Online registration for the study day 'Rethinking Music Analysis and Performance', to be held at the Institute of Musical Research on Wednesday, 19 November 2014, is now open at:

http://music.sas.ac.uk/events/conferences


Re-thinking Music Analysis and Performance

19 November 2014, Institute of Musical Research, London
Study day

Jointly organized by the Institute of Musical Research
Faculty of Music, University of Oxford, and
AHRC Research Centre for Musical Performance as Creative Practice

Programme:

9.30 Coffee/registration

9.55 Welcome

Session 1
Chair: John Rink

10.00 Questions and dilemmas in performances of the Confiteor from Bach’s B-minor Mass
Uri Golomb (Tel Aviv University)

10.30 C. P. E. Bach’s Sonata in A minor for Flute Solo
Wesley Bradford (Louisiana State University, USA)

11.00 Coffee break (20 mins)

Session 2
Chair: Mine Doğantan-Dack

11.20 Recorded asynchronies, structural dialogues: Brahms’ F major cello sonata in the hands of Casals and Horszowski
Ana Llorens (University of Cambridge, UK)

11.50 Ervin Nyiregyhazi and Romantic piano performance traditions: Challenging objectivity in contemporary performance
Jeff Manchur (Bowling Green State University, USA)

12.20 Lunch (on site)

Session 3
Chair: John Rink

1.30 Musical evasions and their shaping in performance: A case study of the opening movement of Schumann’s G minor Trio
Cecilia Oinas (Sibelius Academy, Finland)

2.00 Performative intertexts and virtuosity in Betsy Jolas’ Ô Bach!
Heidi Korhonen-Björkman (Sibelius Academy, Finland)

2.30  Coffee break

Session 4
Chair: Amanda Bayley

2.50 Paths to creative performance through co-composer collaboration
James Benjamin Williams (University of Wolverhampton) 

3.20 Singing, speaking, composing: Expanding the flute’s field of activity
Marina Pereria Cyrino (University of Gothenburg, Sweden) 

3.50 Round-table
Chair: Mine Doğantan-Dack

4.20 Study day ends