medieval-religion: Scholarly discussions of medieval religion and culture
Jim,
I was writing about the "second elevation," as Durantis described it.
Clearly, the first elevation was intended to be seen, as it is
depicted. One of my interests just now is how local councils regulated
display and carrying of the consecrated host. That has led me into
enactments from Moravia to Spain.
Tom Izbicki
Dr Jim Bugslag wrote:
> medieval-religion: Scholarly discussions of medieval religion and culture
>
> Tom,
> In 15th-century images of the elevation of the Host, the priest is
> holding it up very high above his head so that it is indeed visible to
> the congregation behind him. See, for example, Rogier van der
> Weyden's Seven Sacraments altarpiece, in the central panel.
> Cheers,
> Jim
>
> Tom Izbicki wrote:
>> medieval-religion: Scholarly discussions of medieval religion and
>> culture
>>
>> I went back to Durantis & found him discussing three elevations.
>> There are two in the Canon: the "prima elevatio" after the words of
>> institution, signifies the Crucifixion. The one at the end of the
>> Canon, just at the end, signifies the raising up of Christ's body
>> from the ground to place it in the tomb. The priest (he says)
>> represents Nicodemus; the deacon, Joseph of Aramathea. The
>> discussion of this ends with a cross reference to his discussion of
>> the elevation after the breaking of the host.
>> An interesting detail - "exaltat vocem, et etiam aliquantulum
>> elevat." With the priest facing the altar, perhaps this elvation at
>> the end of the Canon would not be possible for the laity to see.
>>
>> See Book IV chapter 46, CCCM 140, pp. 502-503.
>>
>> Tom Izbicki
>>
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