Hi,
Below is a summary of the CFPs posted to http://designcalls.wordpress.com/
in November.
\V/_ /fas
*Prof. Filippo A. Salustri, Ph.D., P.Eng.*
Email: [log in to unmask]
http://deseng.ryerson.ca/~fil/
NORDES 20115: Design Ecologies: Challenging anthropocentrism in the design
of sustainable futures (June 2015, Stockholm Sweden)
<http://designcalls.wordpress.com/2014/12/01/nordes-20115-design-ecologies-challenging-anthropocentrism-in-the-design-of-sustainable-futures-june-2015-stockholm-sweden/>
DECEMBER 1, 2014
Dates: 7-10 June 2015
Location: Konstfack – University College of Arts, Crafts and
Design, Stockholm, Sweden
Website: http://nordes.org/nordes2015
Deadline for submissions: 7 January 2015
Design hinges a natural-artificial continuum through humans’ natural
capacity to produce what we call ‘the artificial’. At a time when human
activity is threatening biodiversity and causing severe climate change, it
becomes obvious that natural and artificial systems can no longer be
conceived in isolation but only in relation to each other – or indeed as
one.
The coupling of natural and artificial systems poses challenges due to its
complexity and partly reveals the anthropocentrism that has traditionally
characterised design. Several questions arise in this context. How can
design practices embrace pluralism by recognising, in the manifestation of
design itself, biological as well as cultural diversity? In other words,
how do we in design, and beyond, move from the kind of ego-system we seem
to be so trapped in towards the kind of eco-system everyone and everything
can gain from? How are designers, educators and researchers of design
currently engaging with these challenges, and how might or should they
engage with them in the near future? Designers in Scandinavia have shaped
and influenced many local human societies to an important extent through a
legacy of democratic and user-centred values. How can these be extended to
acknowledge and celebrate humans’ cohabitation on a global scale to also
include the myriad of all other existing species and systems at alternative
scales in time and space? How can the various design practices be genuinely
sensitive to ecological complexity? And how can they be
understood, designed and studied in relation to each other – or indeed as a
whole?
Read more of this post
<http://designcalls.wordpress.com/2014/12/01/nordes-20115-design-ecologies-challenging-anthropocentrism-in-the-design-of-sustainable-futures-june-2015-stockholm-sweden/#more-2295>
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<http://designcalls.wordpress.com/category/conference/> TAGGED WITH
ANTHROPOCENTRISM <http://designcalls.wordpress.com/tag/anthropocentrism/>,
CULTURE <http://designcalls.wordpress.com/tag/culture/>, ENGINEERING
<http://designcalls.wordpress.com/tag/engineering/>, HUMANITIES
<http://designcalls.wordpress.com/tag/humanities/>,SUSTAINABILITY
<http://designcalls.wordpress.com/tag/sustainability/>
Atmospheres (July 2015, Manchester UK)
<http://designcalls.wordpress.com/2014/11/30/atmospheres-july-2015-manchester-uk/>
NOVEMBER 30, 2014
1-2 July 2015
Location: University of Manchester, UK
Website: http://www.manchester.ac.uk/morgancentre/events/atmospheres/call/
Deadline for submissions: 12 January 2015
Atmospheres play a significant role in, and add an important quality to,
our intimate, domestic and public lives, yet are often overlooked in social
research, not least because of the methodological challenges involved in
capturing them.
In this major conference celebrating the 10th Anniversary of the Morgan
Centre, we will be using the theme of atmospheres as our starting point for
interdisciplinary dialogue.
Read more of this post
<http://designcalls.wordpress.com/2014/11/30/atmospheres-july-2015-manchester-uk/#more-2293>
FILED UNDER CONFERENCE
<http://designcalls.wordpress.com/category/conference/> TAGGED WITH
ATMOSPHERE <http://designcalls.wordpress.com/tag/atmosphere/>, CONTEXT
<http://designcalls.wordpress.com/tag/context/>, MOOD
<http://designcalls.wordpress.com/tag/mood/>, SOCIETY
<http://designcalls.wordpress.com/tag/society/>
Textual Fashion: Representing fashion and clothing in word and image (July
2015, Brighton UK)
<http://designcalls.wordpress.com/2014/11/29/textual-fashion-representing-fashion-and-clothing-in-word-and-image-july-2015-brighton-uk/>
NOVEMBER 29, 2014
Dates: 8-10 July 2015
Location: University of Brighton, UK
Website:
http://arts.brighton.ac.uk/research/research-conferences/textual-fashion-conference
Deadline for submissions: 19 January 2015
Since 1990, a critical body of work by scholars in Britain, Europe and
America, including Jane Gaines, Caroline Evans and Clair Hughes, has
underscored the key role that verbal and visual representations of fashion
and clothing have in understanding issues such as period style, taste and
human identities. Building on their achievement, this event will foreground
international cutting-edge research in what Roland Barthes terms
‘l’écriture,’ that is the ways that fashion and dress are mediated and
translated into word and image in literature, journalism, memoirs and
correspondence, photography, illustration, film, television, advertising,
music video, and online through websites and blogs.
Read more of this post
<http://designcalls.wordpress.com/2014/11/29/textual-fashion-representing-fashion-and-clothing-in-word-and-image-july-2015-brighton-uk/#more-2291>
FILED UNDER CONFERENCE
<http://designcalls.wordpress.com/category/conference/> TAGGED WITH FASHION
<http://designcalls.wordpress.com/tag/fashion/>, LANGUAGE
<http://designcalls.wordpress.com/tag/language/>
Annual Design History Society Conf: How we live, and How we might live:
Design and the Spirit of Critical Utopianism (Sep 2015, San Francisco USA)
<http://designcalls.wordpress.com/2014/11/28/annual-design-history-society-conf-how-we-live-and-how-we-might-live-design-and-the-spirit-of-critical-utopianism-sep-2015-san-francisco-usa/>
NOVEMBER 28, 2014
Dates: 11-13 September 2015
Location: California College of the Arts, San Francisco, California, USA
Website: http://www.cca.edu/dhs2015
Deadline for submissions: 28 February 2015
California College of the Arts, which is at once the westernmost outpost of
the Arts and Crafts Movement and the gateway to Silicon Valley, is pleased
to host the 2015 conference of the Design History Society. Inspired by
the spirit of critical utopianism that connects the 19th century reformers
to the 21st century techno-visionaries, this multidisciplinary conference
will explore the diverse ways in which designers have sought to balance
critical realism with utopian idealism.
Read more of this post
<http://designcalls.wordpress.com/2014/11/28/annual-design-history-society-conf-how-we-live-and-how-we-might-live-design-and-the-spirit-of-critical-utopianism-sep-2015-san-francisco-usa/#more-2288>
FILED UNDER CONFERENCE
<http://designcalls.wordpress.com/category/conference/> TAGGED WITH ARTS
<http://designcalls.wordpress.com/tag/arts/>, HISTORY
<http://designcalls.wordpress.com/tag/history/>, UTOPIANISM
<http://designcalls.wordpress.com/tag/utopianism/>
1st PARSE Biennial Research Conference (Nov 2015, Gothenburg Sweden)
<http://designcalls.wordpress.com/2014/11/27/1st-parse-biennial-research-conference-nov-2015-gothenburg-sweden/>
NOVEMBER 27, 2014
Dates: 5-6 November 2015
Location: Faculty of Fine, Applied and Performing Arts, University
of Gothenburg, Sweden
Contact: [log in to unmask]
Deadline for submission of proposals: 1 March 2015
CALL FOR CONTRIBUTIONS – Panels, Papers, Performances, Screenings, and
Workshops. The first biennial PARSE conference at the University of
Gothenburg, Sweden takes as its point of departure the question of TIME.
Time arguably has always been at the center of the research initiatives of
the natural sciences, of philosophy and of the many different practices of
history and social criticism. However, time also occupies a central place
for the curiosity and attention of artist researchers across all the arts.
The intensification of the question of time has, in recent years, prompted
some to speak of a “temporal turn” across the disciplines. This conference
seeks to bring together a range of researchers, drawn mainly from the
artistic fields but also inviting researchers from across all domains
(sciences and humanities) to consider questions with respect to
the practices, processes and perturbations of time.
Read more of this post
<http://designcalls.wordpress.com/2014/11/27/1st-parse-biennial-research-conference-nov-2015-gothenburg-sweden/#more-2285>
FILED UNDER CONFERENCE
<http://designcalls.wordpress.com/category/conference/> TAGGED WITH ARTS
<http://designcalls.wordpress.com/tag/arts/>, SOCIAL CRITICISM
<http://designcalls.wordpress.com/tag/social-criticism/>, TIME
<http://designcalls.wordpress.com/tag/time/>
Living Machines IV: 4th Intl Conf on Biomimetic and Biohybrid Systems (July
2015, Barcelona Spain)
<http://designcalls.wordpress.com/2014/11/26/living-machines-iv-4th-intl-conf-on-biomimetic-and-biohybrid-systems-july-2015-barcelona-spain/>
NOVEMBER 26, 2014
Dates: 27-31 July 2015
Location: La Pedrera, Barcelona, Spain, in association with Universitat
Pompeu Fabra
Website: http://csnetwork.eu/livingmachines
Deadline for submissions: 16 March 2015
Accepted papers will be published in Springer Lecturer Notes in Artificial
Intelligence.
The development of future real-world technologies will depend strongly on
our understanding and harnessing of the principles underlying living
systems and the flow of communication signals between living and artificial
systems.
Biomimetics is the development of novel technologies through the
distillation of principles from the study of biological systems.
The investigation of biomimetic systems can serve two complementary
goals. First, a suitably designed and configured biomimetic artefact can
be used to test theories about the natural system of interest.
Second, biomimetic technologies can provide useful, elegant and
efficient solutions to unsolved challenges in science and engineering.
Biohybrid systems are formed by combining at least one biological
component—an existing living system—and at least one artificial,
newly-engineered component. By passing information in one or both
directions, such a system forms a new hybrid bio-artificial entity.
Read more of this post
<http://designcalls.wordpress.com/2014/11/26/living-machines-iv-4th-intl-conf-on-biomimetic-and-biohybrid-systems-july-2015-barcelona-spain/#more-2283>
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BIOMIMICRY <http://designcalls.wordpress.com/tag/biomimicry/>, SYSTEMS
<http://designcalls.wordpress.com/tag/systems/>
Introducing a new international journal: Design Science
<http://designcalls.wordpress.com/2014/11/24/introducing-a-new-international-journal-design-science/>
NOVEMBER 24, 2014
Website: http://www.designsciencejournal.org/
The aim of Design Science is to serve as the archival venue of
science-based design knowledge across multiple disciplines. There is
increasing recognition that design is a discipline in its own right with a
holistic and multifaceted nature. Design knowledge is widely dispersed
across fields with different terminologies, traditions and research
practices. Rigorous design research is published primarily in
discipline-oriented journals, most often inaccessible to wider audiences
interested in design but without the requisite disciplinary depth. Design
Science aims to facilitate communication across diverse fields and serve as
a bridge across several communities, publishing original research but with
a strong emphasis on accessibility by scholars from a diversity of
disciplines. Design Science further aims to motivate scholars from these
diverse fields to recognize the importance of their expertise to the design
of artifacts and systems and thus pursue work with direct applicability to
design.
Read more of this post
<http://designcalls.wordpress.com/2014/11/24/introducing-a-new-international-journal-design-science/#more-2281>
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WITH DESIGN SCIENCE <http://designcalls.wordpress.com/tag/design-science/>,
RESEARCH <http://designcalls.wordpress.com/tag/research/>
COLOR/FORMS: The 24th Annual Parsons/Cooper Hewitt Graduate Student
Symposium on the History of Design (April 2015, New York)
<http://designcalls.wordpress.com/2014/11/24/colorforms-the-24th-annual-parsonscooper-hewitt-graduate-student-symposium-on-the-history-of-design-april-2015-new-york/>
NOVEMBER 24, 2014
Dates: 23-24 April 2015
Location: Cooper Hewitt, Smithsonian Design Museum, New York, USA
Contact: Ethan Robey, [log in to unmask]
Deadline for proposals: 26 January 2015
Coloration is intrinsic to the social meanings of objects. Colors shape our
interaction with things and other people in fundamental ways; they can
appeal to our most visceral senses of pleasure or desire. Colors affect
behaviors, and we use colors metaphorically to describe attitudes, feelings
and moods. In the world of consumer goods, the need to produce certain
colors has driven innovations in mechanical processes, and markets can rise
and fall based on color trends.
This symposium is seeking papers on the forms color takes and the roles
color plays in the meanings of design and the decorative arts since the
Renaissance. We are especially interested in research that touches on
moments of change: for example, on transitions from monochrome to
full-color production, or when particular colors became available,
fashionable or unfashionable.
Read more of this post
<http://designcalls.wordpress.com/2014/11/24/colorforms-the-24th-annual-parsonscooper-hewitt-graduate-student-symposium-on-the-history-of-design-april-2015-new-york/#more-2279>
FILED UNDER CONFERENCE
<http://designcalls.wordpress.com/category/conference/> TAGGED WITH ARTS
<http://designcalls.wordpress.com/tag/arts/>, HISTORY
<http://designcalls.wordpress.com/tag/history/>
Teaching the History of Modern Design: The Canon and Beyond (July 2015,
Philadelphia USA)
<http://designcalls.wordpress.com/2014/11/22/teaching-the-history-of-modern-design-the-canon-and-beyond-july-2015-philadelphia-usa/>
NOVEMBER 22, 2014
Dates: 6-31 July 2015
Location: Drexel University, Philadelphia USA
Website:
http://drexel.edu/westphal/undergraduate/ARTH/historyofmoderndesign/
Deadline for application: 2 March 2015
This exciting four–week NEH summer teaching institute will prepare
twenty-five college faculty from diverse disciplinary backgrounds to meet
the increasing demand for as well as interest in courses on modern design
history. In-depth seminars will focus upon three interdependent thematic
units:
- taste and popular culture
- political and global interpretations of design after world war II
- women as consumers and producers of design
The director’s and visiting scholars’ complementary approaches to “The
Canon and Beyond” will build upon and reinforce participants’ familiarity
with standard material, while simultaneously introducing new material and
critical perspectives. Field trips to regional museums and collections such
as the Philadelphia Museum of Art and the Hagley Museum in Delaware will
provide participants direct experience with objects, and suggest ways to
use local collections in their own teaching. Group presentations by our
participants will take place during the final week of the Institute.
*Content is in development, for more information please
contact [log in to unmask] <[log in to unmask]>.*
FILED UNDER WORKSHOP
<http://designcalls.wordpress.com/category/workshop/> TAGGED
WITH ARTS <http://designcalls.wordpress.com/tag/arts/>, HISTORY
<http://designcalls.wordpress.com/tag/history/>
ACM Creativity & Cognition (June 2015, Glasgow Scotland)
<http://designcalls.wordpress.com/2014/11/22/acm-creativity-cognition-june-2015-glasgow-scotland/>
NOVEMBER 22, 2014
Dates: 22-25 June 2015
Location: Glasgow, Scotland
Website: http://www.creativityandcognition.com/cc15
Deadline for submission of papers: 6 January 2015
Deadline for submission of posters, etc: 6 March 2015
ACM Creativity and Cognition 2015 invites papers, posters, demonstrations
workshops and Artworks investigating how interactive computing systems and
sociotechnical processes affect creativity. We cherish creativity as a
wonderful aspect of human experience, transformative and potentially
transcendental. Creativity is the partner of inspiration, of moments when
we seem to go beyond ourselves to reach new heights. Creativity is the font
of innovation. Creativity and Cognition papers address the impact of
computing on individual creative experiences, as well as social and
collaborative contexts. In all cases, we seek for the presentation of work
to include forms of validation featuring data about people, in order to
show how computing environments impact human creativity. The data can take
many forms, including qualitative, quantitative, and sensory. Creativity
and Cognition 2015 will present papers addressing: (1) creativity
support environments, (2) studies of technology, people, and creativity,
and (3) creative works that utilize computing to engage, stimulate, and
provoke human experience. We see research on the impact of computing on
creativity not as a fledgling field, in which methodologies are unknown and
uncertain, but rather as having reached a relatively mature state, in which
various diverse methodologies have been developed and applied.
Methodologies and theories, while perpetually under development, are
already quite viable.
Read more of this post
<http://designcalls.wordpress.com/2014/11/22/acm-creativity-cognition-june-2015-glasgow-scotland/#more-2275>
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<http://designcalls.wordpress.com/tag/arts/>, COMPUTING
<http://designcalls.wordpress.com/tag/computing/>, CREATIVITY
<http://designcalls.wordpress.com/tag/creativity/>, DATA
<http://designcalls.wordpress.com/tag/data/>
COLOR/FORMS, Parsons & Cooper Hewitt Grad Symposium (April 2015; New
York, NY)
<http://designcalls.wordpress.com/2014/11/21/colorforms-parsons-cooper-hewitt-grad-symposium-april-2015-new-york-ny/>
NOVEMBER 21, 2014
CALL FOR PAPERS:
*Color/Forms*
The Twenty-Fourth Annual Parsons/Cooper Hewitt Graduate Student Symposium
on the History of Design
Cooper Hewitt, Smithsonian Design Museum, New York.
April 23 and 24, 2015.
Deadline for proposals: January 26, 2015
This symposium is seeking papers on the forms color takes and the roles
color plays in the meanings of design and the decorative arts since the
Renaissance. We are especially interested in research that touches on
moments of change: for example, on transitions from monochrome to
full-color production, or when particular colors became available,
fashionable or unfashionable.
Coloration is intrinsic to the social meanings of objects. Colors shape our
interaction with things and other people in fundamental ways; they can
appeal to our most visceral senses of pleasure or desire. Colors affect
behaviors, and we use colors metaphorically to describe attitudes, feelings
and moods. In the world of consumer goods, the need to produce certain
colors has driven innovations in mechanical processes, and markets can rise
and fall based on color trends.
Areas of investigation might involve:
- *Graphic design and broadcast media*–e.g. color printing in
lithographs, newspapers and magazines; day-glo color inks and psychedelic
design; Technicolor and other cinematic color systems; the advent of color
television; etc.
- *Fashion and costume studies*–e.g. color, or lack thereof, in
menswear; aniline dyes and other technologies of coloration; color
forecasting; etc.
- *Industrial design*–e.g. colored plastics; anodized aluminum; the
color of high technology (silver, black, white, beige) or domestic
appliances; color theory and consumer choice; color-customizable products;
colors in toys; etc.
- *Decorative arts*–e.g. hand-painted and printed colors ceramics;
tapestry, color-changing fabrics and other textiles; polychromy in
sculpture; etc.
- *Architecture and interior design*–e.g. colored exterior lighting;
psychologies of colored interiors; wallpapers; “white cities” and
exhibition architecture; etc.
- …or any number of related fields of production and consumption.
Proposals are welcome from graduate students at any level in fields such as
History of the Decorative Arts, History of Design, Curatorial Studies,
Design Studies, Art History, History of Architecture, Design and
Technology, Media Studies, Consumer Studies, Cultural Anthropology,
Sociology, and other fields.
The symposium’s Catherine Hoover Voorsanger Keynote speaker will be Jeffrey
L. Meikle, Stiles Professor in American Studies and Professor of Art
History at the University of Texas at Austin, speaking on “Postcard
Modernism: Landscapes, Cityscapes, and American Visual Culture, 1931-1950.”
Dr. Meikle is one of the leading voices in design history and cultural
history. His renown scholarship extends to industrial design and
technology, popular print media, and alternative cultures from 1950 to the
present. His books include *Twentieth Century Limited: Industrial Design in
America, 1925-1939* (1982); *American Plastic: A Cultural History* (1995);
and *Design in the USA* (2005).
The Keynote will be on Thursday evening, April 23, 2015 and the symposium
sessions will be in the morning and afternoon on Friday, April 24.
To submit a proposal, send a two-page abstract, one-page bibliography and a
c.v. to:
Ethan Robey
Associate Director, MA Program in the History of Design and Curatorial
Studies
[log in to unmask]
*Deadline for proposals: January 26, 2015*
The symposium is sponsored by the MA Program in the History of Design and
Curatorial Studies offered jointly by Cooper Hewitt, Smithsonian Design
Museum and Parsons The New School for Design
FILED UNDER CONFERENCE
<http://designcalls.wordpress.com/category/conference/> TAGGED WITH
ARCHITECTURE <http://designcalls.wordpress.com/tag/architecture/>, ART
HISTORY <http://designcalls.wordpress.com/tag/art-history/>, COLOR
<http://designcalls.wordpress.com/tag/color/>, COLOUR
<http://designcalls.wordpress.com/tag/colour/>, CONFERENCE
<http://designcalls.wordpress.com/tag/conference-2/>,COOPER-HEWITT
<http://designcalls.wordpress.com/tag/cooper-hewitt/>, CURATORIAL STUDIES
<http://designcalls.wordpress.com/tag/curatorial-studies/>, DECORATIVE ARTS
<http://designcalls.wordpress.com/tag/decorative-arts/>, DESIGN
<http://designcalls.wordpress.com/tag/design/>, DESIGN HISTORY
<http://designcalls.wordpress.com/tag/design-history/>, FASHION
<http://designcalls.wordpress.com/tag/fashion/>, GRAPHIC DESIGN
<http://designcalls.wordpress.com/tag/graphic-design/>, HISTORY OF DESIGN
<http://designcalls.wordpress.com/tag/history-of-design/>, INTERIOR DESIGN
<http://designcalls.wordpress.com/tag/interior-design/>, MATERIAL CULTURE
<http://designcalls.wordpress.com/tag/material-culture/>, PARSONS THE NEW
SCHOOL FOR DESIGN
<http://designcalls.wordpress.com/tag/parsons-the-new-school-for-design/>,PRODUCT
DESIGN <http://designcalls.wordpress.com/tag/product-design/>
PLATE Workshop: Cultures of Mending (June 2015, Nottingham UK)
<http://designcalls.wordpress.com/2014/11/05/plate-workshop-cultures-of-mending-june-2015-nottingham-uk/>
NOVEMBER 5, 2014
Dates: 17-19 June 2015
Location: Nottingham UK
Contact: [log in to unmask]
Deadline for position statements: 17 December 2014
The focus of this collaborative workshop is the production of mending
cultures by individual and collective human and non-human agencies; in
other words, shared practices oriented around prolonging the usable lives
of material things, recognising the durability of both the object and the
value(s) and meaning(s) associated with it. In conjunction with
practitioners, activists, and thinkers from diverse disciplinary background
we seek to explore the practices and knowledges at the heart of mending
culture(s); the meanings created and drawn upon; how such a culture is – or
could be – produced; and the most significant barriers to its long-term
sustainability.
Read more of this post
<http://designcalls.wordpress.com/2014/11/05/plate-workshop-cultures-of-mending-june-2015-nottingham-uk/#more-2265>
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<http://designcalls.wordpress.com/tag/product-design/>, REPAIR
<http://designcalls.wordpress.com/tag/repair/>, UPCYCLING
<http://designcalls.wordpress.com/tag/upcycling/>
Inflection Vol 2: Projection (Dec 2014)
<http://designcalls.wordpress.com/2014/11/05/inflection-vol-2-projection-dec-2014/>
NOVEMBER 5, 2014
Website: http://inflectionjournal.com/cfp2015.html
Deadline for submission of abstracts: 1 December 2014
Inflection, the Melbourne School of Design’s student-run journal of
architecture and the built environment, invites submissions to its second
annual edition, Projection.
If an inflection point is a moment of transition, a projection is something
more dynamic. Rather than a fixed point, a projection is intrinsically
vectorial – it suggests bold movement and action, but always indexed to a
point of origin. In architecture and the built environment, ‘projection’
has a multitude of meanings that extend through the realms of spatiality,
theory and technology. In interrogating projection we might begin by
identifying three distinct modes, each associated with a different
direction: upward, outward and forward.
Read more of this post
<http://designcalls.wordpress.com/2014/11/05/inflection-vol-2-projection-dec-2014/#more-2262>
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ENVIRONMENT <http://designcalls.wordpress.com/tag/built-environment/>
Making Autonomy: Design, Material and Visual culture in Latin America
(April 2015, Aberdeen Scotland)
<http://designcalls.wordpress.com/2014/11/03/making-autonomy-design-material-and-visual-culture-in-latin-america-april-2015-aberdeen-scotland/>
NOVEMBER 3, 2014
Dates: 17-18 April 2015
Location: University of Aberdeen, Scotland
Website: http://www.abdn.ac.uk/events/slas-2015
Deadline for submission of abstracts: 28 November 2014
Organised by Dr. Livia Rezende (V&A/RCA History of Design Programme, Royal
College of Art, London, UK) & Dr. Patricia Lara-Betancourt (Research
Fellow, Modern Interiors Research Centre, Kingston University, UK)
Panel to be held at the 51st Society for Latin American Studies Conference.
Read more of this post
<http://designcalls.wordpress.com/2014/11/03/making-autonomy-design-material-and-visual-culture-in-latin-america-april-2015-aberdeen-scotland/#more-2260>
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<http://designcalls.wordpress.com/tag/latin-america/>, MATERIAL CULTURE
<http://designcalls.wordpress.com/tag/material-culture/>, VISUALIZATION
<http://designcalls.wordpress.com/tag/visualization/>
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