David
I would like to review either Martha Nochimson's book on David Lynch, or David Neofetou's Good Day Today. My doctoral research is on David Lynch and I am a contributor to Intellect Books Directory of World Cinema series.
Kind regards
Lucy Fraser
On 20 Jul 2013, at 21:22, FILM-PHILOSOPHY automatic digest system <[log in to unmask]> wrote:
> There are 8 messages totaling 1115 lines in this issue.
>
> Topics in this special issue:
>
> 1. Books Available for Review (5)
> 2. Out Now from Verso AISTHESIS by JACQUES RANCIÈRE
> 3. SCMS 2014 panel call for papers
> 4. CFP, 2004 SCMS, Seattle, March 19-23
>
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> To manage your subscription or unsubscribe from the Film-Philosophy list, please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
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> --
>
> ----------------------------------------------------------------------
>
> Date: Fri, 19 Jul 2013 14:37:40 +0100
> From: David Sorfa <[log in to unmask]>
> Subject: Books Available for Review
>
> Film-Philosophy has a large number of books in hand which are now available for review. The full list is available here
>
> http://www.film-philosophy.com/index.php/f-p/booksForReview
>
> If you are interested in reviewing one of the books (around 1000 words) please request to do so through the F-P website.
>
> Best wishes
>
> David
>
> --
> Dr. David Sorfa
> Managing Editor
> Film-Philosophy
>
> Email: [log in to unmask]
> Web: http://www.film-philosophy.com
>
>
> --
> To manage your subscription or unsubscribe from the Film-Philosophy list, please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
> --
> Film-Philosophy Journal: http://www.film-philosophy.com/
> Film-Philosophy Conference 2013 (Amsterdam 10-12 July): http://www.film-philosophy.com/conference/
> --
>
> ------------------------------
>
> Date: Fri, 19 Jul 2013 07:56:26 -0700
> From: John Bleasdale <[log in to unmask]>
> Subject: Re: Books Available for Review
>
> Hi David
>
> I would be interested in the Martha Nochimson book on David Lynch, Lynch swerves or
> The Cinema of Takeshi Kitano: Flowering BloodBy Sean Redmond
>
>
> For some reason I can't log in.
>
>
> Best wishes
> John Bleasdale
>
>
>
> Please read 'a success shaped hole called failure':
>
>
>
>
> www.johnbleasdale.com
>
>
>
> ________________________________
> From: David Sorfa <[log in to unmask]>
> To: [log in to unmask]
> Sent: Friday, July 19, 2013 3:37 PM
> Subject: [FILM-PHILOSOPHY] Books Available for Review
>
>
>
> Film-Philosophy has a large number of books in hand which are now available for review. The full list is available here
>
> http://www.film-philosophy.com/index.php/f-p/booksForReview
>
> If you are interested in reviewing one of the books (around 1000 words) please request to do so through the F-P website.
>
> Best wishes
>
> David
>
> --
> Dr. David Sorfa
> Managing Editor
> Film-Philosophy
>
> Email: [log in to unmask]
> Web: http://www.film-philosophy.com
>
> --
> To manage your subscription or unsubscribe from the Film-Philosophy list, please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
> --
> Film-Philosophy Journal: http://www.film-philosophy.com/
> Film-Philosophy Conference 2013 (Amsterdam 10-12 July): http://www.film-philosophy.com/conference/
> --
>
> --
> To manage your subscription or unsubscribe from the Film-Philosophy list, please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
> --
> Film-Philosophy Journal: http://www.film-philosophy.com/
> Film-Philosophy Conference 2013 (Amsterdam 10-12 July): http://www.film-philosophy.com/conference/
>
> ------------------------------
>
> Date: Fri, 19 Jul 2013 14:49:56 +0000
> From: VersoMail Verso <[log in to unmask]>
> Subject: Out Now from Verso AISTHESIS by JACQUES RANCIÈRE
>
> AISTHESIS: SCENES FROM THE AESTHETIC REGIME OF ART
>
> By Jacques Rancière
>
> -----------------------------------
>
> Published June 2013
>
> -----------------------------------
>
> Rancière’s magnum opus on the aesthetic
>
> Composed in a series of scenes, Aisthesis–Rancière’s definitive statement on the aesthetic–takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarmé to the Folies-Bergère, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Rancière uses these sites and events—some famous, others forgotten—to ask what becomes art and what comes of it. He shows how a regime of artistic perception and interpretation was constituted and transformed by erasing the specificities of the different arts, as well as the borders that separated them from ordinary experience. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism.
>
> -----------------------------------
> “Jacques Rancière’s Aisthesis transforms the field of aesthetic philosophy.”
> – Libération
>
> “French philosopher Jacques Rancière is a refreshing read for anyone concerned with what art has to do with politics and society.”
> – Art Review
>
> “In the face of impossible attempts to proceed with progressive ideas within the terms of postmodernist discourse, Rancière shows a way out of the malaise.”
> – Liam Gillick
>
> “It’s clear that Jacques Rancière is relighting the flame that was extinguished for many—that is why he serves as such a signal reference today.”
> – Thomas Hirschhorn
>
> “Far from the grand narratives of modernism that claim the language of art progresses in the search for purity … modernity breaks down the hierarchy between spheres of culture, disturbing the boundaries between art and life … [Rancière] analyzes a series of moments from this other history that could only be written in proliferating fragments … this aesthetic ‘regime’ conditions the forms of art and democracy in an era of the permanent emergence of new sovereign subjects.”
> – Le Monde
>
> “Since The Division of the Sensible … Rancière has been reminding those who would separate the wheat from the chaff in contemporary creative practices that art only exists as an unstable boundary that must be continually crossed. In Aisthesis the philosopher develops his thinking, drawing fifteen scenes of a counter-history of artistic modernity.”
> – Le Magazine Littéraire
>
> -----------------------------------
> Hardback / ISBN: 9781781680896 / $29.95 / £20.00 / $31.50CAN / 304 pages
>
> For more information on AISTHESIS: SCENES FROM THE AESTHETIC REGIME OF ART or to buy the book visit: http://www.versobooks.com/books/1419-the-frontman
>
> -----------------------------------
>
> Visit Verso’s website for information on our upcoming events, new reviews and publications and special offers: http://www.versobooks.com
>
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>
> --
> To manage your subscription or unsubscribe from the Film-Philosophy list, please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
> --
> Film-Philosophy Journal: http://www.film-philosophy.com/
> Film-Philosophy Conference 2013 (Amsterdam 10-12 July): http://www.film-philosophy.com/conference/
> --
>
> ------------------------------
>
> Date: Fri, 19 Jul 2013 19:49:29 +0100
> From: Richard Armstrong <[log in to unmask]>
> Subject: Re: Books Available for Review
>
> I would be interested in reviewing Mick LaSalle's the Beauty of the Real,
> but for some reason the site does not recognize my password or my name. Is
> it possible to register interest here?
>
> Assuming the book is available for review, what is the deadline for
> submission?
>
> Thanks,
>
> Richard
>
> On Fri, July 19, 2013 14:37, David Sorfa wrote:
>> Film-Philosophy has a large number of books in hand which are now
>> available for review. The full list is available here
>>
>> http://www.film-philosophy.com/index.php/f-p/booksForReview
>>
>>
>> If you are interested in reviewing one of the books (around 1000 words)
>> please request to do so through the F-P website.
>>
>> Best wishes
>>
>>
>> David
>>
>>
>> --
>> Dr. David Sorfa
>> Managing Editor
>> Film-Philosophy
>>
>>
>> Email: [log in to unmask]
>> Web: http://www.film-philosophy.com
>>
>>
>>
>> --
>> To manage your subscription or unsubscribe from the Film-Philosophy list,
>> please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html --
>> Film-Philosophy Journal: http://www.film-philosophy.com/
>> Film-Philosophy Conference 2013 (Amsterdam 10-12 July):
>> http://www.film-philosophy.com/conference/
>> --
>
> --
> To manage your subscription or unsubscribe from the Film-Philosophy list, please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
> --
> Film-Philosophy Journal: http://www.film-philosophy.com/
> Film-Philosophy Conference 2013 (Amsterdam 10-12 July): http://www.film-philosophy.com/conference/
> --
>
> ------------------------------
>
> Date: Fri, 19 Jul 2013 15:04:45 -0400
> From: Hudson Moura <[log in to unmask]>
> Subject: Re: Books Available for Review
>
> Hello David,
> I teach Canadian Cinema and I would be interested in reviewing The Philosophy of David Cronenberg. However, I am already reading and loving the Neuro-Image, which is an amazing theoretical work by Patricia Pisters. Your choice.
>
> Thanks,
> Hudson Moura
> http://utoronto.academia.edu/hudsonmoura
>
> Sent from my mobile
>
> On 2013-07-19, at 14:49, Richard Armstrong <[log in to unmask]> wrote:
>
>> I would be interested in reviewing Mick LaSalle's the Beauty of the Real,
>> but for some reason the site does not recognize my password or my name. Is
>> it possible to register interest here?
>>
>> Assuming the book is available for review, what is the deadline for
>> submission?
>>
>> Thanks,
>>
>> Richard
>>
>> On Fri, July 19, 2013 14:37, David Sorfa wrote:
>>> Film-Philosophy has a large number of books in hand which are now
>>> available for review. The full list is available here
>>>
>>> http://www.film-philosophy.com/index.php/f-p/booksForReview
>>>
>>>
>>> If you are interested in reviewing one of the books (around 1000 words)
>>> please request to do so through the F-P website.
>>>
>>> Best wishes
>>>
>>>
>>> David
>>>
>>>
>>> --
>>> Dr. David Sorfa
>>> Managing Editor
>>> Film-Philosophy
>>>
>>>
>>> Email: [log in to unmask]
>>> Web: http://www.film-philosophy.com
>>>
>>>
>>>
>>> --
>>> To manage your subscription or unsubscribe from the Film-Philosophy list,
>>> please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html --
>>> Film-Philosophy Journal: http://www.film-philosophy.com/
>>> Film-Philosophy Conference 2013 (Amsterdam 10-12 July):
>>> http://www.film-philosophy.com/conference/
>>> --
>>
>> --
>> To manage your subscription or unsubscribe from the Film-Philosophy list, please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
>> --
>> Film-Philosophy Journal: http://www.film-philosophy.com/
>> Film-Philosophy Conference 2013 (Amsterdam 10-12 July): http://www.film-philosophy.com/conference/
>> --
>
> --
> To manage your subscription or unsubscribe from the Film-Philosophy list, please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
> --
> Film-Philosophy Journal: http://www.film-philosophy.com/
> Film-Philosophy Conference 2013 (Amsterdam 10-12 July): http://www.film-philosophy.com/conference/
> --
>
> ------------------------------
>
> Date: Fri, 19 Jul 2013 14:31:32 -0700
> From: John Bleasdale <[log in to unmask]>
> Subject: Re: Books Available for Review
>
> Nice to have the call for reviews, but the site doesn't recognise my password any more and I feel so alone.
>
> John Bleasdale
>
>
>
>
> Please read 'a success shaped hole called failure':
>
>
>
>
> www.johnbleasdale.com
>
>
>
> ________________________________
> From: Richard Armstrong <[log in to unmask]>
> To: [log in to unmask]
> Sent: Friday, July 19, 2013 8:49 PM
> Subject: Re: [FILM-PHILOSOPHY] Books Available for Review
>
>
> I would be interested in reviewing Mick LaSalle's the Beauty of the Real,
> but for some reason the site does not recognize my password or my name. Is
> it possible to register interest here?
>
> Assuming the book is available for review, what is the deadline for
> submission?
>
> Thanks,
>
> Richard
>
> On Fri, July 19, 2013 14:37, David Sorfa wrote:
>> Film-Philosophy has a large number of books in hand which are now
>> available for review. The full list is available here
>>
>> http://www.film-philosophy.com/index.php/f-p/booksForReview
>>
>>
>> If you are interested in reviewing one of the books (around 1000 words)
>> please request to do so through the F-P website.
>>
>> Best wishes
>>
>>
>> David
>>
>>
>> --
>> Dr. David Sorfa
>> Managing Editor
>> Film-Philosophy
>>
>>
>> Email: [log in to unmask]
>> Web: http://www.film-philosophy.com
>>
>>
>>
>> --
>> To manage your subscription or unsubscribe from the Film-Philosophy list,
>> please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html --
>> Film-Philosophy Journal: http://www.film-philosophy.com/
>> Film-Philosophy Conference 2013 (Amsterdam 10-12 July):
>> http://www.film-philosophy.com/conference/
>> --
>
> --
> To manage your subscription or unsubscribe from the Film-Philosophy list, please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
> --
> Film-Philosophy Journal: http://www.film-philosophy.com/
> Film-Philosophy Conference 2013 (Amsterdam 10-12 July): http://www.film-philosophy.com/conference/
> --
>
> --
> To manage your subscription or unsubscribe from the Film-Philosophy list, please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
> --
> Film-Philosophy Journal: http://www.film-philosophy.com/
> Film-Philosophy Conference 2013 (Amsterdam 10-12 July): http://www.film-philosophy.com/conference/
>
> ------------------------------
>
> Date: Sat, 20 Jul 2013 18:05:27 +0100
> From: Aidan Power <[log in to unmask]>
> Subject: SCMS 2014 panel call for papers
>
> SCMS 2014 panel call for papers:
>
> "Realism" and "Authenticity" in Contemporary Moving Image Production
>
> In his seminal ontology of film, Rudolf Arnheim argued that film can be an art because of the way its representations may defy mere recordings of reality or duplications of the world. And yet, a major strand of contemporary moving image production?from arthouse and genre filmmaking to television and documentary forms?strives ever more in the opposite direction, i.e., to capture and convey the ?real.? These productions?which enjoy widespread presence and popularity?are often marketed with and reported on via discourses that emphasise the ?authenticity? of their design and the ?faithfulness? of their representations to reality. This panel seeks to understand the contemporary forms and appeal of this phenomenon and to elicit approaches apt to their study.
>
> Please send abstracts of 250-400 words, up to five bibliographical references and a short bio to Aidan Power at [log in to unmask] by 12 August 2013.
>
> --
> To manage your subscription or unsubscribe from the Film-Philosophy list, please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
> --
> Film-Philosophy Journal: http://www.film-philosophy.com/
> Film-Philosophy Conference 2013 (Amsterdam 10-12 July): http://www.film-philosophy.com/conference/
> --
>
> ------------------------------
>
> Date: Sat, 20 Jul 2013 16:22:48 -0400
> From: Bennet Schaber <[log in to unmask]>
> Subject: CFP, 2004 SCMS, Seattle, March 19-23
>
> Society for Cinema and Screen Studies
>
> Annual Conference
>
> March 19-23, 2014
>
> Seattle, Washington USA
>
>
> A Post-Secular Cinema? Film, Faith, Politics.
>
>
>
> Are we living, as Habermas has phrased it, “in a Post-Secular Age?” To
> what specific conjuncture(s) is this phrase adequate or inadequate? How
> have various cinematic practices engaged, directly or symptomatically, the
> post-secular, with its seeming dis-ordering of fundamental categorial
> distinctions between faith and reason, religion and politics, heteronomy
> and autonomy, transcendence and immanence, solidarity and singularity, etc.
> In what ways can a post-secular cinema respond to what Alain Badiou has
> called “the crisis of the idea of another world, of the possibility of
> another organization of society?” Can we, must we, ought we learn to link
> together terms like religion and democracy that have been very much
> conditioned by their separation but which, perhaps, are not in principle at
> odds. Can these words survive their linkage with their meanings left
> intact? Can a post-secular cinema help us see this? hear this? feel this?
>
> Inviting papers examining the intersections of faith and politics, of
> religion and secularism, and the complexities of these notions as they are
> treated--historically, formally, conceptually and thematically--on
> film. Topics
> might include but are in no way restricted to:
>
> · Ontological Ruptures: miracles, resurrections, reincarnations,
> grace, prophecy, etc.
>
> · The Afterlife
>
> · God-Nature-Democracy (Transcendentalism, Spinozism, Rousseauism
> on/in film)
>
> · Lives of saints, prophets, deities, etc. Rearticulations of sacred
> texts, etc.
>
> · Gender, Sexuality, Piety
>
> · Economies of/and Belief
>
> · Anthropcentric, Theocentric and Cosmocentric cinemas
>
> · Re-appraisals of ‘transcendental style’ (Schrader) or ‘devotional
> cinema’ (Dorsky)
>
> · ‘Deconstructions’ and ‘Dis-enclosures’ of the religious and the
> secular
>
> · Apocalypse/Eschatology—End of the World/Another Earth
>
> · Images—Icons/Idolatry—Iconoclasm
>
> · Religion and nationalism; cinema and theocracy
>
> · Bergman, Bresson, Dreyer, Rosselini, Tarkovsky reloaded?
>
> · Affect: zeal, fervor, ardor, furor, love
>
> · Belief for Non-Believers
>
> · Limits—of reason, faith, subjectivity, nation-states—and their beyond
>
>
>
> Please direct inquiries or send an abstract of 250-350 words along with a
> brief bio by *August 1, 2013* to Bennet Schaber ([log in to unmask])
>
> --
> To manage your subscription or unsubscribe from the Film-Philosophy list, please visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
> --
> Film-Philosophy Journal: http://www.film-philosophy.com/
> Film-Philosophy Conference 2013 (Amsterdam 10-12 July): http://www.film-philosophy.com/conference/
> --
>
> ------------------------------
>
> End of FILM-PHILOSOPHY Digest - 18 Jul 2013 to 20 Jul 2013 - Special issue (#2013-73)
> *************************************************************************************
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