Dear Grace:
I found this subject very interesting buy I won't be able to come to
London.
Are you planing to print the papers?
If so, please let me know.
Best wishes,
Isabel Campi
www.historiadeldisseny.org
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Fecha: 14/09/2011 11:55
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Asunto: FW: When Art History Meets Design History - CONFERENCE Sat 22
October 2011
Please find below details of the forthcoming conference:
At Cross Purposes? When Art History Meets Design History
Saturday 22 October 2011
10.00 - 18.10, Kenneth Clark Lecture Theatre, (with registration from
9.30)
The Courtauld Institute of Art, Somerset House, Strand, London WC2R
0RN
Art history and design history would seem to have ample common
ground. 'Social art history' and other new forms of the discipline have
been with us since the 1980s, and many art historians have long
embraced everyday, non-canonical material (such as illustration art).
The catholic nature of design history, conversely, leaves the door wide
open for the study of fine art. The discipline's fascination with
questions of representation and mediation, too, finds obvious parallels
in art historical methodology.
Yet in practice, cross-pollinations between the study of fine art and
the decorative arts rarely occur, at least in the early modern period.
Medieval and Renaissance art historians do often deal with the full
range of media, and the overlap between contemporary art and design is
widely recognised. But in the early modern period and, to a lesser
extent, the later nineteenth century, there is still a marked
separation. Art historians continue to concentrate on the 'fine' arts
of painting, sculpture and architecture and on fine or popular
printmaking of a narrative character. Specialists in material culture,
meanwhile, sometimes describe their remit as 'anything that's not fine
art.' There is sometimes an ideological assumption at work in this
exclusion - as if in eschewing painting and sculpture, design
historians occupied a democratic moral high ground.
At Cross Purposes? When Art History Meets Design History aims to fill
the space between the two fields. We hope to foster a cross-
disciplinary discussion between leading art and design historians
working on the period up to the 1880s. Each speaker is invited to focus
on a case study from their own research in which the decorative and the
fine are inextricably mingled; and further, to reflect on their own
methodological relation to these two categories. How can combining the
insights of art and design history enrich the work of both disciplines?
What connections exist already, what remain to be pursued and,
conversely, are there in fact areas in which the separation into 'art'
and 'design' history remains meaningful or necessary?
To book a place: £15 (£10 Courtauld staff/students and concessions)
Please send a cheque made payable to 'The Courtauld Institute of Art'
to: Research Forum Events Co-ordinator, Research Forum, The Courtauld
Institute of Art , Somerset House, Strand, London WC2R 0RN, clearly
stating that you wish to book for the 'When Art History Meets Design
History' conference. For credit card bookings call 020 7848 2785 (9.30
- 18.00, weekdays only). For further information, send an email to
[log in to unmask]
Organised by Dr Anne Puetz (The Courtauld Institute of Art) and Dr
Glenn Adamson (V&A/Royal College of Art)
PROGRAMME
09.30 - 10.00
Registration
10.00 - 10.20
Welcome and Introduction: Anne Puetz (The Courtauld Institute of
Art)
10.20 - 11.00
Marta Ajmar (V&A/Royal College of Art): 'All Arts Are Mechanical':
Investigating Shared Tools, Borrowed Words and the Common Ground of
Craftsmanship in Renaissance Italy
11.00 - 11.30
COFFEE/TEA BREAK (Tea/coffee provided in Seminar room 1)
11.30 - 12.10
Richard Checketts (V&A/Royal College of Art): Natural History: Work,
Stone, and Politics in the Cappella Altieri in Santa Maria Sopra
Minerva in Rome
12.10 - 12.50
Deanna Petherbridge (artist, independent writer and curator): Graphic
Intersections: Erga and Parerga
12.50 - 13.10
Discussion
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be 13.10 - 14.20
BREAK FOR LUNCH (lunch not provided)
14.20 - 15.00
Celina Fox, Arts (independent scholar): Manufactures and Commerce:
Promoting Polite and Mechanical Arts in the Early Years of the Society
of Arts
15.00 - 15.40
Matthew Craske (Oxford Brookes): The Politics of Modelling in Late-
Eighteenth-Century London
15.40 - 16.10
COFFEE/TEA BREAK (Tea/coffee provided in Seminar room 1)
16.10 - 16.50
Katie Scott (The Courtauld Institute of Art): Rococo History of the
Social World: Nicolas Pineau via Bastide
16.50 - 17.30
Caroline Arscott (The Courtauld Institute of Art): William Morris
Carpets: Action in Design
17.30 - 18.10
Discussion. Respondent: Glenn Adamson (V&A/Royal College of Art)
18.10
RECEPTION
---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
The Courtauld Institute of Art, Somerset House, Strand, London WC2R
0RN
tel +44 207 848 2785/2909 web http://www.courtauld.ac.
uk/researchforum/index.shtml
---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Dr Grace Lees-Maffei, MA RCA PhD FHEA
Reader in Design History
School of Creative Arts, University of Hertfordshire, Hatfield AL10
9AB, UK.
Direct Line: 0 44 (0)1707 285369 * Fax: 0 44 (0)1707 285350 * g.lees-
[log in to unmask]
www.go.herts.ac.uk/gracelees-maffei
http://herts.academia.edu/GraceLeesMaffei
Coordinator, TVAD Research Group http://tvad-uh.blogspot.com/
Managing Editor, Journal of Design History
Editor, Writing Design: Words and Objects
Co-Editor, The Design History Reader
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