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> Topics of the week:
>
> 1. CFP: Mobility and Fantasy in Visual Culture deadline extended
>
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> Film-Philosophy
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> ----------------------------------------------------------------------
>
> Date: Fri, 1 Apr 2011 13:37:15 +0300
> From: Lewis Johnson <[log in to unmask]>
> Subject: CFP: Mobility and Fantasy in Visual Culture deadline extended
>
> CFP: Mobility and Fantasy in Visual Culture deadline extended
>
>
>
> International Symposium in Visual Culture
>
>
>
> Bahçes¸ehir University, Faculty of Communications, Department of Photography
> and Video
>
> 20, 21 May 2011
>
>
>
> Keynote speakers: Professors Stephen Bann, Victor Burgin and Lisa Parks
>
>
>
> New Deadline: 10.4.2011. Proposals for contributions concerning mobility
> and/or fantasy in particular in film and/or video solicited... .
>
>
>
> *Mobility and Fantasy in Visual Culture*, the first of a series of
> international symposia on visual culture to be held at Bahçes¸ehir
> University, Istanbul, aims to enable discussion and debate on topics
> critical in the conceptualization, analysis, evaluation of and intervention
> in visual culture today.
>
>
>
> Once apparently marginal, critical debate in visual culture over mobility,
> actual, virtual and imaginary, has become crucial to formulating positions
> both in relation to changes in communications technologies and in social and
> political relations. Digital visual technologies, it is claimed, have
> multiplied the sites of viewing, shifting audiences from positions of
> passive receptivity, associated with discourses of modern visual culture,
> into a series of modes of interaction. Yet, it is also argued that the
> encoding of kinaesthetic responsiveness in such forms of interaction
> represents a more thorough penetration of imaginative activities than ever
> before
>
>
>
> Contributions are thus sought from scholars working in visual studies, in
> the history and theory of art, photographic, film, video and/or media
> studies that engage with issues of actual, virtual and imaginary modes of
> mobility in relation to images, still, moving and interactive, across modern
> and/or postmodern frameworks. We are particularly interested in ways in
> which the thinking of mobility in visual culture implicates issues of
> boundaries, borders and limits and, given the situation of the University
> overlooking Asian from European Istanbul, we invite contributions that
> concern that critical form of actual and imaginary mobility, orientalism,
> along with neo-orientalist variants and modes of resistant
> counter-orientalist practice. Contributions that address dominant, but also
> repressed, residual and/or emergent senses of space are also encouraged.
>
>
>
> Further priorities may emerge from a range of topics that include the
> following:
>
>
>
> Histories and theorizations of mobile spectatorship, e.g. flaneurism, the *
> dérive*, lines of flight
>
> Mass and other forms of mobilization
>
> Figures of immobility in accounts of modern and/or postmodern mass culture,
> e.g. spectacle and passivity
>
> Monocularity, binocularity and complexifications of perspectival space
>
> Forms of surveillance and counter-surveillance
>
> Temporality and movement in film and video
>
> Territoriality, deterritorialization, reterritorialization and the image
>
> Intra-corporeal and endoscopic visualities
>
> Satellite and network visualities
>
> Simulation and mobility
>
> New media, mobility and fantasy
>
> Digital interactivity, kinaesthesia and the image
>
> Mobility and fantasy in gaming
>
> Mobile screen visualities, fantasy and sociability
>
> Histories and theorizations of mobile authorship
>
> Reading mobile corporeality across visual forms
>
> Transgression and mobility
>
> Theorising fantasy, identification and mobility
>
> Distanciation and mobility
>
> Posing, performativity and mobility
>
> Borders, boundaries, limits and mobility
>
>
>
> The symposium will seek to formulate useful positions in thinking the
> history and futures of visual culture, modes of critical engagement with the
> increasing variety of visual technologies, in particular mobile ones, and
> the problematics of actual and imaginary mobility in relation to rhetorics
> and actualities of globalization.
>
>
>
> The symposium will involve 5 or 6 consecutive sessions of three 25 minute
> papers, and 5 concurrent sessions of five 15 minute papers. Currently it is
> envisaged that there will be sessions, of both longer and shorter
> presentations, on: still images; moving images; interactive images; fantasy
> and mobility; and borders, boundaries and limits.
>
>
>
> Please send proposals of up to 350 words indicating which session your
> presentation would be best suited and whether the presentation would be for
> 25 or for 15 minutes (or whether it could be either) to
> [log in to unmask]
>
>
>
> Travel and accommodation assistance is available for contributors of Turkish
> nationality under 35 years of age, up to a maximum of 250 TL [100TL travel
> and 150TL accommodation and subsistence] so please also indicate if you wish
> to be considered for financial support.
>
>
>
> Contact: Lewis Johnson or Tolga Hepdinçler
>
> Bahçes¸ehir University
>
> Faculty of Communication
>
> Department of Photography and Video
>
> Cragan Caddesi, Bes¸iktas¸
>
> 34353 Istanbul
>
> Turkey
>
> 0090 (0) 212 381 0446 or 0765
>
>
>
> Symposium website: mfvc.bahcesehir.edu.tr <[log in to unmask]>
>
>
>
> P.S. Apologies for misleading re. amount and availability of state agency
> funds for non-Turkish nationals. The state agency grant is only for
> nationals.
>
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> Film-Philosophy
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> Film-Philosophy journal: http://www.film-philosophy.com/
> Film-Philosophy Conference (6-8 July 2011):
> http://www.film-philosophy.com/conference/
> Contact: [log in to unmask]
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>
> ------------------------------
>
> End of FILM-PHILOSOPHY Digest - 31 Mar 2011 to 3 Apr 2011 (#2011-48)
> ********************************************************************
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