longstanding ethnomusicological concerns involving emplacement/displacement, identity construction, the politics of sound, etc. Today these are augmented by, for example, growing interests in music and ecology, or the complex relationships between geographical space and digital music cultures.



This conference invites contributions from all researchers working in this broad scholarly field. Proposals are invited for:



●     Papers (20 minutes with 5–10 minutes for questions)

●     Organised sessions (3 or 4 linked papers around a theme, totalling 1.5 or 2 hours)

●     Round table discussion sessions (3 or 4 shorter presentations, around 15 minutes each, followed by a chaired discussion, totalling 1.5 or 2 hours)

●     Films or other media presentations.



Proposals for presentations in non-traditional formats are also welcome, although we advise contacting the committee in advance at the email address below.



Proposals for papers, films, and media presentations should include the name and email address of the proposer; a title; an abstract (not exceeding 250 words); and a brief description of any special technical requirements.



Proposals for organised sessions should include three or four separate proposals (following the above guidelines) and an overall abstract for the session (not exceeding 250 words).



Proposals for round table discussions should include the names and email addresses of the proposer and other participants (the proposer will be assumed to be the chair unless otherwise stated) and an abstract for the session explaining the contributions of the participants (not exceeding 750 words).



The languages of the conference will be French and English. Proposals should be submitted as Word or PDF files to [log in to unmask]



DEADLINE FOR SUBMISSIONS IS 1 July 2019



Successful applicants will be notified by the end of July. Please note that all presenters must be members of the BFE or the SFE. Note also that the conference will incorporate the annual John Blacking lecture, organised by the Royal Anthropological Institute, which will be held at the British Library on the evening of 31 October.



The organising committee comprises:



Cassandre Balosso-Bardin (University of Lincoln)

Stephen Cottrell (City, University of London)

Byron Dueck (Open University)

Christine Guillebaud <http://lesc-cnrs.fr/fr/cb-profile/userprofile/144> (Centre National de la Recherche Scientifique)

Laudan Nooshin (City, University of London)

François Picard (Sorbonne Université)



Any queries:

[log in to unmask]

Musique, Son, Espace et Lieu:

L’ethnomusicologie et les études du son





Le British Forum for Ethnomusicology<https://bfe.org.uk> (https://bfe.org.uk) et la Société française d'ethnomusicologie<http://www.ethnomusicologie.fr/> (http://www.ethnomusicologie.fr/) sollicitent des propositions sur le thème général de l'ethnomusicologie et des études sonores pour leur conférence qui aura lieu en automne 2019 à City, University of London.



On pourrait soutenir, peut-être de manière un peu simpliste, que l’ethnomusicologie a toujours été impliquée dans l’ étude du son, car leurs praticiens ont souvent utilisé des sons défiant les conceptions conventionnelles de la «musique» à travers leurs travaux sur la poésie chantée, la cantillation et l’accompagnement percussif de rituels . Le terrain était donc bien placé pour s’appuyer sur les premiers travaux de R. Murray Shafer dans les années 1960s et 1970s dans ce que l’on appelle maintenant l’écologie acoustique, et des spécialistes tels que Steven Feld ont affirmé dans les années 1980s de nouveaux horizons auditifs pour les ethnomusicologues. Au cours des décennies suivantes, de nombreux autres chercheurs ont entrepris des recherches se situant entre l’anthropologie, la musicologie, l’acoustique, les études environnementales et la créativité musicale. Au sein d’un tel travail, l'écoute et l'expérience auditive sont considérées comme étant des composantes essentielles de la musique humaine et de la relation entre les vies humaines et les espaces et les lieux dans lesquels elles sont vécues. Ces approches ont permis de mieux comprendre les préoccupations ethnomusicologiques de longue date concernant l'emplacement/le déplacement, la construction de l'identité, la politique du son, etc. Aujourd'hui, ces thèmes sont complétés par un intérêt croissant pour, par exemple, la musique et l'écologie, ou pour l’étude des relations complexes entre l'espace géographique et les cultures musicales numériques.



Cette conférence sollicite les contributions de tout chercheur travaillant dans ce vaste domaine scientifique. Nous invitons des propositions ayant les formats suivants:



● Communications (20 minutes avec 5-10 minutes pour les questions)

● Sessions organisées (3 ou 4 communications liées autour d'un thème, durée totale d’une heure et demie)

● Tables rondes (3 ou 4 présentations plus courtes, environ 15 minutes chacune, suivies d'une discussion dirigée, d'une durée totale d'une heure et demie ou deux)

● Films ou autres présentations médiatiques.



Les propositions de présentations sur des formats non traditionnels sont également les bienvenues, nous vous conseillons toutefois de contacter le comité à l'avance à l'adresse électronique ci-dessous.



Les propositions d'articles, de films et de présentations médiatiques autres doivent inclure le nom et l'adresse électronique du chercheur, un titre, un résumé (ne dépassant pas 250 mots) et une brève description de tout matériel technique particulier.



Les propositions de sessions organisées doivent inclure trois ou quatre propositions distinctes (conformément aux directives ci-dessus) ainsi qu’un résumé général de la session (250 mots maximum).



Les propositions de tables rondes doivent inclure les noms et adresses e-mail du coordinateur et des autres participants (le coordinateur présidera la séance, sauf indication contraire), ainsi qu'un résumé de la session expliquant les contributions des participants (750 mots maximum).



Les langues de la conférence seront le français et l'anglais. Les propositions doivent être soumises sous forme de fichiers Word ou PDF à l'adresse suivante: [log in to unmask]



LA DATE LIMITE POUR LES SOUMISSIONS EST LE 1er juillet 2019.





Les candidats retenus seront informés avant la fin juillet. Veuillez noter que tous les présentateurs doivent être membres du BFE ou de la SFE. Il est également à noter que la conférence comprendra la conférence annuelle John Blacking, organisée par le Royal Anthropological Institute, qui se tiendra à la British Library le 31 octobre au soir.





Le comité d'organisation comprend:



Cassandre Balosso-Bardin (University of Lincoln)

Stephen Cottrell (City, University of London)

Byron Dueck (Open University)

Christine Guillebaud <http://lesc-cnrs.fr/fr/cb-profile/userprofile/144> (Centre National de la Recherche Scientifique)

Laudan Nooshin (City, University of London)

François Picard (Sorbonne Université)





Toutes les questions :

[log in to unmask]







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