medieval-religion: Scholarly discussions of medieval religion and culture
Margaret of Cortona (Margherita da Cortona; d. 1297). The lay penitent and visionary Margaret had previously lived for nine years with a wealthy man whose murder (and it was she who discovered his bloody corpse), followed by her father's refusal to take her back into his home in the Umbrian village of Laviano, precipitated her turn to a life of religious service. Establishing herself in Cortona (AR) in Tuscany she lived ascetically, volunteered as a midwife, and persuaded a donor to create a hospital for the poor that she then directed assiduously. The community of religious women that she organized survived her and promoted her cause by means of the _Legenda de vita et miraculis beatae Margaritae de Cortona_ (BHL 5314). The latter is a work of multiple authorship including a lengthy record of Margaret's visions as recounted to and as written down by her confessor G., now generally identified as the Franciscan friar Giunta Bevegnati. The _Legenda_ also incorporates matter from a later confessor and from various locals offering miracle accounts. Margaret's immediately posthumous cult was confirmed for Cortona in 1515. She was canonized in 1728.
Margaret of Cortona at rest in the mostly nineteenth-century basilica di Santa Margherita at Cortona:
http://tinyurl.com/pzfla8l
http://tinyurl.com/nk24jvj
Some medieval images of Margaret of Cortona:
a) Margaret of Cortona and scenes from her _Legenda_ as depicted by a follower of Margarito of Arezzo in a late thirteenth-century panel painting (ca. 1298) in the Museo diocesano di Cortona:
http://www.wga.hu/art/m/master/xunk_it/xunk_it0/07marga.jpg
Detail view (Margaret):
http://www.wga.hu/art/m/master/xunk_it/xunk_it0/07marga1.jpg
Grayscale views of the smaller panels will be found here:
http://tinyurl.com/p2vglh6
The individual scenes are identified here (in Italian):
http://tinyurl.com/pjwdczv
b) Margaret of Cortona as depicted in an earlier fourteenth-century panel painting (betw. 1320 and 1340) attributed to Ugolino da Siena or to some other follower of Segna di Bonaventura (to whom this painting has also been attributed), now in Portland Art Museum, Portland, OR:
http://www.medievalportland.pdx.edu/sites/default/files/cath.jpg
c) Margaret of Cortona (at far right) as depicted by Sassetta in his earlier fifteenth-century San Domenico di Cortona altarpiece (ca. 1434) in the Museo diocesano di Cortona:
http://tinyurl.com/pselm26
Best,
John Dillon
(matter from an older post revised)
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