I am pleased to announce the publication of Gamut 6/1 (2013).
Gamut is the peer-reviewed journal of the Music Theory Society of the
Mid-Atlantic. It is available online, free of charge, in partnership
with Newfound Press, a digital imprint of the University of Tennessee
Libraries. The new issue may be accessed at
http://trace.tennessee.edu/gamut/
This issue has seven articles, divided between four "regular" ones, and
three more under the banner of the serialized Festschrift for Allen Forte.
The content is as follows:
Articles
Harmonic Text-Painting in Franz Liszt's Lieder
Richard Bass, Heather de Savage, and Patricia Grimm
Classical Models, Sonata Theory, Equal Division of the Octave and Two
Nineteenth-Century Symphonic Movements: Comparing Analytical Approaches
Howard Cinnamon
Modal Tonicization in Rock: The Special Case of the Lydian Scale
Brett Clement
John Harbison's Use of Music of the Past in Three Selected Compositions
Peter Silberman
A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part IV)
A serialized Festschrift, edited by David Carson Berry
Set on noteS: Palindromes and Other Symmetry in the Music of Viktor Ullmann
Rachel Bergman
Russian Pitch-Class Set Analysis and the Music of Webern
Philip A. Ewell
Connecting Analysis and Performance: A Case Study for Developing an
Effective Approach
Annie Yih
Sincerely,
David Carson Berry, editor
Associate Professor of Music Theory
University of Cincinnati, College-Conservatory of Music
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