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MUSICOLOGY-ALL  March 2014

MUSICOLOGY-ALL March 2014

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Subject:

The Decca Record Company: PhD studentship

From:

"J. P. E. Harper-Scott" <[log in to unmask]>

Reply-To:

J. P. E. Harper-Scott

Date:

Tue, 18 Mar 2014 14:58:03 -0000

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (113 lines)

****Forwarded message from Bell, Nicolas <[log in to unmask]>****

Arts and Humanities Research Council (AHRC) Collaborative Doctoral 
Studentship on ‘The Decca Record Company of the 1960s and 1970s: the legacy 
of Christopher Raeburn’
 
The Music Department at the University of Sheffield and the British Library 
are pleased to announce a three-year PhD Studentship under the AHRC 
Collaborative Doctoral Partnership (CDP) Scheme, to commence 1 October 
2014. The successful applicant will receive full funding (tuition fees; 
maintenance payment of £15,863 for 2014/15, increasing annually), plus 
associated expenses (£550 yearly maintenance payment from AHRC; up to 
£1,000 per annum from the British Library to cover travel and related 
costs).
 
The subject of this studentship will be the Christopher Raeburn papers, 
recently acquired by the British Library. Christopher Raeburn pursued a 
lengthy career as a record producer, initially with the Decca Record 
Company, working globally as a member of the Decca production team with 
conductors and orchestras of the highest calibre, and then as a freelance 
producer, in which capacity he masterminded the careers of several of the 
finest of today’s musicians. The archive of his papers held by the British 
Library covers the whole of his career and is extremely detailed, enabling 
a large range of subjects to be considered for primary research by 
candidates.
 
Applicants for this studentship are welcome to shape the precise proposal 
according to their own interests, skills and initiative. Points of enquiry 
may include amongst much else: the professional career of Christopher 
Raeburn the role of the classical music producer at Decca, taking into 
account the classical music production team of which he was a member from 
the late 1950s onwards, under firstly John Culshaw and then Ray Minshull a 
history of Decca in the post-War period and its significance in the 
development of the international classical music recording industry. This 
Partnership offers a collaborative supervisory team that brings together 
Sheffield University’s Dr Dominic McHugh and Dr David Patmore, both of the 
University’s Department of Music, and, from the British Library, Dr Nicolas 
Bell, the Curator of Music Collections and Jonathan Summers, the Curator of 
the Classical Music Sound Archive. This will be the third collaborative 
partnership in the field of the history of the recording industry between 
the British Library and the University of Sheffield.
 
The successful candidate will profit from the academic and practical 
resources of both partner institutions, becoming a full participant in the 
vibrant research community at the University of Sheffield while also having 
the opportunity to gain first hand professional experience of curatorial 
work at the British Library in London, including cataloguing, digitization, 
conservation and exhibitions work. The student will be allocated office 
space in the British Library and will be able to access the British 
Library’s Sound Archive, as well as its extensive collection of printed 
materials including books, journals and magazines relevant to the subject. 
In addition they will be able to participate in the Library's rich 
programme of public events, study days and student seminars and to 
disseminate research findings to academic and non-academic audiences. The 
student will be expected to contribute to the re-cataloguing of the Raeburn 
papers, on the basis of 60 days per year for three years, work which in the 
past has proved to be invaluable in gaining deep and relevant archival 
knowledge. In the longer term, the blend of academic research and 
curatorial work should considerably enhance employment-related skills while 
simultaneously informing the project with great potential for knowledge 
exchange and public impact.
 
The deadline for receipt of applications (including two references) is 31 
March 2014. For further information, and details of how to apply, see: 
https://www.sheffield.ac.uk/music/prospective_pg/ahrcstudentship
 
________________________________________
Nicolas Bell
Curator, Music Collections
The British Library
96 Euston Road
London NW1 2DB
 
Tel (0)20 7412 7510
Email [log in to unmask]
BL Music Blog britishlibrary.typepad.co.uk/music
 

 
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www.bl.uk/aboutus/annrep/index.html
Help the British Library conserve the world's knowledge. Adopt a Book. 
www.bl.uk/adoptabook
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The information contained in this e-mail is confidential and may be legally 
privileged. It is intended for the addressee(s) only. If you are not the 
intended recipient, please delete this e-mail and notify the 
[log in to unmask] : The contents of this e-mail must not be disclosed or 
copied without the sender's consent. 
The statements and opinions expressed in this message are those of the 
author and do not necessarily reflect those of the British Library. The 
British Library does not take any responsibility for the views of the 
author.
*****************************************************************************************************************
Think before you print


****End of forwarded message**** 
-- 
Now Available: *The Quilting Points of Musical Modernism*, by J. P. E. 
Harper-Scott 
For more information see www.cambridge.org/9780521765213

Dr J. P. E. Harper-Scott | Reader in Musicology and Theory (= Associate 
Professor)
Department of Music, Royal Holloway, University of London
Website: http://www.jpehs.co.uk/
Blog: http://www.jpehs.co.uk/blog
Golden Pages: http://goldenpages.jpehs.co.uk/

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