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MUSICOLOGY-ALL  May 2012

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Subject:

International Symposium - Music Iconography in the New World

From:

Javier Marín <[log in to unmask]>

Reply-To:

Javier Marín <[log in to unmask]>

Date:

Sun, 29 Apr 2012 18:38:07 +0100

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (166 lines)

Hello, 

Could you please post this CFP to the musicology all listserv?

Yours, 

Javier Marin
University of Jaen
 

Call for Papers
Symposium
Borrowed Sounds, Original Melodies: 
Music Iconography as Mirror of New-World Societies
To
be held in the framework of  
VII
International Conference of the European Council for Social Research on Latin
America, 12nd to 15th June 2013, Porto (Portugal) 

Chairs 
Dra.
Evguenia Roubina, Universidad Nacional Autónoma de México (México) 
e-mail: [log in to unmask]  
  
Dr. Javier
Marín López, Universidad de Jaén (España) 
e-mail: [log in to unmask]  
  
Since mid-twentieh century, when several academics
fields embarked on the exploration of the cultural universe of the Spanish and
Portuguese Americas, music iconography started to be used as a source of
information and support of ideas related to the processes, phenomenons
and objects that characterized the New-World musics since the ‘encounter’ with
the Iberians to the exploits of the Independences.  

Writen from dissimilar perspectives and heterogeneous
approaches, literature focused on the pictorial representations of music in the
two Americas have gone beyond the dichotomy among image and fact just a few
times, so music iconography has not been considered in all its value as
constituent element of social and cultural identity of the people who created
that sources. 

With the aim to change this unjust omission, this
Symposium will prove that music iconography, using analytical tools and sources
shared with other fields of the humanistic and artistic knowledge –to whom are
linked through several models of disciplinary integration– contributes to add
new ideas around the multiplicity of roles that sound has in the discursive
processes of configuration of identity and everyday life of the New-World
societies. 
Call
for proposals  
Proposals should be sent to the chairs by e-mail including: 
- Author’s name and
surname
- Institucional
affiliation
- E‐mail
- Postal address
- Proposed title and
abstract (length around 300 words)

After the chairs select the proposals, the Organizing
Committee of the VII International Conference CEISAL will contact the accepted
authors by e-mail. Selected papers will be published digitally in the book Memoria, presente y porvenir en América
Latina.

Calendar 
- Deadline for proposals: 10th June 2012 
- Communication of accepted proposals: 20th June 2012 
- Symposium:
12th-15th June 2013 
- Presentation of the final version of the paper: 20th September 2013
   
 

SIMPOSIO
Sonidos Prestados,
Melodías Propias:
la Iconografía Musicalcomo
espejo de las sociedades novomundistas
 En el marco del  
VIII
Congreso Internacional del Consejo Europeo de Investigaciones Sociales de
América Latina (CEISAL), 12 al 15 de junio de 2013, Oporto (Portugal) 
  
Coordinadores 
Dra.
Evguenia Roubina, Universidad Nacional Autónoma de México (México) 
e-mail: [log in to unmask]  
  
Dr. Javier
Marín López, Universidad de Jaén (España) 
e-mail: [log in to unmask]
 

Desde
mediados del siglo pasado, cuando diferentes disciplinas académicas se
aventuraron en la exploración del universo cultural de las Américas hispana y
lusitana, la iconografía de la música empezó a utilizarse como fuente de
información y sustento de ideas de muy diversa índole formuladas en relación
con los procesos, fenómenos y objetos que distinguían la música del Nuevo Mundo
desde su encuentro con los ibéricos y hasta las gestas de independencia.

Realizados
desde perspectivas disímiles y con enfoques heterogéneos, los trabajos que se
han centrado en el análisis de representaciones figuradas de la música de las
dos Américas en contadas ocasiones han podido rebasar la dicotomía de la imagen
y el hecho musical, por no otorgar a la iconografía musical el valor del
elemento constitutivo de la identidad social y cultural del pueblo creador de
estas fuentes.

Con
el propósito de enmendar tan inicua omisión, este simposio se abocará a demostrar
que la iconografía musical, sirviéndose de herramientas analíticas y fuentes de
estudio compartidas con otros campos del saber humanístico y artístico, a los
que se vincula a través de diferentes modelos de integración disciplinaria,
contribuye a generar conocimiento novedoso y fehaciente sobre la multiplicidad
de papeles que la música ha desempeñado en los procesos discursivos de
configuración de la identidad y el vivir cotidiano de las sociedades
novomundistas.
 
Presentación de propuestas 
Los
interesados en participar en el simposio deberán enviar a los dos
coordinadores, vía correo electrónico, la propuesta de su ponencia, que
incluirá la siguiente información: 
- Nombre y Apellidos 
- Afiliación institucional 
- E‐mail 
- Dirección 
- Título de la ponencia
propuesta y resumen en torno a 300 palabras 
  
Tras
la selección por los coordinadores científicos del simposio, el Comité
Organizador del VII Congreso Internacional CEISAL notificará por correo
electrónico a sus autores la aceptación de las ponencias. Los trabajos
aceptados serán parte de la Edición Digital Memoria,
presente y porvenir en América Latina.  
  
Calendario 
-
Límite para la admisión de los resúmenes: 10 de junio de 2012. 
-
Comunicación de resúmenes admitidos: 20 de junio de 2012. 
-
Celebración del Congreso: 12-15 de junio de 2013. 
-
Límite para entregar el texto íntegro de las ponencias: 20 septiembre de 2013. 


--


Dr. Javier Marín López
Área de Música
Universidad de Jaén
Paraje Las Lagunillas, s/n
Edificio D2-138 
23071 JAÉN ES
Telf.: +34 953 213 374
Fax: +34 953 211 880
[log in to unmask]
http://www4.ujaen.es/~marin/

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