From "Oliver Grau" <[log in to unmask]> wrote:

>CONF: RE-CREATE – THEORIES, METHODS AND PRACTICES OF RESEARCH-CREATION
>IN THE HISTORIES OF MEDIA ART, SCIENCE AND TECHNOLOGY
>
>Montréal, 5-8 November 2015
>
>Université du Québec à Montréal, Agora Hydro-Québec, Coeur des
>Sciences, 175, avenue du Président-Kennedy, Montréal
>Exhibition openings and reception on November 5 at Concordia
>University, E.V. building, 1515 Ste-Catherine West, Montréal
>
>REGISTRATION is still OPEN!
>http://www.mediaarthistory.org/recreate-2015
>
>Re-Create conference focuses on six core thematic questions:
>1). Theoretical Currents: How do the Senses, Animals and the Apocalypse
>inform research-creation practices ?
>(2). Sites: How have sites of research and practice evolved in Latin
>America, Eastern Europe, Japan, Sweden and Indigenous Cultures?
>(3). Histories of the Studio Lab: How have Australian, British,
>Canadian and American artists historically worked in academia, industry
>and generative art?
>(4). New Methods: What can the concept of co-production (STS),musique
>concrète,intersectionality theory and critical race studies, as well as
>the debates about the “practice turn” in higher education provide to
>the historical and critical positioning of practice?
>(5). Digital Humanities and Critical Practices: What are the challenges
>and the future of transdisciplinary collaboration? What can media
>archeology do for the humanities and contemporary academic culture? How
>has failure impacted practice-led research?
>(6). Curatorial Actions and Practices: How have philosophy, industrial
>creation, feminism, sound and “imageness” historically entered into
>curatorial practices?
>Program Chair: Dr. Christopher Salter, Co-Director, Hexagram; Associate
>Professor Design and Computation Arts, Faculty of Fine Arts, Concordia
>University
>Co-Program Chair: Gisèle Trudel, Professor, School of Visual and Media
>Arts, Arts Faculty, University of Québec at Montreal. Trudel is the
>former Director of Hexagram-UQAM (2011-13) and Co-Director of Hexagram
>(2012-15).
>
>Emerging Researchers’ (ER) Symposium des Chercheurs Émergents
>04.11.2015 ER Programme here:
>http://www.mediaarthistory.org/recreate-2015/programme-overview-emerging-r
>esearchers-symposium
>
>EVENT OVERVIEW
>
>Thursday/jeudi 5.11.2015
>DAY/JOUR 1 Media Art Histories Re-CREATE 2015
>
>
>13h-15h30  OPENING ADDRESS/DISCOURS D’OUVERTURE
>
>Chris SALTER, Concordia University
>Oliver GRAU, Media Art Histories, Danube University
>
>
>SESSION 1 – Setting the Stage : Overview and Precedents
>
>“Pathways to Innovation in Digital Culture” Revisited
>Michael CENTURY, Rensselaer Polytechnic Institute
>
>Regard transversal sur des pratiques inter- et trans-
>Louise POISSANT, FRQSC
>
>Art-Science: A lab for discerning modes and logics of
>interdisciplinarity
>Georgina BORN, Oxford University
>
>Weaving Strands: Research-creation practices in universities, cultural
>institutions and artist-run culture in Montreal
>
>Gisèle TRUDEL, Université du Québec à Montréal + Cheryl SIM, DHC/ART
>Foundation for Contemporary Art
>17h – Concordia University, EV building
>
>
>FOFA Gallery
>Biomateria + Contagious Matters
>Exhibition – WhiteFeather HUNTER + Tristan MATHESON, Concordia
>University
>
>Mangling Methodologies in Biological Art and Display Practices
>Discussion Panel – FREE, OPEN TO PUBLIC
>
>Jens HAUSER, University of Copenhagen, White Feather HUNTER, Concordia
>University, Tristan MATHESON, Concordia University, Andrew PELLING,
>University of Ottawa
>
>
>FOFA Gallery – York Vitrine
>Tourmente
>Interactive Public Screens – Jean DUBOIS, Université du Québec à
>Montréal
>
>Hexagram BlackBox
>Copacabana Machine Sex: Behind the Scene
>Robotics installation in process – Bill VORN, Concordia University
>
>
>KEYNOTE 1
>Joan JONAS, Artist, New York
>18h-23h – Pavillon Président-Kennedy, UQAM
>
>Irradiate. Drawing electromagnetic frequencies with wind. Projection
>architecturale modulée par données environnementales (vent et ondes
>électromagnétiques). Ælab (Gisèle Trudel) with Guillaume Arseneault,
>Université du Québec à Montréal
>
>
>Friday/vendredi 6.11.2015 DAY/JOUR 2 Media Art Histories Re-CREATE
>2015
>
>9h-10h30 Session 2A – Methodological Entanglements
>
>La méthode de Pierre Scheaffer
>Yan BREULEUX, Université du Québec à Chicoutimi
>
>Post-digital Circulationism. On- and Offline Intermedia Discourse in
>Contemporary Art and Scholarship, Katja KWASTEK, VU, University
>Amsterdam
>
>Discourse-analytical aesthetics for digital cultures
>Martina LEEKER + Irina KALDRACK, Leuphana University
>
>Practices and Languages of Art
>Sally Jane NORMAN, University of Sussex
>
>
>Session 2B – Practices : Histories of the StudioLab
>
>Fallout and Spinoffs: Commercializing the Art-Technology Movement.
>Patrick McCRAY, University of California at Santa Barbara
>
>Jozef Stanislaus Ostoja-Kotkowski, an Australian artist between Art,
>Industry, Science and the Academy. Martyn JOLLY and Anthony OATES,
>Australian National University
>
>Multimedia artists and fieldwork (1960-80s)
>Jelena MARTINOVIC, Geneva University of Art and Design
>
>
>11h-12h KEYNOTE 2
>Christine VAN ASSCHE, Chief Curator, Centre Pompidou, Paris
>
>
>13h-15h WORKSHOP/ATELIER
>Rekall – An open-source environment to document, analyze and simplify
>the restaging of time based media artworks. Clarisse BARDIOT + Guillaume
>MARAIS, Université de Valenciennes et du Hainaut-Cambrésis
>
>
>Session 3A – Theories : Limiting the Anthropocene.
>
>End Time: Apocalyptic Systems in Media Art and Design
>Kevin HAMILTON, University of Illinois, Urbana-Champaign
>Orit HALPERN, The New School University
>
>Instrumental Anthropocentrism: insects, sustainable culture and
>technological innovation
>Roberta BUIANI, Lakehead University
>
>Cultural Software – Materiality and Abstraction in 60s art and
>technology
>Simon PENNY, University of California at Irvine
>
>
>Session 3B – Re-Making the Critical University Media Labs, Making,
>and Critical Practice  [Panel], Moderator : Nicholas BALAISIS,
>Postdoctoral Fellow, University of Waterloo
>
>The productive contradictions of critical making
>Matt RATTO + Ginger COONS, University of Toronto
>
>Technoromantics, Maker Culture, and Critical Neo-Luddism
>Marcel O’GORMAN, University of Waterloo
>
>Audio Toy Box: Building customizable communication therapy toys using
>Radio Frequency Identification, Owen CHAPMAN + Eric POWELL, Concordia
>University
>
>Launch of the Media-N Journal’s special edition: Research-Creation:
>Explorations
>15h30-17h
>
>Session 4A – Sites : Pioneering Experiences in Art, Science and
>Technology in Latin America [PANEL]
>
>Fotoformas, 1949-1951: Photography and Algorithmic Devices, An Early
>Interaction.
>Andrés BURBANO, Universidad de los Andes, Bogota
>
>Franceso Mariotti: in pursuit of a hybrid ideal through art, media and
>nature
>José-Carlos MARIáTEGUI, Alta Tecnología Andina, Lima
>
>Sighting Technology in Modern and Contemporary Latin American Art
>María FERNáNDEZ, Cornell University, Ithaca
>
>Interdisciplinaries Approaches to Second Order Cybernetics During the
>Early 70s in Chile : Artistic, Scientific and Techno/Political
>Experiences. Marcel VELASCO, Universidad de Chile, Santiago
>
>
>Session 4B – Archiving Failure: Film, History and Unfinished Projects
>[Panel]
>
>Notebooks, raw film reels and ephemera as Research-creation (Process)
>Monika Kin GAGNON, Concordia University
>
>Mechanography, Film and Education
>Mark HAYWARD, York University
>
>Right before the first boom: The lost stereoscopy of Norman McLaren and
>the National Film Board of Canada
>Alison Reiko LOADER, PhD candidate, Concordia University
>
>Filming Simondon: Cultural Hysteresis and Technological Humanism
>Ghislain THIBAULT, Wilfrid Laurier University
>
>
>
>Saturday/samedi 07.11.2015
>DAY/JOUR 3 Media Art Histories Re-CREATE 2015
>
>
>9h-10h30 Session 5A – Media Archaeology and Humanities Labs: Creative
>Knowledge and Practice-Based Theory [PANEL]
>Moderator: Jussi PARIKKA, University of Southampton
>
>Exhibition as Lab. Erkki Kurenniemi in 2048, Documenta 13
>Joasia KRYSA,  Liverpool John Moores University in partnership with
>Liverpool Biennial
>
>Media and Computer Archaeology at Humboldt University
>Stefan HöLTGEN, Humboldt University Berlin
>
>The Theory & Practice of Posthumanities in the Media Archaeology Lab
>Lori EMERSON, University of Colorado at Boulder, Media Archaeology Lab
>
>Situating the Media Archaeology Lab: Research, Art, and the Public
>Jesper OLSSON, Linkoping, Sweden
>
>Darren WERSHLER, Concordia University
>
> 
>Session 5B – Practices : Curating alternate histories
>
>Museums of the Unfinished for Unstable Memories
>Giselle BEIGUELMAN, University of São Paulo
>
>Ca-Re: Mapping and reactivating variable media artworks in the Latin
>American context
>Jo-Ana MORFIN and Fernando MONREAL,  Escuela Nacional de Conservación
>ENCRyM
>
>Image-material-media – a philo-curatorial interrogation
>Srajana KAIKINI, Manipal University
>
>On display : the history and representational politics of feminist new
>media and performance art, Barbara CLAUSEN, Université du Québec à
>Montréal
>
>
>BOOK LAUNCH : Chris SALTER. Alien Agency: Experimental Encounters with
>Art in the Making. MIT Press
>
>
>11h-12h  KEYNOTE 3 Skawennati, Artist, Montreal
>
>
>13h-15h WORKSHOP/ATELIER
>Perception, Movement, Image – Always More Than Human
>Anna MUNSTER + Michele BARKER, University of New South Wales; Erin
>MANNING, Concordia University
>
>
>13h30-15h Session 6A – Theories : Other Senses
>
>Re-Habilitating Bacteria
>Jens HAUSER, University of Copenhagen
>
>Coming To Our Senses: A Report on the Sensory Turn in Curatorial and
>Media Art Practice
>David HOWES, Concordia University
>
>Edmund Carpenter’s Experiments across Visual Anthropology and
>Critical Media Pedagogies
>Michael DARROCH, University of Windsor, Hart COHEN, University of
>Western Sydney, Paul HEYER, Wilfrid Laurier University
>
>
>Session 6B – Practices : Curating as research.
>
>Virtual Volumes and Electric Choreographies Kinetic and Light Art in
>the David Bermant Collection and Recent Exhibitions
>Christiane PAUL, The New School
>
>Sound Citizen: Curating Sound Art in Public Spaces
>Morten SøNDERGAARD, Aalborg University
>
>Projection Studies
>Gabriel MENOTTI, Universidade Federal do Espírito Santo
>
>New Media Curating : Sound as a Technological Medium
>Laura Plana GRACIA
>
>
>BOOK LAUNCH : Jussi PARIKKA and Joasia KRYSA. Writing and Unwriting
>(Media) Art History. MIT Press
>
>
>Session 7A – Methods : Interdisciplinary Imbroglio.
>The Co-production of Art: Collaborations between artists, scientists
>and engineers in Sweden, 1967-2009
>Anna ORRGHEN, Uppsala University
>
>Armonica/Automaton: Media Archaeologies of Affective Programming
>Alison De FREN, Occidental College, Los Angeles
>
>Writing on sound/writing with sound: intersection between sound art
>practice and research in sound studies
>Budhaditya CHATTOPADHYAY, University of Copenhagen
>
> 
>Session 7B – Practices : Tactics, ethnicities and matters
>
>Tactical media in the age of communicative capitalism – closed story,
>unfinished project or current alternative?
>Maciej Ożóg, University of Łódź
>
>Matter and Thought: Gordon Pask’s Practice-Based Research
>María FERNáNDEZ, Cornell University (Ithaca)
>
>Intersectionality and New Media Art: Your Ethnic Apparel is Still
>Downloading
>Alice Ming Wai JIM, Concordia University
>
>
>17h15-18h 
>Michaela SEISER, DanubeU/Wendy COONES, DanubeU: Archive of Digital Art
>– Archive of the Field
>
>Award Ceremony MediaArtHistories 2015 for Barbara STAFFORD
>Laudatio Oliver GRAU, DanubeU/tba
>
>
>
>Sunday/dimanche 08.11.2015
>DAY/JOUR 4 Media Art Histories Re-CREATE 2015
>
>9h-10h30 Session 8A – Practices : Differential Sites
>
>Slow-Scan TV Art; Revisited/Revived
>Patrick LICHTY, American University of Sharjah
>
>Psychedelic Circuitry 1880–1980. Signals between Esotericism, New
>Religions, Engineering and Art – Their Potentials of Positive
>Diffraction Today
>Shintaro MIYAZAKI, University of Applied Sciences and Arts Northwestern
>Switzerland
>
>Chroma Glitch: Datamosh for Digital Video
>Carolyn L. KANE, Ryerson University
>
>
>Session 8B – Interdisciplinarity : Circuit breakdown.
>
>On A Critical History of Media Art in Japan (2014)
>Jung-Yeon MA, Tokyo University of the Arts
>
>A Brief (Media) History of the Indigenous Future
>Jason Edward LEWIS, Concordia University & Aboriginal Territories in
>Cyberspace
>
>Digital Art History, 56°56′51″N 24°6′23″E
>Solvita ZARINA, University of Latvia
>
>International Networks of Early Digital Arts
>Darko FRITZ, Zagreb
>
>
>11h30-12h30 Session 9 – Challenges, Best Practices, and the Future of
>Transdisciplinary Collaboration in Media Art, Science and Technology
>[PANEL]
>Ruth WEST, University of North Texas
>Roger MALINA, University of Texas
>Sara DIAMOND, OCAD University
>François-Joseph LAPOINTE, Université de Montréal
>
>12h30-13.30h
>WRAP UP SESSION/PLENIÈRE
>
>ANNOUNCEMENTS/ANNONCES
>MAH 2017 Venue + Closing remarks/Les mots de la fin
>
>VENUES/LIEUX
>
>Agora Hydro-Québec, Complexe du Coeur des sciences, Hexagram-UQAM
>Salle d’expérimentation, Pavillon des Sciences biologiques,
>Hexagram-UQAM
>Hall Building, Concordia University
>FOFA Gallery and York Vitrine, EV Building, Concordia University
>BlackBox, Hexagram-Concordia, EV Building
>Pavillon Président-Kennedy, UQAM
>
>___________________________________________________________
>Sue Gollifer
>Director ISEA International HQ
>University of Brighton, UK
>[log in to unmask]
>http://www.isea-web.org/
>
>
>
>
>


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