Dear Francois,
pleased you were able to take something from my literary structures. If we
look at movies, in general, they are based around all three genres. The
balance of the approaches is more indicative of the identity positions.
Art movies, for example, rely usually on poetic styles - these indicate a
constellated understanding = LYRIC.
I should have pointed out that Aristotle claims the LYRIC genre is about
THEMES (love/pain/mortality etc.)
The EPIC is about ACTION supporting CHARACTER.
The DRAMATIC genre is about CHARACTER supporting ACTION.
Many famous design objects can be analysed using these understandings.
Cheers
keith
On 1/2/17, 7:38 pm, "PhD-Design - This list is for discussion of PhD
studies and related research in Design on behalf of Francois Nsenga"
<[log in to unmask] on behalf of [log in to unmask]> wrote:
>Ahhhhhhh! Wonderful, Keith! This time you come up with a piece I
>understand, straightly meaningful to me: the three stances in human
>identity. And no doubt, when we go the 'creative' mode in designing, the
>output is inevitably made out of each of those identity adopted by the
>designer, either in whole or in part. It is matter of personal
>inclination,
>born out of personal perception and sensation, instant or an accumulated..
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