medieval-religion: Scholarly discussions of medieval religion and culture

Today (1. April) is the feast day of:

1) Venantius of Dalmatia (d. 257?) and companions (d. at different times). The bishop V. and his companions in this commemoration (Anastasius, Maurus, Paulinianus, Telius, Asterius, Septimius, Antiochianus, and Gaianus) are martyrs of Dalmatia and Istria whose remains were translated by pope John IV (640-42), a Dalmatian, to the Lateran Baptistery (San Giovanni in Fonte) in Rome and re-interred there in a chapel that has come to be known as that of V. Though the chapel has been rebuilt, it preserves substantial amounts of its seventh century mosaic decor.

Distance views of the mosaics in the Lateran Baptistery's Cappella di San Venanzio:
http://tinyurl.com/c3cb2p
http://tinyurl.com/czumon
V. is depicted second from left in the lower register of the apse mosaic:
http://www.santamelania.it/arte_fede/giovbatt/imgs/img02.jpg
The companions flank the apse at left (Paulinianus, Telius, Asterius, Anastasius [of Salona]) and at right (Maurus [of Parentium/Poreč], Septimius, Antiochianus, Gaianus):
http://tinyurl.com/cj3zev
Several detail views of the mosaics are here (last two rows):
http://tinyurl.com/cm9uox
More detail views of the mosaics start here:
http://tinyurl.com/cgfncj


2) Agape and Chionia (d. ca. 304). A. and C. (also Chione) are said to have been martyrs of Thessalonica (now Thessaloniki). In their surviving acta they are presented as sisters who had converted to Christianity. Their faith was discovered during the Great Persecution when they refused to partake of food that had been offered in sacrifice to the gods. Hauled before a governor of Macedonia named Dulcetius or Dulcitius, they denounced idolatry and refused to offer sacrifice. A. and C. were executed by being burnt alive.

These saints' Passio (BHL 118; includes their sister Irene, now commemorated separately on 5. April) is incorporated in the greatly synthetic one of Anastasia of Sirmium/Rome. The latter brings together in a single fiction a number of cults from the upper Adriatic and, in the case of these sisters, excites suspicion both by making them residents of Aquileia sent by Diocletian himself all the way to Thessalonica for trial and by having it be Anastasia who is responsible for their sepulture.

Aldhelm's recounting of these martyrs' Passio in his verse _De virginitate_ is BHL 119. The parallel account in Aldhelm's earlier prose _De virginitate_ doesn't seem to have a BHL number. BHL 120 is Hrotsvit of Gandersheim's play _Dulcitius_, whose formal title is _Passio sanctarum virginum Agapes Chioniae et Hirenae_ ("The Martyrdom of the Holy Virgins Agape, Chionia, and Irene").


3) Mary of Egypt (d. 5th cent.?). M.'s story is probably too well known to require summation. Some visuals might be nice, though. We could start with M.'s former church in Rome. Dedicated in 872 and deconsecrated in the 1920s, this is now better known as the Temple of Portunus or the Temple of Fortuna Virilis. Picky classicists, the sort who like to refer to the Colosseum as the Flavian Amphitheatre (in Rome), recognize the iffiness of such identifications and prefer to call this building "the oblong temple in the Foro Boario" ("oblong" because there's a circular one there as well). Here are two views of the church of Santa Maria Egiziaca as it will have appeared in the eighteenth century (the second, at least, is from an engraving by Piranesi):
http://www.robertfrew.com/images/F26261.jpg
http://tinyurl.com/3ysx6u
Some more recent views (note the walled-up windows and the parklike surround):
http://tinyurl.com/fjhan
http://www.romeartlover.it/Vasi94f2.jpg
http://tinyurl.com/28od9c
http://www.tamtamtravel.com/opera.php?opera=264
A page of views:
http://www.flickr.com/photos/dealvariis/sets/72157614181975945/

Some representations of M.:
Miniature, Hours of Jean Dunois (between 1436 and 1450; British Library, Ms. Yates Thompson 3, fol. 287r):
http://tinyurl.com/38jejw
Wall painting (fifteenth-century) in the Cappella di Santa Maria at the abbey of Novalesa:
http://tinyurl.com/2evzhz
Same, showing location in the chapel (center: St. Mary Magdalene):
http://tinyurl.com/3b4742
Panel painting by Hans Memling (Triptych of Adriaan Reins, 1480):
http://tinyurl.com/2c3l8m
Polychromed statue, Burgos Cathedral, Chapel of the Constable of Castile, Altarpiece of St. Anne (very late fifteenth-century):
http://tinyurl.com/344ued


4) Walaricus (d. ca. 620). According to his closely posthumous Vita (BHL 8762) W. (also Gualaricus, Walric, Valéry, and many more) was a native of Auvergne. In about 611 he settled as a hermit on the headland of Leuconay in the Somme estuary. W. attracted disciples and these founded a monastery in whose primitive church W. was buried. In 627 Chlotar II funded new buildings on the site, which became a popular pilgrimage destination and survived several raids by Northmen. Known by the name of its saint, its town is now Saint-Valéry-sur-Somme (Somme). In 1066 a duke of Normandy who had assembled a fleet in the immediate vicinity is said to have had G.'s remains publicly exposed in order to obtain a fair wind for his nautical enterprise.

The first view in this set of expandable thumbnails is of Saint-Valéry-sur-Somme's mostly sixteenth-century église saint-Martin, said to have twelfth- and thirteenth-century construction in older sections:
http://www.noscotes.com/pagefr/saint-valery-sur-somme.php
Another view:
http://taillefer.ouvaton.org/valery/valery4.html
That gabled porch-like extension has some interesting gargoyles. Here's a detail:
http://photosdecindy.unblog.fr/files/2007/11/p1020555.jpg
Better views of the church are here (in the menu at left, select Picardy; when the new matter loads, in the box at upper right select Photos, then in Somme select Saint-Valéry-sur-Somme):
http://www.france-voyage.com/en/


5) Hugh of Grenoble (d. 1132). H. was a canon of Valence of reforming temperament who when still a young man was elected bishop of Grenoble. Disdaining as a simoniac the then archbishop of Vienne, H. chose instead to be consecrated at Rome by pope St. Gregory VII. Intermittently successful at reforming his diocese, he twice tried monastic life instead, first as a Cluniac at La Chaise-Dieu and later with St. Bruno at the Grand Chartreuse, in whose foundation H. had assisted as the local bishop. On the first occasion he was recalled by Gregory and on the second Bruno told him that he really should return to his diocese. At least, that's how prior Guigo I of the Grand Chartreuse relates these events in his Vita of H. (BHL 4016), an important document for early Carthusian history.

Grenoble's église de Saint-Hugues is an essentially thirteenth-century church on a twelfth-century base, adjacent to the cathedral of Notre-Dame. In this view Saint-Hugues is at left and the church with the belltower over the porch is the cathedral:
http://en.structurae.de/photos/index.cfm?JS=46039
In this view they are both at center left:
http://tinyurl.com/2dub75
Further views of the cathedral:
http://tinyurl.com/2nw7w4
http://en.structurae.de/photos/index.cfm?JS=46041
http://en.structurae.de/photos/index.cfm?JS=46040
These churches were renovated relatively recently. Here's a page of expandable pre-renovation views of the cathedral (curiously called "Saint-Jean" here), showing the lamentable and now vanished facade added in the nineteenth century:
http://tinyurl.com/38m8k7

In 1101 H. gave Benedictines permission to found in his diocese the monastery of Chalais, near Chartreuse. It is now a convent of Dominican sisters. Many views of its church (esp. sculptural details) can be accessed from this page:
http://www.chalais.fr/rubrique.php3?id_rubrique=5

Best,
John Dillon
(Agape and Chionia, Mary of Egypt, Walaricus, and Hugh of Grenoble lightly revised from last year's post)

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