From "Oliver Grau" <[log in to unmask]> wrote: >CONF: RE-CREATE – THEORIES, METHODS AND PRACTICES OF RESEARCH-CREATION >IN THE HISTORIES OF MEDIA ART, SCIENCE AND TECHNOLOGY > >Montréal, 5-8 November 2015 > >Université du Québec à Montréal, Agora Hydro-Québec, Coeur des >Sciences, 175, avenue du Président-Kennedy, Montréal >Exhibition openings and reception on November 5 at Concordia >University, E.V. building, 1515 Ste-Catherine West, Montréal > >REGISTRATION is still OPEN! >http://www.mediaarthistory.org/recreate-2015 > >Re-Create conference focuses on six core thematic questions: >1). Theoretical Currents: How do the Senses, Animals and the Apocalypse >inform research-creation practices ? >(2). Sites: How have sites of research and practice evolved in Latin >America, Eastern Europe, Japan, Sweden and Indigenous Cultures? >(3). Histories of the Studio Lab: How have Australian, British, >Canadian and American artists historically worked in academia, industry >and generative art? >(4). New Methods: What can the concept of co-production (STS),musique >concrète,intersectionality theory and critical race studies, as well as >the debates about the “practice turn” in higher education provide to >the historical and critical positioning of practice? >(5). Digital Humanities and Critical Practices: What are the challenges >and the future of transdisciplinary collaboration? What can media >archeology do for the humanities and contemporary academic culture? How >has failure impacted practice-led research? >(6). Curatorial Actions and Practices: How have philosophy, industrial >creation, feminism, sound and “imageness” historically entered into >curatorial practices? >Program Chair: Dr. Christopher Salter, Co-Director, Hexagram; Associate >Professor Design and Computation Arts, Faculty of Fine Arts, Concordia >University >Co-Program Chair: Gisèle Trudel, Professor, School of Visual and Media >Arts, Arts Faculty, University of Québec at Montreal. Trudel is the >former Director of Hexagram-UQAM (2011-13) and Co-Director of Hexagram >(2012-15). > >Emerging Researchers’ (ER) Symposium des Chercheurs Émergents >04.11.2015 ER Programme here: >http://www.mediaarthistory.org/recreate-2015/programme-overview-emerging-r >esearchers-symposium > >EVENT OVERVIEW > >Thursday/jeudi 5.11.2015 >DAY/JOUR 1 Media Art Histories Re-CREATE 2015 > > >13h-15h30 OPENING ADDRESS/DISCOURS D’OUVERTURE > >Chris SALTER, Concordia University >Oliver GRAU, Media Art Histories, Danube University > > >SESSION 1 – Setting the Stage : Overview and Precedents > >“Pathways to Innovation in Digital Culture” Revisited >Michael CENTURY, Rensselaer Polytechnic Institute > >Regard transversal sur des pratiques inter- et trans- >Louise POISSANT, FRQSC > >Art-Science: A lab for discerning modes and logics of >interdisciplinarity >Georgina BORN, Oxford University > >Weaving Strands: Research-creation practices in universities, cultural >institutions and artist-run culture in Montreal > >Gisèle TRUDEL, Université du Québec à Montréal + Cheryl SIM, DHC/ART >Foundation for Contemporary Art >17h – Concordia University, EV building > > >FOFA Gallery >Biomateria + Contagious Matters >Exhibition – WhiteFeather HUNTER + Tristan MATHESON, Concordia >University > >Mangling Methodologies in Biological Art and Display Practices >Discussion Panel – FREE, OPEN TO PUBLIC > >Jens HAUSER, University of Copenhagen, White Feather HUNTER, Concordia >University, Tristan MATHESON, Concordia University, Andrew PELLING, >University of Ottawa > > >FOFA Gallery – York Vitrine >Tourmente >Interactive Public Screens – Jean DUBOIS, Université du Québec à >Montréal > >Hexagram BlackBox >Copacabana Machine Sex: Behind the Scene >Robotics installation in process – Bill VORN, Concordia University > > >KEYNOTE 1 >Joan JONAS, Artist, New York >18h-23h – Pavillon Président-Kennedy, UQAM > >Irradiate. Drawing electromagnetic frequencies with wind. Projection >architecturale modulée par données environnementales (vent et ondes >électromagnétiques). Ælab (Gisèle Trudel) with Guillaume Arseneault, >Université du Québec à Montréal > > >Friday/vendredi 6.11.2015 DAY/JOUR 2 Media Art Histories Re-CREATE >2015 > >9h-10h30 Session 2A – Methodological Entanglements > >La méthode de Pierre Scheaffer >Yan BREULEUX, Université du Québec à Chicoutimi > >Post-digital Circulationism. On- and Offline Intermedia Discourse in >Contemporary Art and Scholarship, Katja KWASTEK, VU, University >Amsterdam > >Discourse-analytical aesthetics for digital cultures >Martina LEEKER + Irina KALDRACK, Leuphana University > >Practices and Languages of Art >Sally Jane NORMAN, University of Sussex > > >Session 2B – Practices : Histories of the StudioLab > >Fallout and Spinoffs: Commercializing the Art-Technology Movement. >Patrick McCRAY, University of California at Santa Barbara > >Jozef Stanislaus Ostoja-Kotkowski, an Australian artist between Art, >Industry, Science and the Academy. Martyn JOLLY and Anthony OATES, >Australian National University > >Multimedia artists and fieldwork (1960-80s) >Jelena MARTINOVIC, Geneva University of Art and Design > > >11h-12h KEYNOTE 2 >Christine VAN ASSCHE, Chief Curator, Centre Pompidou, Paris > > >13h-15h WORKSHOP/ATELIER >Rekall – An open-source environment to document, analyze and simplify >the restaging of time based media artworks. Clarisse BARDIOT + Guillaume >MARAIS, Université de Valenciennes et du Hainaut-Cambrésis > > >Session 3A – Theories : Limiting the Anthropocene. > >End Time: Apocalyptic Systems in Media Art and Design >Kevin HAMILTON, University of Illinois, Urbana-Champaign >Orit HALPERN, The New School University > >Instrumental Anthropocentrism: insects, sustainable culture and >technological innovation >Roberta BUIANI, Lakehead University > >Cultural Software – Materiality and Abstraction in 60s art and >technology >Simon PENNY, University of California at Irvine > > >Session 3B – Re-Making the Critical University Media Labs, Making, >and Critical Practice [Panel], Moderator : Nicholas BALAISIS, >Postdoctoral Fellow, University of Waterloo > >The productive contradictions of critical making >Matt RATTO + Ginger COONS, University of Toronto > >Technoromantics, Maker Culture, and Critical Neo-Luddism >Marcel O’GORMAN, University of Waterloo > >Audio Toy Box: Building customizable communication therapy toys using >Radio Frequency Identification, Owen CHAPMAN + Eric POWELL, Concordia >University > >Launch of the Media-N Journal’s special edition: Research-Creation: >Explorations >15h30-17h > >Session 4A – Sites : Pioneering Experiences in Art, Science and >Technology in Latin America [PANEL] > >Fotoformas, 1949-1951: Photography and Algorithmic Devices, An Early >Interaction. >Andrés BURBANO, Universidad de los Andes, Bogota > >Franceso Mariotti: in pursuit of a hybrid ideal through art, media and >nature >José-Carlos MARIáTEGUI, Alta Tecnología Andina, Lima > >Sighting Technology in Modern and Contemporary Latin American Art >María FERNáNDEZ, Cornell University, Ithaca > >Interdisciplinaries Approaches to Second Order Cybernetics During the >Early 70s in Chile : Artistic, Scientific and Techno/Political >Experiences. Marcel VELASCO, Universidad de Chile, Santiago > > >Session 4B – Archiving Failure: Film, History and Unfinished Projects >[Panel] > >Notebooks, raw film reels and ephemera as Research-creation (Process) >Monika Kin GAGNON, Concordia University > >Mechanography, Film and Education >Mark HAYWARD, York University > >Right before the first boom: The lost stereoscopy of Norman McLaren and >the National Film Board of Canada >Alison Reiko LOADER, PhD candidate, Concordia University > >Filming Simondon: Cultural Hysteresis and Technological Humanism >Ghislain THIBAULT, Wilfrid Laurier University > > > >Saturday/samedi 07.11.2015 >DAY/JOUR 3 Media Art Histories Re-CREATE 2015 > > >9h-10h30 Session 5A – Media Archaeology and Humanities Labs: Creative >Knowledge and Practice-Based Theory [PANEL] >Moderator: Jussi PARIKKA, University of Southampton > >Exhibition as Lab. Erkki Kurenniemi in 2048, Documenta 13 >Joasia KRYSA, Liverpool John Moores University in partnership with >Liverpool Biennial > >Media and Computer Archaeology at Humboldt University >Stefan HöLTGEN, Humboldt University Berlin > >The Theory & Practice of Posthumanities in the Media Archaeology Lab >Lori EMERSON, University of Colorado at Boulder, Media Archaeology Lab > >Situating the Media Archaeology Lab: Research, Art, and the Public >Jesper OLSSON, Linkoping, Sweden > >Darren WERSHLER, Concordia University > > >Session 5B – Practices : Curating alternate histories > >Museums of the Unfinished for Unstable Memories >Giselle BEIGUELMAN, University of São Paulo > >Ca-Re: Mapping and reactivating variable media artworks in the Latin >American context >Jo-Ana MORFIN and Fernando MONREAL, Escuela Nacional de Conservación >ENCRyM > >Image-material-media – a philo-curatorial interrogation >Srajana KAIKINI, Manipal University > >On display : the history and representational politics of feminist new >media and performance art, Barbara CLAUSEN, Université du Québec à >Montréal > > >BOOK LAUNCH : Chris SALTER. Alien Agency: Experimental Encounters with >Art in the Making. MIT Press > > >11h-12h KEYNOTE 3 Skawennati, Artist, Montreal > > >13h-15h WORKSHOP/ATELIER >Perception, Movement, Image – Always More Than Human >Anna MUNSTER + Michele BARKER, University of New South Wales; Erin >MANNING, Concordia University > > >13h30-15h Session 6A – Theories : Other Senses > >Re-Habilitating Bacteria >Jens HAUSER, University of Copenhagen > >Coming To Our Senses: A Report on the Sensory Turn in Curatorial and >Media Art Practice >David HOWES, Concordia University > >Edmund Carpenter’s Experiments across Visual Anthropology and >Critical Media Pedagogies >Michael DARROCH, University of Windsor, Hart COHEN, University of >Western Sydney, Paul HEYER, Wilfrid Laurier University > > >Session 6B – Practices : Curating as research. > >Virtual Volumes and Electric Choreographies Kinetic and Light Art in >the David Bermant Collection and Recent Exhibitions >Christiane PAUL, The New School > >Sound Citizen: Curating Sound Art in Public Spaces >Morten SøNDERGAARD, Aalborg University > >Projection Studies >Gabriel MENOTTI, Universidade Federal do Espírito Santo > >New Media Curating : Sound as a Technological Medium >Laura Plana GRACIA > > >BOOK LAUNCH : Jussi PARIKKA and Joasia KRYSA. Writing and Unwriting >(Media) Art History. MIT Press > > >Session 7A – Methods : Interdisciplinary Imbroglio. >The Co-production of Art: Collaborations between artists, scientists >and engineers in Sweden, 1967-2009 >Anna ORRGHEN, Uppsala University > >Armonica/Automaton: Media Archaeologies of Affective Programming >Alison De FREN, Occidental College, Los Angeles > >Writing on sound/writing with sound: intersection between sound art >practice and research in sound studies >Budhaditya CHATTOPADHYAY, University of Copenhagen > > >Session 7B – Practices : Tactics, ethnicities and matters > >Tactical media in the age of communicative capitalism – closed story, >unfinished project or current alternative? >Maciej Ożóg, University of Łódź > >Matter and Thought: Gordon Pask’s Practice-Based Research >María FERNáNDEZ, Cornell University (Ithaca) > >Intersectionality and New Media Art: Your Ethnic Apparel is Still >Downloading >Alice Ming Wai JIM, Concordia University > > >17h15-18h >Michaela SEISER, DanubeU/Wendy COONES, DanubeU: Archive of Digital Art >– Archive of the Field > >Award Ceremony MediaArtHistories 2015 for Barbara STAFFORD >Laudatio Oliver GRAU, DanubeU/tba > > > >Sunday/dimanche 08.11.2015 >DAY/JOUR 4 Media Art Histories Re-CREATE 2015 > >9h-10h30 Session 8A – Practices : Differential Sites > >Slow-Scan TV Art; Revisited/Revived >Patrick LICHTY, American University of Sharjah > >Psychedelic Circuitry 1880–1980. Signals between Esotericism, New >Religions, Engineering and Art – Their Potentials of Positive >Diffraction Today >Shintaro MIYAZAKI, University of Applied Sciences and Arts Northwestern >Switzerland > >Chroma Glitch: Datamosh for Digital Video >Carolyn L. KANE, Ryerson University > > >Session 8B – Interdisciplinarity : Circuit breakdown. > >On A Critical History of Media Art in Japan (2014) >Jung-Yeon MA, Tokyo University of the Arts > >A Brief (Media) History of the Indigenous Future >Jason Edward LEWIS, Concordia University & Aboriginal Territories in >Cyberspace > >Digital Art History, 56°56′51″N 24°6′23″E >Solvita ZARINA, University of Latvia > >International Networks of Early Digital Arts >Darko FRITZ, Zagreb > > >11h30-12h30 Session 9 – Challenges, Best Practices, and the Future of >Transdisciplinary Collaboration in Media Art, Science and Technology >[PANEL] >Ruth WEST, University of North Texas >Roger MALINA, University of Texas >Sara DIAMOND, OCAD University >François-Joseph LAPOINTE, Université de Montréal > >12h30-13.30h >WRAP UP SESSION/PLENIÈRE > >ANNOUNCEMENTS/ANNONCES >MAH 2017 Venue + Closing remarks/Les mots de la fin > >VENUES/LIEUX > >Agora Hydro-Québec, Complexe du Coeur des sciences, Hexagram-UQAM >Salle d’expérimentation, Pavillon des Sciences biologiques, >Hexagram-UQAM >Hall Building, Concordia University >FOFA Gallery and York Vitrine, EV Building, Concordia University >BlackBox, Hexagram-Concordia, EV Building >Pavillon Président-Kennedy, UQAM > >___________________________________________________________ >Sue Gollifer >Director ISEA International HQ >University of Brighton, UK >[log in to unmask] >http://www.isea-web.org/ > > > > > ___________________________________________________________ This email has been scanned by MessageLabs' Email Security System on behalf of the University of Brighton. 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