medieval-religion: Scholarly discussions of medieval religion and culture
In the general Roman Calendar 9. October is shared by St. Dionysius the bishop (of Paris) and companions on the one hand and, on the other, the early modern St. Giovanni Leonardi. Herewith, supplementing Gordon's and Genevra's posts, a few further period-pertinent images of St. Dionysius (Denis) of Paris, some including his companions Sts. Rusticus of Paris and Eleutherius of Paris (yes, they all have synonyms elsewhere).
a) as depicted (at left; at center and left, Sts. Rusticus and Eleutherius) in an early eleventh-century gradual according to the Use of the abbey of Saint-Denis near Paris (Paris, Bibliothèque Mazarine, ms. 384, fol. 117v):
http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht16/IRHT_065156-p.jpg
b) as portrayed in a mid-eleventh-century relief in the entrance hall to the Kirche St. Emmeram in Regensburg, originally the church of a monastery claiming to possess his remains:
http://www.fantomzeit.de/wp-content/uploads/wibald03.jpg
c)as portrayed in high relief (at center betw. Sts. Rusticus and Eleutherius, all achieving martyrdom) in the mid-twelfth-century sculptures on the tympanum of the Portail des Valois (rebuilt in the 1230s or 1240s; restored in the nineteenth century) of the basilique cathédrale Saint-Denis in Saint-Denis (Seine-Saint-Denis):
http://france-romane.com/photos/93-st-denis/Cathedrale_St-Denis-086.jpg
d) as portrayed in high relief (at center betw. Sts. Rusticus and Eleutherius) in a mid-twelfth-century walrus ivory plaque from a portable altar in the Musée du Louvre, Paris:
http://www.photo.rmn.fr/archive/90-006373-2C6NU0HLVYSG.html
e) as portrayed in high relief (at center) in the jambs of the left portal of the south porch (betw. 1194 and 1230) of the basilique cathédrale Notre-Dame in Chartres:
http://tinyurl.com/4o6rjl
Detail view:
http://tinyurl.com/4zncmm
f) as depicted (at left) in an earlier thirteenth-century window (1228-1231) of the south transept clerestory of the basilique cathédrale Notre-Dame in Chartres (not to miss the important bibliography cited this page's "description" tab):
http://tinyurl.com/3v5epn
g) as portrayed in an earlier thirteenth-century statue on a choir screen in Bamberg's Dom St. Peter und St. Georg (consecrated, 1237):
http://tinyurl.com/69dhonr
h) as depicted (at right at the foot of the page; at left, St. Lambert of Maastricht) in a later thirteenth-century psalter and book for hours according to the Use of Liège (ca. 1251-1300; Den Haag, KB, ms. 76 G 17, fol. 82v):
http://manuscripts.kb.nl/zoom/BYVANCKB%3Amimi_76g17%3A082v
i) as depicted in a later thirteenth-century window (ca. 1280) in the Stadtkirche St. Dionys in Esslingen am Neckar:
http://tinyurl.com/yfa8loy
j) as depicted (at center betw. Sts. Rusticus and Eleutherius, all achieving martyrdom) as in a late thirteenth-century copy of French origin of the _Legenda aurea_ (San Marino, CA, Huntington Library, ms. HM 3027, fol. 142v):
http://digitalassets.lib.berkeley.edu/ds/huntington/images//000923A.jpg
k) as depicted (at left; at right, St. Piatus of Seclin [1. Oct.]) in the late thirteenth-century (ca. 1285-1290) Livre d'images de Madame Marie (Paris, BnF, ms. Nouvelle acquisition française 16251, fol. 84v):
http://tinyurl.com/y8v48ko
l) as depicted on a panel of the fourteenth-century rood screen of St Andrew, Hempstead (Norfolk):
http://tinyurl.com/4q7jgt
m) as portrayed in a fourteenth-century pilgrim's badge in the Musée national du Moyen Âge (Musée de Cluny), Paris:
http://tinyurl.com/obtg2cb
n) as portrayed (with the better preserved Sts. Rusticus and Eleutherius) in an earlier fourteenth-century marble sculpture (ca. 1301-1326; formerly part of an altarpiece) in the Musée du Louvre, Paris:
http://www.photo.rmn.fr/archive/13-550042-2C6NU05JQU03.html
Detail view:
http://www.photo.rmn.fr/archive/13-550043-2C6NU05JQS9J.html
o) as portrayed in high relief (martyrdom; cephalophory) on an earlier fourteenth-century boss (ca. 1301-1350) in the cloister of the cathedral church of the Holy and Undivided Trinity in Norwich:
http://tinyurl.com/o4rgjxc
p) as depicted in the illuminated _Vita et passio sancti Dionysii_ in Latin verse (with Boitbien's translation in French prose) presented to Philip V in 1317 by an abbot of Saint-Denis (Paris, BnF, ms. Français 2090-2092):
1) seated; at left, Sts. Antoninus and Santoninus; at right, Sts. Rusticus and Eleutherius (BnF, ms. Français 2091, fol. 125r):
http://tinyurl.com/yk9773y
2) appearing with Sts. Rusticus and Eleutherius before the prefect Fescennius (BnF, ms. Français 2092, fol. 1r):
http://expositions.bnf.fr/fouquet/grand/f634.htm
q) as portrayed in a polychromed earlier fourteenth-century walnut-wood statue from Köln (ca. 1320) in that city's Schnütgen-Museum:
http://tinyurl.com/npqychy
r) as depicted (scenes of his life and and suffering; the last also depicting the martyrdom of Sts. Rusticus and Eleutherius) in an earlier fourteenth-century copy of the _Legenda aurea_ in its French-language version by Jean de Vignay (ca. 1326-1350; Paris, BnF, ms. Français 185, fols. 202r, 203v, 204r, 204v, 205v, 206v, 207v):
http://tinyurl.com/ylrytq7
http://tinyurl.com/yllhhq9
http://tinyurl.com/ykgrryk
http://tinyurl.com/yfrz7hr
http://tinyurl.com/yzbemgu
http://tinyurl.com/yfnbkse
http://tinyurl.com/ylppvlk
s) as depicted in an earlier fourteenth-century copy, from the workshop of Richard and Jeanne de Montbaston, of the _Legenda aurea_ in its French-language version by Jean de Vignay (1348; Paris, BnF, ms. Français 241, fol. 275v):
http://tinyurl.com/ykxkqol
t) as depicted in a panel of a later fourteenth-century glass window in the north transept of the Basilica St. Valentinus und Dionysius in Kiedrich (Lkr. Rheingau-Taunus-Kreis) in Hessen:
http://tinyurl.com/3pgesej
The panel's context in the window:
http://www.flickr.com/photos/hen-magonza/4849130575/
u) as depicted in a later fourteenth-century missal for the use of Paris (after 1375?; Paris, Bibliothèque Mazarine, ms. 411, C fol. 67r):
http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht17/IRHT_08472-p.jpg
v) as depicted (at left; at center and right, Sts. Rusticus and Eleutherius; all achieving martyrdom) in a later fourteenth-century copy of the _Legenda aurea_ in its French-language version by Jean de Vignay (ca. 1380; Paris, Bibliothèque Mazarine, ms. 1729, fol. 262v):
http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht16/IRHT_068254-p.jpg
w) as portrayed in a fourteenth- or fifteenth-century pilgrim's badge in the Musée national du Moyen Âge (Musée de Cluny), Paris:
http://www.photo.rmn.fr/archive/97-011834-2C6NU0S38BSY.html
x) as depicted (betw. Sts. Rusticus and Eleutherius) in the early fifteenth-century Hours of René of Anjou (ca. 1410; London, BL, MS Egerton 1070, fol. 104r; image expandable):
http://www.bl.uk/catalogues/illuminatedmanuscripts/ILLUMIN.ASP?Size=mid&IllID=48351
y) as depicted in two illuminations in the early fifteenth-century Châteauroux Breviary (ca. 1414; Châteauroux, Bibliothèque municipale, fols. 364r and 367v):
1) Preaching (third from left, after Sts. Rusticus and Eleutherius; fol. 367v):
http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht2/IRHT_054227-p.jpg
2) Martyrdom (fourth from left, after Sts. Rusticus and Eleutherius; fol. 364r):
http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht2/IRHT_054223-p.jpg
z) as depicted (at left, receiving communion from Jesus while imprisoned; at right, undergoing martyrdom along with Sts. Rusticus and Eleutherius) by Henri Bellechose on an early fifteenth-century altarpiece (paid for in 1416) in the Museé du Louvre in Paris:
http://tinyurl.com/3rey5zj
aa) as depicted in a full-page illumination of French or English workmanship in an earlier fifteenth-century book of hours (ca. 1430-1440; Los Angeles, J. Paul Getty Museum, ms. 5, fol. 35v):
http://tinyurl.com/yhcuuh5
Detail view (D.'s severed head):
http://tinyurl.com/ylooxrf
bb) as portrayed in a later fifteenth-century polychromed limestone statue (ca. 1460-1470) in the Bode-Museum, Berlin:
http://tinyurl.com/4gvkeg
cc) as depicted (martyrdom and, in the upper register, cephalophory) in a later fifteenth-century copy of the _Legenda aurea_ in its French-language translation by Jean de Vignay (ca. 1480-1490; Paris, BnF, ms. Français 245, fol. 135r):
http://tinyurl.com/yg4vhdu
dd) as depicted (betw. Sts. Rusticus and Eleutherius) in a late fifteenth-century breviary according to the Use of Langres (after 1481; Chaumont, Mediathèque de Chaumont, ms. 33, fol. 456r):
http://www.enluminures.culture.fr/Wave/savimage/enlumine/irht6/IRHT_097055-p.jpg
ee) as depicted in a hand-colored woodcut in the Beloit College copy of Hartmann Schedel's late fifteenth-century _Weltchronik_ (_Nuremberg Chronicle_; 1493) at fol. CIXv:
http://tinyurl.com/9ghdm8w
ff) as portrayed in high relief on a polychromed and gilt panel of a late fifteenth- or early sixteenth-century altarpiece (ca. 1490-1510) in the Filialkirche Hl. Leonhard in Pesenbach (Oberösterreich):
http://tarvos.imareal.oeaw.ac.at/server/images/7017908.JPG
gg) as depicted (at right; at left, St. Sebastian) on a panel of the late fifteenth- or early sixteenth-century winged altar (ca. 1497-1507) in the Pfarrkirche Hl. Remigius in Gampern (Oberösterreich):
http://tarvos.imareal.oeaw.ac.at/server/images/7017792.JPG
hh) as portrayed in high relief (at far left) on the central panel of the late fifteenth-century Vierzehn-Nothelfer-Altar (1498) in the Münster St. Marien und Jakobus in Heilsbronn (Lkr. Ansbach):
http://tinyurl.com/pcnarog
Detail view:
http://tinyurl.com/qbceeza
ii) as portrayed in high relief on an early sixteenth-century stall end (betw. 1501 and 1507) in the choir of the St. Martins-Kirche in Memmingen:
http://tinyurl.com/nahwgj9
jj) as depicted (at left; at right, St. Margaret) by Vicente Macip in the central panel of his early sixteenth-century altarpiece (ca. 1510) in the capilla de San Dionisio y Santa Margarita in Valencia's catedral de la Asunción de Nuestra Señora:
http://tinyurl.com/3bbdu8b
kk) as depicted by the Master of Messkirch on a panel from a dismembered earlier sixteenth-century altarpiece (ca. 1535-1540) in the Staatsgalerie Stuttgart:
http://tinyurl.com/pd6m447
Best,
John Dillon
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