Italian at the University of Hull is pleased to announce the programme and registration details for
Current Trends inItalian Popular Music Studies
Research NetworkingColloquium, March 18-19 2015
WISE Institute, University of Hull (UK)
REGISTRATIONPlease visit https://www.eventbrite.co.uk/e/italian-popular-music-colloquium-hull-tickets-15496099250 to register for the colloquium.PLEASE NOTE: standard registration on Eventbrite is for both days of the colloquium. If you are only able to attend on one day, please 1) complete the standard registration on Eventbrite and 2) e-mail Rachel Haworth ([log in to unmask]) with further details as regards your attendance. Please also e-mail Rachel with any special dietary or other requirements you may have.
PROGRAMME DETAILS
March 18th
9:00 – 9:15Welcome
9:15 – 11:15Panel 1 (4 papers) FabrizioDe André
DeAndré’s impegno as political disagreement: a case studyRiccardo Orlandi «Lo scandalo dellabellezza». Per una riscrittura letteraria di De André Giuseppa Vultaggio De André's canzone d'autore impegnata: a postmodern productDaniele Buenza Fabrizio De André e letradizioni popolari: genesi di  cúmbaVera Vecchiarelli 11:15 – 11:30 Break
11:30 – 1:00Keynote speaker: Franco Fabbri
1:00 – 2:00Lunch
2:00 – 3:30Panel 2 (3 papers) PopularMusic and Literature
Popular Poetry MusicRiccardo Redivo Images of the 1950s in Gianni Milano’s Lamoneta sotto il sasso and in Cantacronache’s repertoireGuglielmo Perfetti Alle radici della rappresentazione della musica pop nella letteraturaitaliana (1955-1965)Elena Porciani 3:30 – 3:45Break
3:45 – 5:15Panel 4 (3 papers) PopularMusic meanings
Franco Battiato in Spain:from 'mainstream freak' to 'indie treasure'FruelaFernandez The Risorgimento Rec(h)anted: Historical Revisionism of the ItalianUnification in Songs from Southern ItalyMarcello Messina IntermedialMinaRachel Haworth March 19th
9:15 – 10:45Panel 6 (3 papers) Italianmusic in/on film
Confronting the Fascist Past: Recollection andReconciliation in Bertolucci’s Il conformistaJeremy Frusco Suoni Moderni: the Italian pop film soundscapeMark Goodall Ritae La Zanzara: rappresentazioni dello scontro generazionale nei film MusicarelliCecilia Brioni 10:45 – 11:00Break
11:00 – 12:30Keynote speaker:Goffredo Plastino
12:30 – 1:30Lunch
1:30 – 3:30Panel 7 (4 papers) Popular Musichistories Lastoria del punk in Italia. La traduzione del modello britannico e la“riscrittura” della scena italiana (1976 – 1984) Alessia Masini Taking Italian Pop Seriously: Popular Music and Private Broadcastingin Italy (1980s/1990s)Jacopo Tomatis I Wanna Be Fantastic World:Italo Disco and Italian postmodernityFlora Pitrolo Lambrusco e Pop corns: Tondelli and Emilia Romagna's popular music in the 80'sGiacomo Giuntoli 3:30-4:00Break
4:00 – 5:15 LocatingItalian popular music studies: where we are and where we go from hereTeaching popular music in Italy: changes,politics, chances. A brief report from a “double” personal experienceErrico Pavese followed byRoundtable discussion and close
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