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MUSICOLOGY-ALL  October 2008

MUSICOLOGY-ALL October 2008

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Subject:

Copyright on sound recordings

From:

"J. P. E. Harper-Scott" <[log in to unmask]>

Reply-To:

J. P. E. Harper-Scott

Date:

Wed, 8 Oct 2008 07:47:16 +0100

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (171 lines)

Begin forwarded message:

> From: "JISCMAIL LISTSERV Server (15.0)" <[log in to unmask]>
> Date: 7 October 2008 21:49:40 BST
> To: "J. P. E. Harper-Scott" <[log in to unmask]>
> Subject: MUSICOLOGY-ALL: approval required (49329E1B)
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****Forwarded message from Nicholas Cook <[log in to unmask]>****

Most of you will probably know that the European Commission, prompted  
by the
major record companies, plans to extend copyright on sound recordings  
from
50 to 95 years, in line with the US. The result in the US has been to  
make
access to the vast majority of the recorded legacy impossible (for  
details
see http://www.clir.org/pubs/execsum/sum133.html). Unlike the US
legislation, the Commission's proposals include a 'use it or lose it'
provision, by which if after 50 years sound recordings are not  
reissued by
the rights owner copyright reverts to the performer(s), and if they  
are not
then reissued by the performer(s) copyright lapses--but in its current  
form
the provision appears quite unworkable, and in any case it would not  
apply
to recordings produced from now on.

There is a great deal of coordinated opposition from copyright lawyers  
and
other experts, including some musicological groups, but there is no
substitute for people making their views known to their MEPs. If you  
care
about access to the heritage of recorded music, either now or in the  
future,
then please read the following circular from the Open Rights Group.

---------------------------
Nicholas Cook, FBA
Professorial Research Fellow, Royal Holloway, University of London
Director, AHRC Research Centre for the History and Analysis of Recorded
Music [log in to unmask]

-----Original Message-----
The European Parliament has begun preparing its opinion on the European
Commission's flawed proposal to extend the term of copyright  
protection for
sound recordings. MEPs have been appointed to act as rapporteurs, who  
will
guide the committees that will recommend how Parliament should vote.  
Your
MEPs need to know that their voters are concerned and paying attention  
- get
in touch with them to let them know your concerns. To help you do this  
we've
prepared a guide to lobbying your MEPs (1) and a briefing pack (2).

(1) http://www.soundcopyright.eu/system/files/MEP+lobbying+tips.pdf
(2) http://www.soundcopyright.eu/system/files/Briefing.pdf

Lobbyists for term extension are making the case to MEPs inside the  
European
Parliament right now. But your voice is stronger than any lobbyist. We  
can't
overstate it: the most important thing you can do to stop term  
extension is
to let your MEPs know your concerns so they an see and hear your side.  
Be
aware also that MEPs can be deluged with information on many topics and
appreciate being treated as individuals.If you want to travel to  
Brusselsto
meet your MEPs and need help - hit reply. If you have a story or an  
interest
that we should know about - hit reply. Now is the time to speak, so  
use your
voice wisely!

We'll keep you updated of major developments, but you can track the  
proposal
on the Parliament website (3) and the details of relevant committees  
and MEP
members are also available (4). Currently Legal Affairs (JURI) are  
leading.
Three other committees - Internal Market and Consumer Protection (IMCO);
Industry, Research and Energy (ITRE); and Culture and Education  
(CULT), will
also help.

(3)
http://www.europarl.europa.eu/oeil/FindByProcnum.do?lang=3D2&procnum=3DCOD/2008/0157
(4)
http://www.europarl.europa.eu/activities/committees/committeesList.do?language=3DEN

In the meantime the Directive is also being discussed by  
representatives of
Member States in the Council of Ministers. And criticism of the  
Commission's
proposal is emerging all over Europe.

The world leading Max Planck Institute for Intellectual Property Law  
(5) in
Munich, has released a statement concluding that prolonging the term of
protection "cannot be justified from any point of view." (6)

(5) www.ip.mpg.de
(6) http://www.ip.mpg.de/en/data/pdf/stellungnahme-bmj-2008-09-10-def_eng.pdf

Professor Bernt Hugenholtz, Director of the Institute for Information  
Law
(IViR) in Amsterdam, and one of the Commission's own advisers, has  
accused
Commission President Jose Manuel Barroso of intentionally misleading
policy-makers with the proposal (7).

(7) http://www.ivir.nl//news/Open_Letter_EC.pdf

Pekka Gronow, sound archivist, author of "An International History of  
the
Recording Industry", and adjunct professor of ethnomusicology at the
University of Helsinki, has written and concluded that performers  
benefit
very little from the proposed extension ("in most cases the resulting  
sums
will not even cover bank charges"). (8)

(8) http://blogit.yle.fi/node/2234

And of course, ORG have written to the authorities in the UK, explaining
exactly why the proposal makes no sense (9).

(9) http://www.openrightsgroup.org/uploads/080829_ukipo_ectermextension.pdf

The Sound Copyright Campaign=20
Run by the Open Rights Group and EFF

----------------------------------
One other link (added by Nicholas Cook): statement from the Centre for
Intellectual Property Policy & Management, University of Bournemouth:

(10) http://www.cippm.org.uk/publications/index.html


****End of forwarded message****

______________________________________

Dr J. P. E. Harper-Scott
Lecturer in Music
Department of Music
Royal Holloway, University of London
Egham, Surrey TW20 0EX, Great Britain
http://www.rhul.ac.uk/Music/jpeh-s.html
______________________________________

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