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Dear Grace: I found this subject very interesting buy I won't be able to come to London. Are you planing to print the papers? If so, please let me know. Best wishes, Isabel Campi www.historiadeldisseny.org ----Mensaje original---- De: [log in to unmask] Fecha: 14/09/2011 11:55 Para: <[log in to unmask]> Asunto: FW: When Art History Meets Design History - CONFERENCE Sat 22 October 2011 Please find below details of the forthcoming conference: At Cross Purposes? When Art History Meets Design History Saturday 22 October 2011 10.00 - 18.10, Kenneth Clark Lecture Theatre, (with registration from 9.30) The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN Art history and design history would seem to have ample common ground. 'Social art history' and other new forms of the discipline have been with us since the 1980s, and many art historians have long embraced everyday, non-canonical material (such as illustration art). The catholic nature of design history, conversely, leaves the door wide open for the study of fine art. The discipline's fascination with questions of representation and mediation, too, finds obvious parallels in art historical methodology. Yet in practice, cross-pollinations between the study of fine art and the decorative arts rarely occur, at least in the early modern period. Medieval and Renaissance art historians do often deal with the full range of media, and the overlap between contemporary art and design is widely recognised. But in the early modern period and, to a lesser extent, the later nineteenth century, there is still a marked separation. Art historians continue to concentrate on the 'fine' arts of painting, sculpture and architecture and on fine or popular printmaking of a narrative character. Specialists in material culture, meanwhile, sometimes describe their remit as 'anything that's not fine art.' There is sometimes an ideological assumption at work in this exclusion - as if in eschewing painting and sculpture, design historians occupied a democratic moral high ground. At Cross Purposes? When Art History Meets Design History aims to fill the space between the two fields. We hope to foster a cross- disciplinary discussion between leading art and design historians working on the period up to the 1880s. Each speaker is invited to focus on a case study from their own research in which the decorative and the fine are inextricably mingled; and further, to reflect on their own methodological relation to these two categories. How can combining the insights of art and design history enrich the work of both disciplines? What connections exist already, what remain to be pursued and, conversely, are there in fact areas in which the separation into 'art' and 'design' history remains meaningful or necessary? To book a place: £15 (£10 Courtauld staff/students and concessions) Please send a cheque made payable to 'The Courtauld Institute of Art' to: Research Forum Events Co-ordinator, Research Forum, The Courtauld Institute of Art , Somerset House, Strand, London WC2R 0RN, clearly stating that you wish to book for the 'When Art History Meets Design History' conference. For credit card bookings call 020 7848 2785 (9.30 - 18.00, weekdays only). For further information, send an email to [log in to unmask] Organised by Dr Anne Puetz (The Courtauld Institute of Art) and Dr Glenn Adamson (V&A/Royal College of Art) PROGRAMME 09.30 - 10.00 Registration 10.00 - 10.20 Welcome and Introduction: Anne Puetz (The Courtauld Institute of Art) 10.20 - 11.00 Marta Ajmar (V&A/Royal College of Art): 'All Arts Are Mechanical': Investigating Shared Tools, Borrowed Words and the Common Ground of Craftsmanship in Renaissance Italy 11.00 - 11.30 COFFEE/TEA BREAK (Tea/coffee provided in Seminar room 1) 11.30 - 12.10 Richard Checketts (V&A/Royal College of Art): Natural History: Work, Stone, and Politics in the Cappella Altieri in Santa Maria Sopra Minerva in Rome 12.10 - 12.50 Deanna Petherbridge (artist, independent writer and curator): Graphic Intersections: Erga and Parerga 12.50 - 13.10 Discussion MailScanner has detected a possible fraud attempt from "tel:13.10 _BAD__BAD__BAD_14.20" claiming to be MailScanner has detected a possible fraud attempt from "tel:13.10_BAD__BAD__BAD_14.20" claiming to be 13.10 - 14.20 BREAK FOR LUNCH (lunch not provided) 14.20 - 15.00 Celina Fox, Arts (independent scholar): Manufactures and Commerce: Promoting Polite and Mechanical Arts in the Early Years of the Society of Arts 15.00 - 15.40 Matthew Craske (Oxford Brookes): The Politics of Modelling in Late- Eighteenth-Century London 15.40 - 16.10 COFFEE/TEA BREAK (Tea/coffee provided in Seminar room 1) 16.10 - 16.50 Katie Scott (The Courtauld Institute of Art): Rococo History of the Social World: Nicolas Pineau via Bastide 16.50 - 17.30 Caroline Arscott (The Courtauld Institute of Art): William Morris Carpets: Action in Design 17.30 - 18.10 Discussion. Respondent: Glenn Adamson (V&A/Royal College of Art) 18.10 RECEPTION --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN tel +44 207 848 2785/2909 web http://www.courtauld.ac. uk/researchforum/index.shtml --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Dr Grace Lees-Maffei, MA RCA PhD FHEA Reader in Design History School of Creative Arts, University of Hertfordshire, Hatfield AL10 9AB, UK. Direct Line: 0 44 (0)1707 285369 * Fax: 0 44 (0)1707 285350 * g.lees- [log in to unmask] www.go.herts.ac.uk/gracelees-maffei http://herts.academia.edu/GraceLeesMaffei Coordinator, TVAD Research Group http://tvad-uh.blogspot.com/ Managing Editor, Journal of Design History Editor, Writing Design: Words and Objects Co-Editor, The Design History Reader