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FILM-PHILOSOPHY  April 2011

FILM-PHILOSOPHY April 2011

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Subject:

Re: FILM-PHILOSOPHY Digest - 31 Mar 2011 to 3 Apr 2011 (#2011-48)

From:

"Moisy Shopper, MD" <[log in to unmask]>

Reply-To:

Film-Philosophy <[log in to unmask]>

Date:

Sun, 3 Apr 2011 21:44:20 -0500

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text/plain

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text/plain (231 lines)

moisy shopper m.d. <[log in to unmask]>
Please unsubscribe.





> There is 1 message totaling 415 lines in this issue.
> 
> Topics of the week:
> 
> 1. CFP: Mobility and Fantasy in Visual Culture ­ deadline extended
> 
> --
> Film-Philosophy
> After hitting 'reply' please always delete the text of the message you are
> replying to
> To leave, send the message: leave film-philosophy to: [log in to unmask]
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> For technical help email: [log in to unmask], not the list
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> Film-Philosophy journal: http://www.film-philosophy.com/
> Film-Philosophy Conference (6-8 July 2011):
> http://www.film-philosophy.com/conference/
> Contact: [log in to unmask]
> --
> 
> ----------------------------------------------------------------------
> 
> Date:    Fri, 1 Apr 2011 13:37:15 +0300
> From:    Lewis Johnson <[log in to unmask]>
> Subject: CFP: Mobility and Fantasy in Visual Culture ­ deadline extended
> 
> CFP: Mobility and Fantasy in Visual Culture ­ deadline extended
> 
> 
> 
> International Symposium in Visual Culture
> 
> 
> 
> Bahçes¸ehir University, Faculty of Communications, Department of Photography
> and Video
> 
> 20, 21 May 2011
> 
> 
> 
> Keynote speakers: Professors Stephen Bann, Victor Burgin and Lisa Parks
> 
> 
> 
> New Deadline: 10.4.2011. Proposals for contributions concerning mobility
> and/or fantasy in particular in film and/or video solicited... .
> 
> 
> 
> *Mobility and Fantasy in Visual Culture*, the first of a series of
> international symposia on visual culture to be held at Bahçes¸ehir
> University, I™stanbul, aims to enable discussion and debate on topics
> critical in the conceptualization, analysis, evaluation of and intervention
> in visual culture today.
> 
> 
> 
> Once apparently marginal, critical debate in visual culture over mobility,
> actual, virtual and imaginary, has become crucial to formulating positions
> both in relation to changes in communications technologies and in social and
> political relations. Digital visual technologies, it is claimed, have
> multiplied the sites of viewing, shifting audiences from positions of
> passive receptivity, associated with discourses of modern visual culture,
> into a series of modes of interaction. Yet, it is also argued that the
> encoding of kinaesthetic responsiveness in such forms of interaction
> represents a more thorough penetration of imaginative activities than ever
> before
> 
> 
> 
> Contributions are thus sought from scholars working in visual studies, in
> the history and theory of art, photographic, film, video and/or media
> studies that engage with issues of actual, virtual and imaginary modes of
> mobility in relation to images, still, moving and interactive, across modern
> and/or postmodern frameworks. We are particularly interested in ways in
> which the thinking of mobility in visual culture implicates issues of
> boundaries, borders and limits and, given the situation of the University
> overlooking Asian from European Istanbul, we invite contributions that
> concern that critical form of actual and imaginary mobility, orientalism,
> along with neo-orientalist variants and modes of resistant
> counter-orientalist practice. Contributions that address dominant, but also
> repressed, residual and/or emergent senses of space are also encouraged.
> 
> 
> 
> Further priorities may emerge from a range of topics that include the
> following:
> 
> 
> 
> Histories and theorizations of mobile spectatorship, e.g. flaneurism, the *
> dérive*, lines of flight
> 
> Mass and other forms of mobilization
> 
> Figures of immobility in accounts of modern and/or postmodern mass culture,
> e.g. spectacle and passivity
> 
> Monocularity, binocularity and complexifications of perspectival space
> 
> Forms of surveillance and counter-surveillance
> 
> Temporality and movement in film and video
> 
> Territoriality, deterritorialization, reterritorialization and the image
> 
> Intra-corporeal and endoscopic visualities
> 
> Satellite and network visualities
> 
> Simulation and mobility
> 
> New media, mobility and fantasy
> 
> Digital interactivity, kinaesthesia and the image
> 
> Mobility and fantasy in gaming
> 
> Mobile screen visualities, fantasy and sociability
> 
> Histories and theorizations of mobile authorship
> 
> Reading mobile corporeality across visual forms
> 
> Transgression and mobility
> 
> Theorising fantasy, identification and mobility
> 
> Distanciation and mobility
> 
> Posing, performativity and mobility
> 
> Borders, boundaries, limits and mobility
> 
> 
> 
> The symposium will seek to formulate useful positions in thinking the
> history and futures of visual culture, modes of critical engagement with the
> increasing variety of visual technologies, in particular mobile ones, and
> the problematics of actual and imaginary mobility in relation to rhetorics
> and actualities of globalization.
> 
> 
> 
> The symposium will involve 5 or 6 consecutive sessions of three 25 minute
> papers, and 5 concurrent sessions of five 15 minute papers. Currently it is
> envisaged that there will be sessions, of both longer and shorter
> presentations, on: still images; moving images; interactive images; fantasy
> and mobility; and borders, boundaries and limits.
> 
> 
> 
> Please send proposals of up to 350 words indicating which session your
> presentation would be best suited and whether the presentation would be for
> 25 or for 15 minutes (or whether it could be either) to
> [log in to unmask]
> 
> 
> 
> Travel and accommodation assistance is available for contributors of Turkish
> nationality under 35 years of age, up to a maximum of 250 TL [100TL travel
> and 150TL accommodation and subsistence] so please also indicate if you wish
> to be considered for financial support.
> 
> 
> 
> Contact: Lewis Johnson or Tolga Hepdinçler
> 
> Bahçes¸ehir University
> 
> Faculty of Communication
> 
> Department of Photography and Video
> 
> Cžrag˜an Caddesi, Bes¸iktas¸
> 
> 34353 Istanbul
> 
> Turkey
> 
> 0090 (0) 212 381 0446 or 0765
> 
> 
> 
> Symposium website: mfvc.bahcesehir.edu.tr <[log in to unmask]>
> 
> 
> 
> P.S. Apologies for misleading re. amount and availability of state agency
> funds for non-Turkish nationals. The state agency grant is only for
> nationals.
> 
> --
> Film-Philosophy
> After hitting 'reply' please always delete the text of the message you are
> replying to
> To leave, send the message: leave film-philosophy to: [log in to unmask]
> Or visit: http://www.jiscmail.ac.uk/lists/film-philosophy.html
> For technical help email: [log in to unmask], not the list
> --
> Film-Philosophy journal: http://www.film-philosophy.com/
> Film-Philosophy Conference (6-8 July 2011):
> http://www.film-philosophy.com/conference/
> Contact: [log in to unmask]
> --
> 
> ------------------------------
> 
> End of FILM-PHILOSOPHY Digest - 31 Mar 2011 to 3 Apr 2011 (#2011-48)
> ********************************************************************

--
Film-Philosophy
After hitting 'reply' please always delete the text of the message you are replying to
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--
Film-Philosophy journal: http://www.film-philosophy.com/
Film-Philosophy Conference (6-8 July 2011): http://www.film-philosophy.com/conference/
Contact: [log in to unmask]
--

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